Essay On Artwork: Johannes Vermeer

As I was walking across the 17th century art section at Walters Art Museum, hanging behind the big rectangular pillar in the middle of the hallway, an oil painting on panel by Trophime Bigot draws my attention. The high contrasting tones of colors and values and the artist capability to make the grotesque painting appealing interest me.

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

This artwork appears to be an abstract piece made from magazine clippings to create a collage. The artwork is a vertical piece that measures approximately 17 x14. It focuses in on the subject of a girl who is created out of neutral colors. She stands out against the rainbow background. In the background each clipping has a different element and pattern, but they all work in unison creating a rainbow background.

Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to

In this selection of the book, Gitlin discusses a seventeenth-century Dutch painter by the name of Vermeer. Vermeer was known for being able to”fr[ee]ze instants, but instants that spoke of the relative constancy of the world in which his subjects lived” (Gitlin 558). People collected Vermeer’s paintings for display throughout their homes. Gitlin sees Vermeer as the seventeenth-century version of the media. In that time, the images painted were relative to the people’s era and private world. In today’s world Vermeer would be the equivalent to a celebrity photographer or movie director. If Vermeer, or any other artist of his time, were to see today’s households, they would find that the once private space inside the home is now much more dominated by images of the outside world than what would have been possible in the 1600’s.

The art piece that I chose to critique is the sculpture of a figure kneeling down and getting shocked. It is located on campus near the Morris University Center(muc). When I first saw this sculpture it caught my attention immediately, because of how gruesome the piece was. I feel like I don’t have a good understanding of what the sculpture represents, but it seems like it would raise plenty of controversy, due to its erotic features. It seems like the artist was venting his emotions when he created his idea. The sculpture is fairly large in size, which makes it noticeable, among the other art pieces on campus. The sculpture media consist of wood and concrete, and metal mostly. The individual is keeling down toward the west and is supported

The unique way of describing the graphics about global trading in seventeenth century by Timothy Brook in the book Vermeer’s Hat: The Seventeenth Century and The Dawn of The Global World indeed bring a new and vivid view of art and history, so fresh and interesting, makes me like being in the world of that “age of discovery”, and indulged in the proceeding of macroscopic to microscopic changes in the cultural history. Under Timothy Brook’s writing, the seventeenth century’s painting is no longer display of pure reproduction of scenery frames, but becoming the picture clues of global commerce and culture mixture. Through detailed analysis and interpretation of the paintings, the different parts of the world linked like the Dutch city of Delft, the Ming Dynasty of China, the Americas and the Philippines together in one book, building a broad view of the 17th century, about global trade and cultural exchanges...

Who was Vermeer? Johannes Vermeer was a 17th century master painter who was known to create some of the world's most vibrant paintings. His early works include a painting titled "Girl Asleep at the Table." He later painted "Little Street" and "View of Delft”, then “The Procuress”. He also explored mythology in "Diana and Her Companions", and religion in "Christ in the House of Mary and Martha". After 1660, his style changed and became very unique. During this time period Vermeer is best known for his "pearl pictures," which include "The Concert" and "Women with a Water Jug", as well as an exceptional painting named "Girl with a Pearl Earring". His works of art were most likely not created or aided by mechanical devices as many claim, but by

Throughout history, drinking, transportation, apparel, and even tobacco use has changed overtime, which is shown through different paintings and visuals. There have been many similarities in culture and beliefs, as well as many differences in culture and beliefs. This all goes to show how history progresses and change overtime.

Vincent Willem van Gogh was born on March 30th 1853, in Zundert, The Netherlands. Van Gogh spent his teenage year’s working for a firm of art dealers; however, he did not embark upon his art career until 1880. Originally, he worked only with dark and gloomy colors, until he came across the art movements developed in Paris known as, Impressionism and Neo-Impressionism (Meier-Graefe 4). Van Gogh than included their brighter colors and unique style of painting into his very own creations. He produced more than 2,000 works, including around 900 paintings and 1,100 drawings and sketches, during the last ten years of his life (Meier-Graefe 10). However, most of his best-known works were produced in his last

          4.Vincent would stay there for two years and transfer to paris for a year and then come back to london.

When one considers the term “Art Nouveau,” what comes to mind most immediately is “images of a European-wide invasion [characterized] by the restless dynamism of organic form”(Silverman 1). For me it is usually the work of Alphonse Mucha– his mysterious women surrounded by the beauties of nature. Often my Art Nouveau fantasies take shape in the odd fungal-shaped stained-glass lamps of Tiffany. Or sometimes they surface as the romantic Parisian posters I’ve seen at Pier One, advertising champagne or cats noir or bicycles or the like. But no matter what ones notion may be of what Art Nouveau looks like, there is a feeling that accompanies it that is at the heart of the style’s appeal. It is difficult to define or describe what

When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of

"A picture can paint a thousand words." I found the one picture in my mind that does paint a thousand words and more. It was a couple of weeks ago when I saw this picture in the writing center; the writing center is part of State College. The beautiful colors caught my eye. I was so enchanted by the painting, I lost the group I was with. When I heard about the observation essay, where we have to write about a person or thing in the city that catches your eye. I knew right away that I wanted to write about the painting. I don’t know why, but I felt that the painting was describing the way I felt at that moment.

His soul had arisen from the grave of boyhood, spurning her grave-clothes. Yes! Yes! Yes! He would create proudly out of the freedom and power of his soul, as the great artificer whose name he bore, a living thing, new and soaring and beautiful, impalpable, imperishable