Essay On Casa Batlló

The building is four stories high made of brick, tile, and concrete. The east façade also has Classical features such as a frieze, dentils, cornice, raking cornice, entablature and an architrave. The front of the façade was adorned with floral coffers, corbels, as well as post and lintels (Photo 2).

The third floor is host to four bedrooms. This is the adult sleeping quarters. Each room has a coal fireplace, hardwood floors flowing throughout, the same white paint on the walls, and extravagant gas light fixtures. It has high windows that lead to the balcony and provides a spectacular view.

There are a total of forty-three rooms in the entire structure: thirty three are in the house itself (cellar, twelve; first floor, eleven; second floor, six; third floor four); four in the pavilions; and six under the South Terrace. The stable and carriage bays under the North Terrace are not included in these totals. The first design of the Monticello had fourteen rooms total (cellar, six; first floor, five; second floor, three). The overall dimensions of the building are 110’ long, 87’ 9" wide (to outer faces of porticoes), 44’ 7" high (to oculus of dome). The heights of the different rooms vary, but as examples, the North Octagonal Room is 9’ 10" Vs the Entrance Hall which is 18’ 6". There are thirteen skylights (oculus plus twelve.) The oculus was used in Greek architecture not only for light but for religious ceremonies and a monitor of the sun. The entire house is about 11,000 square feet. However this is including all the modern additions. Only one-third of the window glass remains.

The building itself uses an abundance of straight lines that give it a very neat and sleek finish. It is perfectly symmetrical, having a broad staircase with granite steps going right down from the second level to the front of the building. Written on these stairs are the words Invent, Discover, and Remember. Right next to this staircase, placed on each side are some brilliant green plants which wrap around the entire building and make it look very appealing. The building has several tower like sections that have upward sloping roofs that give it a bit of a medieval castle look. Made mostly of red brick and a yellow looking stone, this also gives the building the look of a castle. It also has lots of windows that give a welcoming feeling. There are also six bright lights which hang down from the second and third levels which add to that welcoming

Everything what makes it difficult to see, for example dimming lights and dark thick walls are characteristics of this type of architecture. Overall you could say, that the count's castle looks like the cathedrals in the thirteenth century, it is a copy of a medieval building.

elegance, and color. The structure is an octagonal exterior wall placed under a golden dome. The

homes made of planks from cedar. There were no windows on the house itself, but there is a

Wealthy romans lived in large houses that were beautifully constructed. The floors were covered with mosaics, stone or marble. The walls were lined with marble slabs or were frescoed. The ceilings were bare, exposing beams, but in finer houses they were covered with ivory, gold or were frescoed. The layout and design of Roman houses reflected the Roman culture. There were many rooms in these roman homes. The names of the rooms are: triclinium, ala, cubiculum, vesibulum, exedra, taberna, peristylium, culina, atrium, and the tabilum. Each one of the rooms had a specific purpose.

John Volk was the architect that designed The Museum of Fine Arts and explained the structure as such: “a museum should give a feeling of permanence and that is what I have tried to do with this building”. His plan was well executed, when I arrived to the museum I noticed two different designs. The front of the museum reminded me of the Ionic Order, the Volutes and the molded bases became my main focus. The beige paint seemed like a great fit as well, it added to the light and airy flow within the museum and gave me further evidence that the Ionic order outside represented what was displayed inside. However, the actual style of the building was a Palladian Style which originated from Europe in the 1500’s.

Filippo Brunelleschi was in many senses a modern day entrepreneur in the Middle Ages. He is the architect and innovator responsible for building the Santa Maria del Fiore, arguably the greatest dome ever built. In the years leading up to and during the construction of the dome, his life was surrounded by managerial aspects.

This luxury home is a one-o a kind villa that offers a view of the Sea of Cortez. Walk to the sandy beach and enjoy the sunset on one of the most romantic venues in Los Cabos. Bring up to ten guests and enjoy the highest quality in custom furniture, art and collectibles from Mexico. The kitchen is considered A-grade commercial and the attached dining room seats up to twelve guests. The private courtyards include a heated infinity pool and spa, two fire bowls, a Viking gas grill and many seating areas for guests. At only $5,500 USD per night, this is only one example of long-term rental

On each side, two terraces with gates gave access to the interior rooms. One of this terraces displayed pictures from that time. It was built with pentelic marble.

Antoni Gaudi was a Catalan architect from Spain who lived from 1852-1826 and was the master of Catalan Modernism. Most of Gaudi’s work was marked by his 3 passions of life; religion, nature and architecture. His works show various unique styles that he attained through researching natural forms and employing them in his buildings while studying every detail of his creations, assimilating into his design every innovative design solution. He was influenced by Neo-Gothic art and became a main part of the Modernisme movement, even though his works transcended the design of mainstream Modernisme. He used organic styles inspired by forms he found in nature and rarely drew plans, instead much preferring to use models and 3D moulding. His works

As a good Architect Palladio first looks at function, the structure is a building it mush have four sturdy walls and a tight sound roof, it must be well grounded with a proper foundation as to not sink. Next, the building is a house; it must have a proper entrance, a flowing floor plan, and adequate living spaces. Finally, what are the needs and wishes of the future residents; this will dictate the number, size, and types of rooms necessary. After all of these issues

From the rooms on the first and second floor, the views of the city can be seen as there is a small balcony for each room that open onto this narrow airwell, water feature and the old party wall where the guests can have a cup of tea or coffee enjoying the beauty of the city. With the design which has lots of open and exposed spaces as well as the floor-to-ceiling glass windows and the modern comforts and fittings, plenty of natural light can penetrate into the room although they are compact and minimalist. Each light-filled guest room has a glass-enclosed compact bathroom with the privacy is protected as those glass walls are facing the mouldy walls of the adjoining shophouse. Moreover, guests can also relax themselves and mingle on the small roof terrace upstairs with the lovely views of the historical