Essay On Cat's Cradle

"All the things I am about to tell you are shameless lies." So begins the Books of Bokonon. Bokononism is an original religion that is introduced in this book, Cats Cradle by Kurt Vonnegut. The book shows the importance of religion, even if that religion is "shameless lies". It also displays how people convince themselves that things are better then they really are. I read this book because of a promise I made to my father. I'm glad I made that promise; I just read a delightfully funny and deep tale about the end of the world.

Film exists in layers of physical existence and reality. You have the layer the audience views of the film’s world - setting, characters, and plot - and then you have the layer the film production workers view of the film’s world - actors, the set, and the story. Like photography, film is able to establish a physical existence. However, unlike photography, film uses two very unique and different techniques in order to establish its physical existence. According to Siegfried Kracauer, film establishes its physical existence through representation of reality as it evolves through time and with the help of techniques and devices exclusive to cinema cameras (Kracauer 187). All the world is a stage for film, however Kracauer lists specific techniques of film he refers to as cinematic due to how these techniques are read on the cinematic medium. Although Kracauer wrote his theory on Establishment of Physical Existence in 1960, the 2015 movie Tangerine contains a fair amount of content that can be serviced as examples in order to support Kracauer’s theory. Using the 2010’s movie Tangerine directed by Sean S. Baker, modern cinema examples from various scenes of the film can be provided for examples on Siegfried Kracauer’s theory of Establishment of Physical Existence through cinema’s recording functions of nascent motion, cinema’s revealing function of transients, and cinema’s revealing function of blind spots of the

My initial reaction to the film was of utter shock at the brutally raw reality of the film. Upon reflection and commentary from other sources, the film’s simple yet vastly effective filmmaking techniques of developing the explicit and implicit meaning of the film. The explicit meaning, as

“Analyse, evaluate and compare the techniques used to dim the horror of the real life events discussed in the novel The Boy in the Striped Pyjamas and the film Life is Beautiful.”

	In Edgar Allan Poe’s "The Black Cat," symbolism is used to show the narrator’s capacity for violence, madness, and guilt. "The Black Cat," written by Edgar Allan Poe serves as a reminder for all of us. The Capacity for violence and horror lies within each of

Edgar Allen Poe’s short story The Black Cat immerses the reader into the mind of a murdering alcoholic. Poe himself suffered from alcoholism and often showed erratic behavior with violent outburst. Poe is famous for his American Gothic horror tales such as the Tell-Tale Heart and the Fall of the House of Usher. “The Black Cat is Poe’s second psychological study of domestic violence and guilt. He added a new element to aid in evoking the dark side of the narrator, and that is the supernatural world.” (Womack). Poe uses many of the American Gothic characteristics such as emotional intensity, superstition, extremes in violence, the focus on a certain object and foreshadowing lead the reader through a series of events that are horrifying

Despite having an archetypal storyline, The Princess Bride proves to be anything but predictable. From the moment the title appears onscreen in a font that evokes classic fairy tales such as Sleeping Beauty, it is clear the story is going to be rooted in fantasy. Following the appearance of the title comes the sound of a child’s cough as the black screen gives way to the graphics a baseball video game. The camera pans around the room to reveal posters of Chicago Cubs and Bears players, and soon rests on a child, presumably the source of the cough. Thus, the mise-en-scene has introduced to one of our two narrators, the other being the child’s grandfather who comes to read him a story. Though the novel read by the grandfather conveys a hackneyed tale of undying love, the film frames this in a self-aware way with periodic interruption of the story’s narrative by comments from young boy which are cynical at first, by grow to reflect a genuine interest as the movie progresses. This move is self-reflexive in that it reminds the audience that they are, in fact, watching a move; however, this serves to elevate the meaning of the film. Through the use of sound, editing, and mise-en-scene, The Princess Bride emphasizes that even though the concept of true love has saturated society and become cliché, it’s no less potent because of the cultural overplay. I will specifically discuss the utilization of deep focus shots, color, and lighting that caricaturize the traditional fairy tale,

Cat's Cradle by Kurt Vonnegut is a satire on the state of world affairs in the 1960's. Vonnegut made a commentary in this book on the tendency of humans to be warlike, belligerent, and shortsighted. The main character of the book, the narrator, is certainly not a protagonist, although the modern reader craves a hero in every story and the narrator in this one is the most likely candidate. Through the narrator's eyes, Vonnegut created a story of black humor ending in the destruction of the earth.

Everyone has heard the expression "curiosity killed the cat." That is to say, the search for new wisdom can often have unpleasant consequences; a child curious about the kitchen stove is bound to get burned. This is exactly what Kurt Vonnegut demonstrates in Cat's Cradle with the example of ice-nine, which is developed by the fictional creator of the atom bomb, Felix Hoenikker. It is symbolic of the atom bomb in that it has the power to end human life. Hoenikker is obviously an exceedingly smart man; however, it can be inferred from his inventions that he does not always consider the negative consequences of his new discoveries. He is merely on a quest for further knowledge, not a quest to better our society. The game of cat's cradle,

Religion is common around the world on every continent, in every country, in all kinds of different people. Despite their differences, they all provide something that the group of people needs. But is there some truth in what some may call lies? In Cat’s Cradle, by Kurt Vonnegut, religion works for the people of San Lorenzo, giving them comfort in the worst of conditions. While religion may just be made up lies, it is more beneficial than science, which cannot give people what they need.

As an author, Kurt Vonnegut has received just about every kind of praise an author can receive: his works held the same sway over American philosophy as did those of Jack Kerouac or J.R.R. Tolkein; his writing has received acclaim from academics and the masses alike; and three of his books have been made into feature films. Society has permanently and noticeably been altered by his writing. Through accessible language and easily-understood themes, Vonnegut has created works subtle, engrossing, and familiar. His main method for doing this is by exploiting a theme with which everyone is familiar and about which everyone has his own opinion: religion.

The directors chosen camera technique, a simple two composition that progresses the scene a steady pace, forces the audience to feel a part of the awkward exchange; obviously, a quality of film that could not be as profoundly achieved through the narrative in the novel.

Theorist Vsevolod Pudovkin claims that narrative films are mainly a “product of construction” and cautious compilations of “selections of images that have been shot” (Renée).

“The Black Cat” by Edgar Allan Poe is one of Poe’s greatest literary works that embodies his signature themes of death, violence, and darkness. Poe’s main character begins his narration of his horrible wrongdoings regarding them as a “series of mere household events” (Poe 705). However, this is where Poe’s satire and irony begins and the story progresses to show the deranged mindset of this character as he tries to justify his actions. As the main character proceeds to rationalize his crime, Poe is able to convey a sense of irony through his use of foreshadowing, metaphors and symbolism.

Cat’s Cradle is a story of the interweaving tendrils of fate, of the world and the people in the play of life, just as a cat’s cradle is the interweaving of strings—they both make purpose of something usually devoid of meaning. What meaning can an object have when it is untrue to its core; as Newt points out, a cat’s cradle has “no damn cat, and no damn cradle” (Vonnegut 166). This façade of image is a recurring idea in the book; applying to the fictional religion built on lies, the way of life on San Lorenzo, and the idea of love in the books. While many ideas are obviously connected to the idea of a false image with the cat’s cradle, this concept applies to the topic of science as well. Science, which is whole-heartedly encouraged by all but a few characters, is seen to be the greatest source of knowledge in the fictional world which Kurt Vonnegut has created with San Lorenzo and ice-nine, so it is also the greatest source of ignorance in the books. Asa