Essay On Choro

The modernize approach of religion and traditions of the old African culture now converted into an Afro-Brazilian culture that still has an impact and exists today which is also still celebrated in Brazil. I believe that without slavery, many of the importance of both sides of society selling slaves and buying slaves would not have shaped humanity in the modern world. “Two centuries had seen African and European cultural religious and linguistic habits merging into unique Afro-Brazilian social and religious customs, music, and storytelling (Nellis 62).” The cultural influence of Afro-Brazilians has persistently grew from celebrations like carnaval into a mainstream popular culture. Brazil holds a variety of different ideas, culture and people. These ideas and traditions include musical interests, dancing, different food dishes, literature and art, festivities, and religious practices.

The genre bachata was developed in the Caribbean island of Dominican Republic. This genre was created based on boleros (slow-tempo Latin music), son cubanos, waltzes, Mexican music and merengue. Bachata is well known as love and depressing songs in which many people describe them self with this genre. At one point back in the earlier 1960s, bachata was considered vulgar and low-class. “Acceptance of the music has increased significantly in the last two decades, although some dominicans, both individuals living on the island and stateside, still do not accept the music because of the implication of its lower-class origins and associations with such themes as crime, poverty, drinking, and prostitution’’(Stavans 47). The genre Bachata has spread and grown so quickly for the past few years that is has become very famous in the United States, Europe, China, and South America. The genre bachata is well known to attract people with its lyrics, instruments, and dance since it identifies many people with real life events.

Moreno asserts that ““Too many times, we have read our history books that have been written by Europeans, and it has had a tremendous impact in the way we view our culture and listen to our music. I do think that our identity is lost with it and at some point, we try to find it again later in life” (7). Students are able to see a different point of view rather than only the perspectives of textbook writers who at times deprive students from the full truth and the media who exaggerates or embellishes the truth. Many artists and musicians express their anger and oppression through music and students are able to listen to this and get the complete synopsis of problems happening in the world. For instance, in “The Embodiment of Salsa: Musicians, Instrument and the Performance of a Latina Style and Identity,” Patria Roman-Velasquez argued that the embodiment of salsa develops through specific practices whereby instruments, performance techniques, vocal sounds, bodily movements and ways of dressing are encoded and experienced as part of a particular Latin identity. Therefore, this expressing that music has much of an influence in Latin identity and the construction of identity and

There are multitudinous types of Chicano music that include all types of instruments, verses, backgrounds, and purposes. According to Tatum (2001), “The popular Hispanic folk music has deep roots in Spain and Mexico, but it is a living cultural form that is forever changing and adapting to new social conditions and musical currents (Robb 1980, 5)” (p.15). Modernization also plays a key role in the diversion of Chicano music. For example, as new instruments were being invented, they were then incorporated into the music, making it sound more different and attractive. The types of Chicano music range from romance which could narrate an event, corridos, which was a form of cultural differentiation, alabanzas, which were specifically religious, and the canción, in which lovers expressed their deep adoration for each other (Tatum 2001). If a man who was lost in his woman’s eyes wanted to choose a song for their

Hispanic’s music had a great impact in USA. Nowadays, Americans listen to Hispanics’ music. Hispanics’ music now is part of American’s culture. These changes in USA began around of 19th century, when Hispanics immigration increases in the USA. One of the big changes in music occurred around 1940s, when Americans began to recognize the efforts of Cuban-American musicians. One of the Cuban bands was Cugat. It was known better Orchestra ‘based in New York’s Waldorf Astoria’ which had a great visual and musical style. Another Cuban band was Machito who were dominated as one of the best New York’s scenes at that time. Thanks, to those bans Americans adopted some of Cubans’ dances and performances such as rumba, mambo and cumbia. Americans used and still using the Cuban instruments like bongos and maracas to create their rhythms. Later on, Americans created Jazz by African Americans with the influenced of Cuban’s music.

Latin Dance has evolved into a vivid kaleidoscope of many different cultures dancing to the beat of a single drum. These types of music which find their origin in African influence have developed into a meshwork of individual sounds and have grown to be identified with a particular culture. An example of such can be seen in the evolution and history of one of these, Merengue. This type of dance is native to the Carribean, however, it has developed and taken its precedence in the Dominican Republic. This Carribean nation has been crucial to the spread of this music on an international level.

How did Cuba and Brazil affect popular music, culture and dance in the 1940’s and 50’s? In this investigation I am going to establish what affects Cuba and Brazil had on popular music and dance. The first thing I’m going to do is discover how the music from Cuba and Brazil spread to America, the center of music. While doing my research I will be looking at what types of music were popular in Cuba and Brazil during the 40’s and 50’s as well as how these types of music affected American popular music. Two of the sources I used in this essay, Latin Music USA and Music in Brazil will then be evaluated. To

Within a matter of months, I went from knowing close to nothing about Brazilian music to now knowing not only about the music, but the culture of Brazil as well. We have studied many genres including Samba Afro, Samba Reggae and Axé, all of which are unique in their own way, but also have many similarities. Essentially, each one of there specific genres ties back to candomble in some way. In addition to candomble, they also heavily relate back to the African heritage and history. The 1980’s proved to be a pivotal turning point for all of these genres as the abolition of slavery was taking place.

Whenever I spend time with my family, music permeates the place. Producing a relaxing, peaceful environment, the slow, Salvadoran cumbia differs from the upbeat, Puerto Rican salsa and reggaeton which create a convivial, dancing atmosphere. Soaking in the mumbling music as they casually converse and dine, my Salvadoran family contrasts with my Puerto Rican family. Initiated by yelling “WEPA” and demanding dancing, the music couldn’t even restrain my ailing, wheelchair-bounded great-grandmother from

This paper will be comparing and contrasting Merengue Tipico music, which is a type of merengue, and bachata music of the Dominican Republic. Merengue and Bachata are the two most popular music genres in the Dominican Republic. These two kinds of music represent the Dominican Republic and its people. Many Dominicans have taken their music and traditions to different parts of the world. Mainly, the Bachata and Merengue have expanded to different cities of the United States and Latin America. Although both genres have a lot of characteristics in common, they also have many differences. Two of the main differences these two genres have are the instrumentation and their artists and composers.

The calypso music that comes from a Trinidad musician is exciting, not on the ground of the blood that he carries in his veins but rather the historical, cultural, and religious favors that are brought together to ensure its production.

To better appreciate Samba, one must understand the history of the country and the people that gave it life. Brazil's individual national character and rich musical tradition are the result of a profound mingling of races that has been ongoing in the country since the landing of Pedro Alvares Cabral in April 1500. Even before this event the indigenous Indians of Brazil had an already established musical culture; they sang solo and in chorus, played whistles, horns, and flutes, and beat out rhythms with hand-clapping, foot-stamping, rattles, beats, and drums. With the Portuguese invasion came the piano, violin, guitar, clarinet, and tambourine. These were incorporated into the musical forms of moda, modinha, acalanto, fofa, and fado, which were songs of sentiment, lullaby, and dance. The Portuguese also brought religious festivals and pageants such as the reisado and bumba-meu-boi. The former in celebration of the Epiphany and the latter an elaborate enactment of the death

Art has always been used to symbolize one’s culture, history, society and national identity. Countries identify each other through their culture, their art. Art has many forms, one of them being music. One of the most famous music genres in the world is samba. Due to the fact that Samba is the musical life force of Brazil; it ultimately represents their national identity.

We left Liberia early in the morning and flew to David, essentially the first stop after the border between Costa Rica and Panama. This was simply a fuel and food stop. Once again, the difference between general aviation in Latin America and the United States was readily apparent. In the United States, if you wish, you can just hop on an airplane and go. Unless you elect to, you are not required to file a flight plan, you are not required to check the weather, and you are not even obligated to talk to anyone if you don’t care to. Obviously, it is advantageous to follow those procedures; however, there is no obligation to do so. Throughout the trip, Miguel and I were required to follow those protocols and to exercise great care not to deviate

Choro has survived more than a century. It has survived popularity various movements Brazilian music, bossa nova, pagode, samba, and the influence of Tropicalia, abroad. Most Brazilian choro have heard at some point in their lives, and for young people it was considered that music of older generations. Choro popularity has fluctuated since its inception, and it has been able to increase production of its newest in popularity began in the late 1990s, particularly among young musicians. For the first time in the history of choro's, special music school dedicated to teaching choro has appeared in a variety of locations throughout Brazil.