Essay On Cupid

The love of affection is a term that I feel I have had in my life and was easily portrayed as a need. My parents are the people in who brought me into this world. They have shown me their ways of becoming a person- by me making my own decisions, and most importantly having a walk with Christ. They may have been a pain to me through discipline, but they always have shown me their love through affection.

Through Alcibiades’ speech about love, it should be connected with Diotima’s speech which comes from Socrates. She claims that Eros is the love of beauty, but not the ideal love. “ Then don’t compel what is not beautiful to be ugly, nor what is not good to be bad. So too for Eros, since you yourself agree that hi is neither good nor beautiful, do

The story of Theseus and Hippolytus is another myth that shows the role of women in Greco-Roman society. In this story Hippolytus rejects Aphrodite to follow Artemis. In revenge, Aphrodite makes Hippolytus' mother Phaedra fall in love with him. Phaedra, unable to control her sexual desire, makes her move on Hippolytus. After he rejects her, she hangs her self and leaves a note saying that Hippolytus raped her. When his father Theseus returns he kills him. This story shows that the Roman-Greco society thought women were filled with lies and the cause of many bad things. This is different than women's roles in today society because today it is usually thought that more men lie to avoid

In the story of Cupid and Psyche, Psyche marries a man she has never seen in daylight, but this does not bother her, as he is very good to her. However, her sisters come and make her suspicious of who her husband may be and believe him to be a beast. Even though her husband had only asked for her loyalty to his wishes, to trust him and not try to look at his face, Psyche is unfaithful. When Cupid sees that Psyche has proven to be a disloyal wife, he leaves her. In this case Psyche was not just disloyal to her husband

In contrast to the father, the mother had a connection with their children, often leading to an overthrow of the husband. This materialistic love is easily shown in the myth of Demeter and Persephone. “ The joy of Demeter’s eternal lifetime was her daughter, Persephone, whom she had borne to Zeus “ ( Rosenberg Demeter 94). After Persephone was taken away, Demeter became infuriated and even “ withdrew her life sustaining powers,.. she broke the plows, killed oxen, and caused the earth to shrivel” ( Rosenberg Demeter 96). Seen from Demeter’s reaction to the situation, the bond between mother and child was very strong compared to that of the father. When Persephone returns, she takes comfort in her mother rather than her father. Children usually took the mother’s side and went against their father’s will. In the creation myth of the Greeks, there were two generations in which the mother wanted to protect her children from the grasps of the father. Gaea was afraid of what Uranus would do to their fearful children, and sought to protect them ( Rosenberg Creation 86). The wives of Cronus and Uranus both schemed the overthrow of their husbands,

After displeasing Venus and upsetting Cupid, Psyche is wandering around, lost and alone, when Ceres, the Roman goddess of farming, speaks to her about receiving Venus’ forgiveness, which is significant because Ceres is one of the supernatural guides that helps Psyche along the way of bringing back her husband: “O Psyche, truly worthy of your pity, though I cannot shield you from the frowns of Venus, yet I can teach you to allay her displeasure” (Benson 848). Without this supernatural assistance, Psyche would not have the opportunity to receive Venus’ forgiveness and have Cupid come back to her. Furthermore, after Psyche was given the task to retrieve a box of Proserpina’s beauty for Venus, a mysterious voice warned Psyche not to open the box after Proserpina gave it back to her, which is significant because the mysterious voice is the archetypal narrative pattern of supernatural assistance that attempts to lead Psyche away from her curious desires: “When Proserpina has given you the box filled with her beauty, of all things this is chiefly to be observed by you, that you never once open or look into the box, nor allow your curiosity to pry into the treasure of the beauty of the goddesses” (Benson 850). This mysterious voice was intended to stop Psyche from

In the nineteenth century, the question as to the foundation and purpose of courtship and marriage emanated. The basis for this analysis was whether relationships should be navigated utilizing emotion and feeling or reason and logic. The literary work of Regency era author, Jane Austen, details such a balance, as it endeavors to convey Austen’s interpretation of true affection between couples of well-examined intrinsic morality. The characters of Fitzwilliam Darcy and Elizabeth Bennet in Jane Austen’s Pride and Prejudice contend with the moral vices of pride and prejudice as they overcome judgements about one another and ultimately experience love.

There are many analogies between this short story and the myth of Persephone and Hades. When Persephone was taken by Hades she was admiring a beautiful narcissus flower, and during her first few months in the underworld she cried and wailed because she was unhappy. Hades gave her pomegranate seeds to make her happy, just as the man gave the girl alcohol to sooth her nerves. The man, practically begging the girl to go through with the abortion, saying it will make them happy again because they wouldn’t have to worry about it any longer. The man, in many ways resembles Hades, because he is stopping at nothing to have this beautiful youthful maiden to be his not

This is reasoned for its same theme of tragedy, romance and including such elements as betrayal, sacrifice and bravery. In the myth of Cupid and Psyche, the story explains how the sisters of Psyche warned her of her unseen husband and that her was a harmful beast. But as she approached him at night, she laid her eye upon the most beautiful man she's ever seen. But her candle stick wax's fell on him and injured him. As Cupid began to fly to Olympus for healing, he said to Psyche: "Love cannot live where there is no trust." (Hamilton, Pg. 100) Psyche soon regretted her naive action and did everything she could to prove herself worthy as a love to Cupid. She even went to jealous Venus and sold herself to the Goddess and endured sore trials just to be with her lover once more. But in the end, the two were united once more and created a bond that could never be broken. Tales and myths such as above can demonstrate and prove that nothing can endure more than the power of love and nothing is more beautiful than the way love is found once again no matter how many times it was broken

“The Perfect Match” by Ken Liu begins with Sai, the protagonist, waking up to “Il Sospetto.” The song was played at the exact right time to wake him up making him feel ready for the day. Tilly had chosen the song and when to play it. As the morning progresses and Sai goes into the shower, Tilly begins speaking about a perfect match that she has found for him. It is a girl that Tilly knows Sai will like. Sai trusts Tilly with everything, even picking the correct beverage to have for breakfast. As Sai is leaving his apartment to head to work, we are introduced to another main character, Jenny. She is dressed in a “thick winter coat, ski goggles, and a long, dark scarf that covered her hair and the rest of her face” (Liu). Sai describes Jenny

In the Roman literature, it illustrated the myth that Pluto stole Proserpine’s innocence due to effects of cupid’s arrow sent by Venus. Through an analytical perspective, Ovid illustrated Venus as the goddess who too wanted the unification of the three cosmos for extension of power “why should hell lag behind? Why not there too extend your mother’s empire and your own?” (Met., p. 110) and being the goddess of sexuality and not having the power to tamper with the virginities of Pallas and Diana but Proserpine, she planned to “kill two birds with one stone” by summoning her son Cupid to shoot an arrow through Pluto’s heart “against his and shot the barbed shaft deep in Pluto’s heart” (Met., p. 111) to take away Proserpine’s virginity followed by her

Love is defined as the intense feeling of deep affection. In the play, Romeo and Juliet written by William Shakespeare, the attraction between the two protagonists, Romeo and Juliet, does not factually classify as true love. Meanwhile, lust is a concept in which is commonly mistaken for love, which is very apparent throughout this classic “love story” of Romeo and Juliet. While others could debate that Romeo and Juliet’s love, was love at first sight, it is debateable that their feelings towards one another were pure lust. Romeo and Juliet are too immature to fully understand the concept of love as they are too young and hormone-driven, they were both in search for escapism from their present troubles, and they had an excessive amount of

Phaedrus, an aristocrat, takes the stage first at the symposium. He explains that Erōs is one of the primordial gods, and that the love between a boy and a lover is the greatest love that exists. The lover is meant to guide the boy, and the two must lead each other to examine themselves and feel ashamed. “...[The boy] is especially ashamed before his lover when he is caught in something shameful” (Sym. 178E). Phaedrus later adds that “...Love is...the most powerful in helping men gain virtue and blessedness…” (Sym. 180B). Alcibiades is the perfect example of shame when he speaks about Socrates. He says that “Socrates is the only man in the world who has made [him] feel shame…” (Sym. 216B). Alcibiades adds that Socrates traps him and tells

During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.

Love is an abundant emotion that has different degrees. There is familial love, friendly love, unconditional love, and of course romantic love. Romantic love will be the superstar of this article. Romantic love may be around every corner whether between an old couple or a young teenage romance. However, love is not the easiest thing to attain. It is such a simple concept, though a difficult thing to actually have a person’s hands on.