The work is composed by Paul Nordoff and Clive Robbins in the year of 1968. It is originally written as a rhythmic music game for children and clients who are hearing impaired. The piece is a rhythmic composition, which includes parts for vocal, piano and drum. Between parts, there are structured interplay to provide interaction between therapists and clients. Apart from this interaction, Nordoff and Robbins also integrated four different melodic and rhythmic ideas into the piece, which helped to maintain the emotional interaction in a musical relationship. The piece is a gradual progress of the development of clients’ abilities. The lyrics are in simple repetition of sentences, which would help to enhance clients’ language skills and memory …show more content…
This shows that the piece requires therapists to hold the notes for its value but still gives clients a lively and exciting feeling, thereby to guide clients to start the drumming movement. The work is identified as having a tonal centre of and ends with final cadence with C major chord. This creates a straightforward and warm feeling that will match well with the beating pattern. The tempo of the work is marked as briskly, which indicates that the work would be quick and active. This tempo lays a foundation for therapists to form a lively atmosphere while playing the piece. The composers used 2/4 beat for the rhythm of the song. This allowed the piece to be rich in both musical melody and rhythm; there is no a sense of dragging in the piece and every beat is simple and easy to follow. The chords used in the piece are uncomplicated; they are chord IV and I for the first two bars of each phrase, then basic IV, ii, I, V chords for drumming. The melody is descending and the first phrase ends with chord V while the last phrase ends with chord I, which indicates the finish of the A session. Composers also put
This piece has quite a few elements like the use of musical ideas. There are both A and B ideas expressed through the music lasting no longer than six seconds. This of course is different pertaining to solos due to the fact
Ray Lewis knows a few things about second chances. He spent time in prison for drug-related offenses prior to college. In 2000, he was indicted on murder charges after two men were stabbed following a Super Bowl party. He also has six children with four different women. Then, Lewis became a Christian. Today, he is not known for his past mistakes but for his charitable activities and his historic defensive capabilities in the NFL, even being named one of the most dominant linebackers in NFL history.
Three phrases of the tune which was given to clarinets and bassoons, has its cadence echoed by low strings. Passages developed from the first theme then led gradually to its return in its original calm mood after a brief climax. A brief coda was made by a new and happy melody referring to the main theme.
It comprises recurring pulses and accents that create identifiable patterns. Also, without rhythm there is only the rise and falling of tones (119). The song is the same measure repeated over and over in slightly different ways. There are two characteristics that tend to change throughout this song, tempo and the dynamics. Tempo is the rate of speed of the composition (120). The song begins in the tempo Lento, slow, and begins picking up speed and rising to andante, moderate, tempo. Dynamics is the degrees of loudness and softness in the music (177). In this particular song the tempo and dynamics build off each other. When one changes the other changes with it, creating layers to the sound you hear and making each note pleasing to the
Questions such as these make the client open up to the therapist and explain how he feels and eventually how music itself is a method of treatment that he uses to distract himself throughout the day.
As a child I frequently made up little songs, and there seemed to be a constant stream of music in my head. I could see myself in the children she was observing and like them I didn’t have a framework for my experience – it was just my life. Whether it was singing while playing, tapping out some rhythm, singing at the top of my lungs to a favorite song, or goosebumps from hearing “Hall of the Mountain King”, it all felt familiar and warming. It has also made me aware of the musicking I continue to make every day in small ways here and
There are many different views and approaches used in therapy and in society in general. These views include: cognitive, behavioral, cognitive-behavioral, psychodynamic, biological, and humanistic (Comer, 2014). Some of the approaches used include the Orff approach, Dalcroze approach, Kodaly approach, Bonny Method of Guided Imagery and Music, and Nordoff-Robbins approach (Darrow, 2008). Darrow explained the different philosophies, populations, and applications of these diverse approaches. In music therapy, the theory that is practiced by a music therapist will determine the types of approaches and terms used and how they use them. The approaches used will also affect how they interact with clients. The different approaches can elicit very different interactions with clients (Darrow). There are three main theories used in therapy. These three main theories are known as psychodynamic, behavioral, and humanistic. The psychodynamic view is based on repressed thoughts and feelings, the behavioral view is based on behaviors, and the humanistic view is based on self-actualization (Comer, 2014). Each of these views will be further explored as I piece together my own personal philosophy and views on each main theory.
A slow crescendo is lead by the strings and low brass play a phrase with very low pitches in small intervals, creating a dark tone. The choir sustains a minor chord overtop this. This section of the music is getting heavier due to large amounts of lower voice instrumentation. The snare drum then plays a rhythm comprised of sixteenth notes, which resembles a typical march line. The melody is later carried by the double basses and the cellos. After a few bars, the boy soprano sings the main melody of the piece while the violins play a very frantic run using scales ascending and descending at random scale degrees. The short durations in contrast with the sustained notes create a very interesting effect on the mood. The melody shifts over to the violins who play a connected series of held notes in the higher register of the instrument. The chord is built up slowly as more instruments gradually make subtle entrances. When brass join, the section continues to build up, and is being pushed forwards. The trumpets then play repeated eighth notes underneath. The dynamic is building up and is very close to reaching a climax until a sforzando, transitioning to the final melody from the boy
You can hear strong, steady chords in left-hand keeps the march beat going throughout the piece, while the right-hand plays a lively, syncopated melody against this steady beat. The sections are repeated in the usual pattern. The melody begins higher and moves down. The section is repeated. The opening section is played. The key is change too; there is a change in the right hand rhythmic; and left-hand leaps. Once again the section is repeated. Then it returns to the original key; strong final cadence and the section are repeated as the music comes to end.
The piece was presented calm and simple but the intention affected every American recovering from the event mentally, physically, and emotionally. The rhythmic drum beats and the dancers gracefully projecting their positive message at Lincoln Center. While presenting this piece, the dancers made no acknowledgment of the presence of the bystanders. It was every spiritual and the inner soul. The dancers began with arms and legs close to the overall core center of the body, then alternately projecting one arm in staccato towards the sky as an indication of the towers. The dancers keep this routine while they move in a circular pattern in Sudden Time around the fountain and progressively making the symbol of peace.
Melody Schwantes, and Cathy McKinney are professors at Appalachian State University who happen to specialize in music therapy while Niels Hannibal specializes in Intrapersonal Communications, Psychiatry, Psychoanalysis, and Music therapy. This itself shows that the authors of this article are credible because they are knowledgeable on the subject of music therapy, however it also demonstrates that they have a bias in favor of music therapy. This bias can be seen in the article itself when the authors reference their own works or works they participated in two times. Additionally, if the reader examines their works cited, ten of twenty-three of their references are music related articles. Since Schwantes, McKinney, and Hannibal believe that music therapy helped the farmworkers in this study despite the results being miniscule, it is easy for the reader to assume that the authors are passionate about music therapy and therefore have a bias for
This article tells of the recovery of a patient, who is referred to as “Marco”, with psychosis by musical theory methods. Marco has trouble being positive and only is able to get out of bed when his therapist comes for their session. The therapist helping this patient is a drummer, who uses his drums to create a beat for the patient. The style of music these two use is rap, specifically freestyle, where the rapper raps, about whatever comes to mind.
Music therapy comes in all sorts of different shapes and forms, with the therapist choosing which process should be used with the patient in order to maximise the session’s potential. These can range from the patient playing a previously learned piece on an instrument (if they already have a musical background), to
The Chorus includes alliteration not only to create a rhythmic pattern, but to also bring attention to certain phrases. One
Needle pricks, medicine, exhaustion, sickness, pain, feeling different ‒ these are just a few of the things that people with mental disabilities and serious diseases have to go through on a daily basis. But what if there was a different kind of treatment that could comfort them or reduce their pain even a little bit? Fortunately, for the people facing these issues, there is. Music therapy is a relatively new approach that doctors, teachers, and many others are taking to help heal and improve the quality of life for their patients and students. It’s starting to become more common around the United States and is expected to become even more popular in the future. Books like Chinua Achebe’s Things Fall Apart support the idea of music therapy by demonstrating how music can be used to soothe and improve the moods of individuals regardless of what they may be going through. Music therapy is an effective way to speed up the healing process and improve the emotional state of a wide range of people facing different obstacles in life.