Essay On Phantom Of The Opera

In 1984 Andrew Lloyd Webber, transformed the original The Phantom of the Opera novel (written in 1911 by Gaston Leroux) into a dialogic, emotional masterpiece. The prologue starts at the end of the story, in an auction in the Paris Opera House, in 1905. Raoul, the Vicomte de Chagny is buying a papier-mâché music box,

In A Midsummer Night’s Dream, as in many of Shakespeare's plays the main theme is love. Shakespeare presents many different aspects of love in the play. He shows how love can affect your vision of reality and make you behave in irrational ways. He presents many ways in which your behavior is affected by the different types and aspects of love. The main types of love he presents are; true love, unrequited love, sisterly love, jealous love, forced love, and parental love. Shakespeare tries to show what kinds of trouble, problems and confusion, love can get you into.

He hurts people, and does not want Christine to marry Raoul. The relationship between the Phantom and Christine is a conflict that affects how she acts towards Raoul. The phantom has instilled fear in her, for example, after the fight at the graveyard, the Phantom declared “Now let it be war upon you both!” The Phantom also had killed other people up into this point, during the production of Don Juan, the Phantom crashed the chandelier upon the audience, and then set fire to the theatre. Also, due to fear, Christine keeps their engagement secret from the world, and then upon the Phantom finding out, he reacts in a rage of fear and hatred, If she chooses Raoul, she has reasonable evidence to believe that they both should die. If the Phantom had not instilled this fear in her before, and they had not formed a rather (mean, abusive, dating) relationship, they could have reasonably worked this out between the three of them. Christine also has a relationship with Raoul, and then proceeds to become engaged to him. Their engagement becomes a source of fury to the Phantom that caused him to go into solitude and set fire to the theatre. The Phantom made her choose, to prove that she still “belonged” to the Phantom, even after her engagement to

The character Malvolio in William Shakespeare’s popular comedy Twelfth Night may seem to be a minor character, but that is not the case. As the play progresses, Malvolio becomes a more interesting and complex character that plays a much larger role, particularly within the subplot of the play. His name literally means “ill will”, and based on its implications, it foreshadows Malvolio’s future. Malvolio is an important character to the play and to the holiday of Twelfth Night.

     In the novel, Phantom of the Opera, by Gaston Leroux, we are introduced to a character

When Shakespeare composed the tragedy Othello televisions were not. Along with no televisions, life in the late 1500s had many different qualities than it does today. This time period had no war on drugs and no high school shootings. Peer pressure was not an issue. The audiences of Othello in the 1500s did not face the circumstances that we, American high school students, face today. With these significant differences in daily life, come the attempts of movie creators to help prevent our modern day tragedies.

      Shakespeare's tragic hero, Othello, was a man whose gifts far outnumbered his weaknesses. On the battlefield, he was accomplished; in his profession, he was highly ranked; and, in his life, he was blissfully married. Despite these great advantages, however, Othello's destiny was ruin. Everything he had so carefully made for himself would be destroyed by one flaw: his fear of remaining an outsider. He feared this fate, yet he harped on it continuously, tearing himself between his identity as a foreigner and his desire to live as a normal citizen. Even so far back as his first public speech, perturbations caused by this internal unrest surfaced, and it was unrest that would ultimately lead to his horrible and

In Shakespeare’s play Othello, tragedy unfolds on the account of one man’s actions, Iago. He is a twenty eight year old military veteran from Venice. His personality consists of being obsessive, manipulative, relentless, and bold. From the beginning he expressed his hatred towards the Moor, or North African named Othello. Othello is a highly respected general and is also married to the pure Desdemona. The marriage between Othello and Desdemona is destroyed due to Iago’s actions and lies. His actions consist of getting Michael Cassio discharged as lieutenant and convincing the Moor that his wife is cheating on him. The motives Iago has for despising Othello are he passed him over for a promotion to be his lieutenant, instead he chose

In the play Othello, jealousy is shown to be very evident through the actions of the characters. Jealousy is an emotion that everyone shares, and it is ultimately responsible for the tragic ending of the play. Everyone feels jealous at certain times of their lives, and this feeling can cause people to do irrational things. This human emotion also shows people to be weak in the sense that they are never happy with what they have. Shakespeare shows through Othello, Iago, Roderigo, and Brabantio that jealousy is the most corrupt and destructive emotion.

Love is anonymous. It is superior to everything that matters. Love is a test, that sometimes can be failed, or sometimes can be worth those one- hundred points. Love is messy, and unorganized, it spills over the edges of everyones life. When love is controlled, it is complicated to figure out how to deal with it. It can have a good or bad ending. Confusion can occur when the love is tampered with. It can be saved with re-uniting of the love, and then living a happy ending. Many love connections are effected somehow either that person doing it to themselves, or someone else who mixes the love relationships up . Confusion within the love can cause misconception and turn into a disaster amongst each other. In Midsummer Nights Dream by

The Phantom of the Opera started out as a book written by Gaston Leroux, published January 8th in 1910 (Haining, 1). There have been several adaptations since then, including Andrew Lloyd Webber’s musical. The other adaptations were Das Phantom der Opera, which is also known as Das Gespent im Opernhaus produced during 1916 in Germany as a silent drama film, this is known as a lost film due to no known copies existing at this time. A silent drama horror was produced on November 15th, 1925, a drama thriller was produced during August 27th in 1943, a horror film was produced June 25th during 1962, and an indie thriller, called Phantom of the Paradise was adapted from Phantom of the Opera and then produced in October 31st of 1974.

Books related to Othello Othello - The protagonist and tragic hero of the play. A Moor commanding the armies of Venice, he is a celebrated general and heroic figure whose "free and open nature" will enable Iago to twist his love for his wife Desdemona into a powerful jealousy. Desdemona - The daughter of a Venetian Senator, and Othello's bride. The most sympathetic character in the play, she is deeply in love with her husband, and her purity contrasts strongly with Iago's wickedness. Iago - Othello's ensign, and Shakespeare's greatest villain. His public face of bravery and honesty conceals a Satanic delight in manipulation and destruction. Passed over for a promotion by his commander, he vows to destroy the Moor. Cassio -

"Tush, never tell me! I take it much unkindly/ that thou, Iago, who hast had my purse/ as if the strings were thine, shouldst know of this./" (I. i. 1-3) From the beginning of Othello, Iago is portrayed as an antagonist, a villain who acts out of only his own interest. The acts that Iago engages in throughout Shakespeare's Othello are erroneous acts. Iago is not insane and he can comprehend the difference between right and wrong. Shakespeare is known for his ability to focus on human flaws and teach us lessons from their misfortune. Iago's destiny with evil is due to his own flaws, jealousy, selfishness, and deceit. Because of these insecurities, Iago will stop at nothing to get even with Othello. By

The girl works as secondary representations of theatre opera soprano, and Erik sees the best way of approaching her posing as the "angel of music" that will take her to be one of the most acclaimed sopranos of the Parisian opera of the time. But it is then when in the representation of the opera Faust crosses on its way the Viscount Raoul, the young man who had served as a small Palace. The story of love that is born of them is passionate, but is conditioned by Erik, who would never know it.

Critics have debated the significance of Othello’s race in terms of portraying his identity for a long time. The negative connotations of “blackness” have led to the creation of many racial constructs associated with the “Moor”; this denigration has infused the opinions of many critics, such as Albert Gerard, proposing that Othello’s “negroid physiognomy” reaches down to the “deepest levels of personality” and that he is a “barbarian”. However, many other critics like Edward Berry and Martin Orkin believe that colour is merely a “surface indicator” compared to the outward virtue of beneficence, defining identity. Beneficence could be defined by the will to practice good acts, in conjunction with the aversion of practicing evil, and the prevention and removal of evil.