Essay On Polonius In Hamlet

She means a lot to him, but now she has rejected him (by returning his

Polonius’ interactions with Hamlet are often the source of misinterpretations that Polonius is a bumbling fool. In every conversation, Polonius appears oblivious to the witty and cruel remarks Hamlet makes in response to his persistent questioning. Even when explicitly called a “fishmonger,” Polonius feigns surprised ignorance and suggests that Hamlet is insane rather than sarcastic (II.ii.187). He appears to continue ignoring Hamlet’s thinly veiled insults even when Hamlet compares Ophelia to “maggots in a dead dog,” assuming that Hamlet is “still harping on [his] daughter” (II.ii.669). However, Polonius is not the “tedious old fool” that he appears to be; just as Hamlet confessed to being “not in madness,/But mad in craft,” Polonius merely feigns stupidity (II.ii.224; III.iv.204-5). By pretending to be clueless, Polonius is able to question and study Hamlet further without

Polonius' pre-occupation with his courtly duties overshadows his character as the wise old man and marks his role as the fool. As the fool, Polonius provides comic relief, and a "busybody" messenger for the court. His speech, for all its wisdom, "makes him so comic and absurd. All his ludicrous exhibitions of pedantry and expertise, his mouthings of clichés and commonplaces, his observations and definitions--all imprison the mind's potential range in littleness" (Long 137). In addition to his speech being superfluous, Polonius' messages to Hamlet are quite ironic. The arrival of the Players and Gertrude's request to speak with Hamlet have already been relayed to Hamlet before Polonius repeats the messages. This foolish redundancy is comic and even more so is Polonius'

Hamlet fascinates many readers and the first thing to point out about him is that he is mysterious. Shakespeare's work demonstrates Hamlet's dilemma as the role of revenger showing a man of thought forced to be a man of action. Hamlet is extremely philosophical and introspective. He is particularly drawn to difficult questions or questions that cannot be answered with any certainty. Faced with evidence that his uncle murdered his father, Hamlet becomes obsessed with proving his uncle's guilt before trying to act. He is equally overwhelmed with questions about the afterlife, about the wisdom of suicide, and about what happens to bodies after they die.

Polonius played a vital role in Hamlet even though he was not one of the main characters. He continued to reinforce the theme of corruption and displayed the social and ethical collapse of Denmark. His deceitful actions show the reader that he is one of dishonesty and chicanery. In the play, Polonius was portrayed as someone who is a deceiver and pretender that betrays people he is supposed to be devoted to; and who only cares about things that will benefit him. These characteristics of Polonius are seen through his interactions with Ophelia, Hamlet, Laertes, Reynaldo and the King.

Gertrude, "Nay, I know not: is it the King?" (III, iv, l 28) and thrusts out in anger at Polonius

as these lines relate back to the development of Ophelia’s character, as well as play an important role in the plot of the play, and a major conflict that is portrayed.

One of the more subtle elements of corruption in the play is the manner in which the court of Denmark functions. It is a game of favors, a constant play, with the director as the King, his subjects the players, and none more prominent than Polonius, the royal advisor. Polonius' two main faults lie in his ingratiating manner and his incessant spying. While he tells his daughter Ophelia that Hamlet is not true in his affections, he explains to the King that he warned Ophelia against Hamlet because the Prince it far above her station in life. Polonius perceives himself to be witty and tries to weasel his way around with actions and words to best fit the situation and above all benefit himself. His inclination to spy on people is obvious for he sends a man to France to find out how his son is behaving, he spies on his daughter while she is with Prince Hamlet, and he hides behind the arras to listen to the confrontation between the Queen and Hamlet. Rosencrantz and Guildenstern also try to win favor with the King, foregoing any friendship they once had with Hamlet, to 'play upon [him] . . . pluck out the heart of [his] mystery,' acting as little more than spies for the King, feigning friendship to obtain Hamlet's secrets (3.2.372-374).

Issues of power are foremost in Polonius' mind. He immediately seeks the King in order to legitimate his accusations concerning Hamlet. By doing this, not only does Polonius gain power over Hamlet, but also with the King himself. Polonius tries to control the way Hamlet is seen around the court so as to rise in stature himself. Through his manipulation of Ophelia, Polonius becomes a character not as much concerned with familial ties as one whose concern rests within the world of court intrigue and position.

When you think of William Shakespeare, Hamlet is the first thing most people think of, as his work. Hamlet is also a classic example of a tragedy. In all tragedies the hero suffers, and usually dies at the end. All good pieces of literature written way back when, are usually tragedies.

Another instance where Polonius is a comic relief is when Hamlet is inviting the players into the castle. One player breaks into an emotional speech at Hamlets whim and Polonius interrupts with comments. “Fore God, my lord, well spoken, with good accent and/ Good discretion.”(IIii,447-448). Polonius is trying to commend the speaker to hasten him. After the speech keeps going on Polonius rudely interrupts with “This is too long”(IIii,478). As the player recites a part of the speech he becomes emotional with color and Polonius points it out. “Look whe’e he has not turned his color and has/ Tears in’s eyes.-Prithee, no more.”(IIii,499-500). Polonius is rude and pokes fun at the emotional speaker. His actions contrast with the player’s tragic speech emphasizing sorrow aspects of his speech.

will.” ( III I, 179-181) The fear of what will happen after death deters him.

A lot about a character shows when that character steps back and says what they are thinking aloud. This is the case for Prince Hamlet. William Shakespeare’s play “Hamlet” features Prince Hamlet, who is depressed about his father’s death and his mother remarrying so soon. Hamlet is visited by the ghost of his father and is ordered to get revenge for his father’s death. Hamlet devotes himself to the task, but because of his nature,he enters deep melancholy and even apparent madness. Throughout the play, Hamlet can be seen being very noble but indecisive at the same time. Hamlet’s soliloquies reveal a lot about his character. However, they mainly show the readers how he can be noble but is indecisive. He can also be viewed as someone in a deep state of depression. These values are shown through his actions of insulting himself for not acting upon what he believes in and continuously reassuring himself that what he does is correct, as well as his word choice and feelings that are expressed out loud to himself during the seven soliloquies.

Hamlet is obscure and surprising, and, therefore, confounding because he subverts others’ expectations and never reacts with a predictable response to his own emotions or the expectations of other characters. In addition, it is worth noting that it is not only Hamlet’s curious speech that alienates others. Hamlet’s obsessive pessimism also begins to affect all of his relationships and becomes a large part of who he is as a character. In an otherwise superficial conversation with Rosencrantz and Guildenstern, Hamlet insists that the world has become a prison with “Denmark being one o’ th’ worst” (2.2.265), and he presses the men to explain why they would want to visit him in the place that torments him. Hamlet’s relationship with his mother is also troubling. While he is justified in questioning her decision to marry Claudius before her husband’s corpse has even cooled, Hamlet is sarcastic and demeaning towards her, provoking her to ask “What have I done, that thou darest wag thy tongue/In noise so rude against me?” (3.4.47-48) These brief and often sarcastic interactions with other characters help define Hamlet as a pessimistic character and cause the reader to anticipate that his perceptions of events will be, almost always, clouded with this characteristic darkness of

Hamlet uses Polonius’s initial interactions within a domestic setting and the royal court to establish Polonius’s character. When Polonius notarizes Reynaldo to spy on Laertes, Polonius lauds his method with such rhetorical flourishes as “wisdom and of reach” and “with windlasses and assays of bias,” to ensure that his ‘grand’ scheme is not lost on Reynaldo (2.1.61-62). The text chooses to show Polonius strutting such ornate rhetoric to commend himself, even when there is no one to impress beyond his own servant, to illustrate how Polonius is by his very nature pompous. When Polonius subsequently hears Ophelia relay her encounter with a deranged Hamlet, Polonius’s first instinct is to “go see the king,” rather than to comfort Ophelia beyond simply saying he’s sorry (2.1.114). Polonius’s primal instinct to serve his lord reveals a servile disposition baked into his very being. These intrinsic tendencies are hyperbolized through Polonius’s interaction with the royal family. Upon entering the court, Polonius immediately professes to “hold my duty … both to my God