Essay On Sicherheit

The rambunctious behavior of the soldier’s triumphant victory is a strong message visually for the viewer. These soldiers struggle to find their identity and once the war ends, the identity they’ve build at war vanishes, (McCutcheon, 2007). As a result, they essentially lose a part of them selves, (McCutcheon, 2007). When they return home, many soldiers struggle with psychological issues that prevent them from resuming their once regular lives, (McCutcheon, 2007). The images of soldiers celebrating at the end of war give the viewer a taste of this problem. This also allows the viewer insight to the deeper issues surrounding an American soldier’s mental stability and mentality. Through this image, along with many others throughout the film, the viewer is able to dig deeper and truly analyze what they are seeing.

Where innumerous catastrophic events are simultaneously occurring and altering the mental capability of its viewers eternally, war is senseless killing. The participants of war that are ‘fortunate’ enough to survive become emotionally distraught civilians. Regardless of the age of the people entering war, unless one obtains the mental capacity to witness numerous deaths and stay unaffected, he or she is not equipped to enter war. Kurt Vonnegut portrays the horrors of war in Slaughterhouse Five, through the utilization of satire, symbolism, and imagery.

The human condition is a very malleable idea that is constantly changing due to the current state of mankind. In the memoir Night by Elie Wiesel, the concept of the human condition is displayed in the worst sense of the concept, during the Holocaust of WWII. During this time, multiple groups of people, most notably European Jews, were persecuted against and sent to horrible hard labor and killing centers such as Auschwitz. In this memoir, Wiesel uses complex figurative language such as similes and metaphors to display the theme that a person’s state as a human, both at a physical and emotional level, can be altered to extreme lengths, and even taken away from them under the most extreme conditions.

As Nobel Laureate Elie Wiesel once said, “To forget a Holocaust is to kill twice,” that is why we are called to remember. Many movies, novels, and story representations of the Holocaust have been created in order to spread the memory of the past. An important part of remembering is learning, and therefore not repeating the same mistakes once again. Movies may find it difficult to represent the Holocaust accurately, while also giving it meaning and artistic expression. The writer, Edwin de Vries, and the director, Jeroen Krabbé, strive to represent the legacies of the Holocaust and Jewish culture in the film, Left Luggage (1998), based on a novel by Carl Friedman through a portrayal of the daily lives of Holocaust survivors and their children in late 1960s Antwerp, their direct confrontations with their memories of the Holocaust, and character development. The film shows us many examples of the legacy of the Holocaust as it is passed through the children of survivors, and how it continues to affect their daily lives. The audience understands the intentions through depictions of muteness and the necessity to remember.

A distinctly visual aspect of demonstrating the experience of the characters kindles curiosity in the audience to involve and instill emotional understanding of the context. Through the use of distinct and unique techniques, composers create an emotional response that can have a significant effect on the responders’ attitude on the world. The play ‘The shoe-horn sonata’ explores the crisis of circumstances as John Misto depicts the forgotten history of the women captured and imprisoned during WW2. Misto explores the experiences of the Australian nurses and the government’s response to their pleads of salvation, to emotionally bind the audience and the characters. Likewise, David Douglas Duncan involves the audience by evoking a feeling of pity and empathy in his Korean War photograph. He creates sentiment for the loss of innocence and employs distinctly visual elements to convey the horrifying nature of war. He profoundly highlights power in the photograph to explore the despair felt by the weak fleeing Korean citizens. Hence, both authors elevate the context with a visual representation of the individuals’ struggles to create curiosity and emotional rapport with the audience to improve the understanding of the characters experiences.

War can destroy a man both in body and mind for the rest of his life. In “The Sniper,” Liam O’Flaherty suggests the horror of war not only by presenting its physical dangers, but also by showing its psychological effects. We are left to wonder which has the longer lasting effect—the visible physical scars or the ones on the inside?

In the novel “Night”, author, Elie Wiesel uses imagery to share his experiences as a jew during the holocaust. Wiesel’s use of imagery helps demonstrate the tone and purpose of the entire novel. Elie Wiesel’s journey starts off  subtle but in the end leaves the reader heartbroken.    Throughout the story, Wiesel describes his tragic memories during the nazi concentration camps, which establishes a dark and somber tone. His descriptions and use of imagery creates the tone and purpose of “Night”.

Wiesel uses imagery to paint you a picture, a terrible one but, it 's one that you will not forget. Wiesel wants you to understand that these concentration camps were no girl scout camps, but a camp where it was life or death at any given moment. Wiesel shows you through his diction that the events that occurred at that camp still eat away at him to this present day.

War is always the worst tragedy of mankind in the world. We, as human beings, were experienced two most dolorous wars that were ever happened in our history: World War I and World War II. A young generation actually does not know how much hardship the predecessors, who joined and passed through the wars, undergo. We were taught about just how many people died in the wars, how much damage two participations in the wars suffered or just the general information about the wars. We absolutely do not know about the details, and that’s why we also do not know what the grief-stricken feeling of people joining in the wars really is. But we can somewhat understand that feeling through war novels, which describe the truthfulness of the soldiers’ lives, thoughts, feelings and experiences. All Quiet on the Western Front written by Erich Maria Remarque, which takes World War I as background, is the great war novel which talks about the German soldiers ' extreme physical and mental stress during the war, and the hopeless of these soldiers about the “future” – the time the war would have ended.

In the short story “The Key Game” the author appeals to the readers’ sense of emotion (pathos) because of the in-depth description of the Jewish family’s unfortunate living arrangements, and because of the method the author uses to explain the various character descriptions, emotions, and dialog throughout the story. This story takes place at some point during the Second World War. The author, Ida Fink, introduces the reader to a small Jewish family consisting of a wife, husband, and their three year old son. They live in a small apartment which she describes as poor, urban, and gloomy. The situation with the war can be shown with the frequent changes in apartments. The purpose of the story is in a “game” made by the parents to prepare the child for his reaction in case the Germans ever come knocking at the door. The author introduces the emotion in this story from the very beginning, when she starts to describe where the story takes place.

In the memoir Night by Elie Wiesel imagery was used to help convey the tone of the Holocaust to everyone which helps the reader understand the extent of the terrible tragedy known as the Holocaust. Elie had shared his story so his voice could be heard, and to alert the world the drastic side effects hate can cause. The tone throughout the story changes, as Ellie was morphed into a different person due the non stop hatred. The reader can pick up on the tone changes due to Elie’s use of words that depict a vivid mental image.

The movie hurt locker written by Mark Boal and directed by Kathryn Bigelow. It displays the war in middle east vividly. The story began when the bomb tech team leader Sergeant Thompson was killed in an accident. Sergeant James was there to replaced him and the movie was reflecting on various conflicts that the tech team has encountered. Although hurt locker alludes to the typical hollywood heroism and patriotism, in fact, it actually suggested how war is terrible and how it destroy people by delivering 3 sub ideas- how weak and small a person’s life is, the misunderstanding between 2 cultures, and the conflict between responsibility and “addiction”.

As long as there has been war, those involved have managed to get their story out. This can be a method of coping with choices made or a way to deal with atrocities that have been witnessed. It can also be a means of telling the story of war for those that may have a keen interest in it. Regardless of the reason, a few themes have been a reoccurrence throughout. In ‘A Long Way Gone,’ ‘Slaughterhouse-Five,’ and ‘Novel without a Name,’ three narrators take the readers through their memories of war and destruction ending in survival and revelation. The common revelation of these stories is one of regret. Each of these books begins with the main character as an innocent, patriotic soldier or civilian and ends in either the loss of innocence and regret of choices only to be compensated with as a dire warning to those that may read it. These books are in fact antiwar stories meant not to detest patriotism or pride for one’s country or way of life, but to detest the conditions that lead to one being so simpleminded to kill another for it. The firebombing of Dresden, the mass execution of innocent civilians in Sierra Leone and a generation of people lost to the gruesome and outlandish way of life of communism and Marxism should be enough to convince anyone. These stories serve as another perspective for the not-so-easily convinced.

“The effective war film is often the one in which the action begins after the war, when there is nothing but ruins and desolation everywhere…”

It is possible to claim that these films provide ‘salves for a wounded nation’. In each film the extreme slaughter of war is