Essay On Sunflower

Vince Lombardi, an American football player, and a coach, once said, “Leaders aren’t born, they are made. And they are made just like anything else, through hard work.” With these words, Lombardi highlights that people are nurtured to become a leader and a follower. For instance, Lombardi asserts that a person is trained, whether to be a leader, or a follower, through eagerness and determination. The book, The Sunflower, written by Simon Wiesenthal, an author and a Jewish holocaust survivor, who focuses on one of the most controversial topics during and after World War II, forgiveness. In this book, Weisenthal talked about a questionable case in which Karl, an SS soldier who murdered plentiful of people, asked Weisenthal for forgiveness for all the pain he had done towards all the people that were affected by him. When it comes to the topic of whether people are born to become leaders or followers or is one trained by the environment, most people will readily agree that people are conditioned to become a leader or a follower, where this agreement usually ends, however, is on the question of, “What makes a person a leader?” Whereas some are convinced that people are natural born leaders. Becoming a leader consists with a few reasons such as developed leadership skills, the bystander apathy, and the diffusion of responsibility.

This painting is so realistic and painted with such precision and detail that he must’ve wanted us to see this place exactly how he did, with great beauty and light. The local colors are vibrant and cool yet still make you smile because it reminds you of a warm summer day. The use of two contrasting colors, the blue of the water and sky and the tan of the cliffs and couds, make the tan color stand out creating such a visually pleasing and dynamic effect. The organic fluffy clouds and the ripples in the water convey a peaceful sense to the scene. The pompous cliffs stand solidly contributing to the historical importance of this location. The artist captures the illusion of depth through atmospheric perspective; as the object gets farther it encompasses less detailed contributing to the descriptive nature of it. Since the left side of the painting is much heavier than the right this painting is asymmetrical. Your eye tends to gravitate towards the cliffs on the left because of their size and bright color which emphasize the cliffs. This emphasis creates a focal point that the viewer is immediately compelled to look at.

Simon Wiesenthal was born in Poland, December 31, 1908. Simon was a Jew trapped in 7 different concentration camps. He drew pictures of what he saw to recount the horror. Simon was liberated in May 5, 1945. Simon started a club/program to bring Nazis to justice. His main target was Adolf Eichmann; a Nazi who wanted to kill all the Jew’s and used little kids for lab experiments. Simon located him in Argentina. Adolf Eichmann was at trial and pleaded he was not guilty. After the trial Simon wrote a book about Eichmann. Simon didn’t spend time with his daughter since he was

The painting depicts a singular mountain with trees and abstract landmasses in the foreground. The trees are placed in such a way that they seem to echo the shape of the mountain. This is an example of Cézanne’s attempt to created a structured composition out of the scenes that he observes in nature. Cézanne was not depicting nature as it was, but rather he was, as he called it, making “a construction after nature” (Stokstad,1013). This is one idea that lead Cézanne away from the impressionists, who were more concerned with reproducing on canvas exactly what their eyes perceived. Another thing that was different between Cézanne’s style and the impressionists’ was the way that he applied paint to the canvas. For example, in this painting, the trees and land in the foreground are loosely painted in; their forms are created by an amalgamation of colored blotches. The blotches of color often bleed into each other, and the forms that they represent begin to dissolve. The image is flattened by the ambiguous forms in several spot in this painting, creating a disruption in the illusionistic space and bring the viewer’s focus on the inherently flat surface of the painting. The most effective technique that Cézanne employs in his attempt at depicting space in this painting is atmospheric perspective. Coloring the mountain with the same shades of blue

Receiving the Klemmer & Associates Mustard Seed Scholarship will equip me to use the skills I have learned over the last twenty years to use i a very impactful and powerful way.

In all actuality is forgiveness more of a resolution for one person to move forward, or does it fix the situation as a whole. The Sunflower, is a book that presents an idea of forgiveness and others opinions on what should happen in this case of events. Karl a dying SS man, brings in Simon a prisoner in a concentration camp to his hospital room, and asks Simon for forgiveness. Karl is guilt ridden for his killings during his time as a soldier, and wants to die confessing and seeking forgiveness from Simon. Simon however has never known Karl before their meeting, and Karl has never committed anything towards Simon. Simon struggles and is indecisive on whether he should forgive Karl or not. Saying sorry for murdering people during the Holocaust, is impossible given the damage of the event, but for Karl he searched for forgiveness through Simon. Simon being imprisoned in a concentration camp and brought to Karl, a dying SS man, Karl wanted to seek forgiveness for his actions. Being in the position Simon was in he was not entitled to take the apology on behalf of others, when he was not wronged against by Karl.

In The Sunflower by Simon Wiesenthal, a wounded soldier asks Simon for forgiveness for a terrible crime he committed during the Holocaust. He is on his deathbed, and asks a nurse to bring a Jewish person to him. The nurse brings Simon and Simon doesn’t forgive him, instead walking out without saying anything. After reading The Sunflower by Simon Wiesenthal along with multiple essays responding to it, I believe Simon should have forgiven the man because he was manipulated into thinking what he was doing was right.

What inherent value does forgiveness hold? Who benefits from forgiveness? Must forgiveness be explicitly stated, or can a person be forgiven silently? When does someone have the right to forgive an individual? In the book The Sunflower by Simon Wiesenthal, the author, a Holocaust survivor, recounts an experience with an SS soldier, named Karl, on his deathbed asking Wiesenthal, a Jewish prisoner, for forgiveness for his inhumane actions, telling his tale with brutal detail. Wiesenthal neither forgives nor condemns the dying man, but instead leaves wordlessly. This experience has discomforted Wiesenthal greatly, and he grappled with if what he had done was the right choice or not. At the end of the book, Wiesenthal poses a question, what

A fact which we all have to emit is that humanity existence always creates conflicts and fighting which we call "WAR". In war, people kill each others for many reasons ---- resources, personal benefits, territories, powers, revenge, etc. In war, one becomes a hero for killing human lives and eventually he gets honored and well-known in people 's heart. The Holocaust, according to Germans, was the war between Germans and Jews. Approximately six million Jews included 960,000 innocent children died during Hitler 's regime called Nazism. Unlike the "hero(s)" whom people honor, the Holocaust was a hideous crime and the participants were bloody murderers. Today people are taught about the Holocaust

The Holocaust was a genocide that occurred from 1933-1945, and one of its survivors was Simon Wiesenthal. After he was set free from the concentration camp, he dedicated his life to finding Nazi war criminals and persecuting them in court. Later on in his life, he wrote a memoir, The Sunflower. It was about one of his many experiences at the Lemberg concentration camp where he got roped into listening to a dying SS soldier, Karl. Right before Wiesenthal left Karl’s room, Karl asked Wiesenthal, on behalf of all the Jews he persecuted, for forgiveness. Wiesenthal left Karl’s room without forgiving him, and then asked his readers, “What would I have done?” At the end of The Sunflower, people who Wiesenthal picked to respond to his question, had their answers published. The most interesting response was Jose Hobday’s. Hobday believed that Wiesenthal should have forgiven to Karl because it would have given Karl a sense of peace, making it easier for him to pass on. Hobday had the correct answer to Wiesenthal’s question because even though all of the Jews that Karl persecuted are dead and will not be able to forgive him in person, Karl just wanted someone to know that he was sorry for his actions.

Simon Wiesenthal was a faced with a hard decision. The Sunflower is a true story of Simon as a Jewish prisoner and his journey through one of history’s most difficult and trying events, the Holocaust. As if life wasn’t already difficult enough for him, especially because he was a jew, he came across a wounded german soldier. The german soldier began confessing his guilt and asking for Simon to hear him out since he was a jew himself. The realm of human forgiveness is incomprehensible. Throughout our difficult and trying lives, we are faced with a number of situations whose full understanding goes beyond our conscious thoughts. Some people in special situations are asked to dig deeper into their hearts, souls, and minds to find solutions or answers to these situations. The act of digging deeper to find solutions begins to define what makes us human.

If you want a taste of West African History Sundiata will give you exactly what you want and more. Sundiata was an interesting piece of literature to read. Unlike the previous two books we have read this semester I found this book much more simple. This book was much easier for me to comprehend and actually get into. This book exposed me not only to the West African history, but also a new religion.

When entering the room, people crowded around Monet’s pieces, which felt like an honor to see the type and techniques his work has. The colors describe the feeling of an early morning. The painting has a muted palette of blues, greens, and grays. The sunrise is orange and yellow which are surrounded by the clouds and smoke from steamboats. Three boats are shapes and visible while the rest fade into the distance. This painting is an example of plein air or outdoor painting. I also notice that Monet layered the colors so that when I viewed the painting from a far distance I knew what the painting was about however when I looked at it up close I saw brush strokes and

The shapes of the figures are sharply defined and the objects such as the table, book, and string instruments. There are diagonal rhythms throughout the painting in which it creates movement. The light source in the upper left allows the source light to have a more natural appearance throughout the painting. The shadows at the right-hand corner and the men wearing green in the middle contrast the main object with the most sources of lighting. The objects shadows and lighting create dimension and a vivid sense of more contrast. There are areas in the making with more contrast and the sharp contrast that creates movement in the painting. The shadows and the lighting throughout the painting show gradations and the highlights create more depth. Staring from the upper-left hand corner with the first figure of a gentleman wearing a hue of blue and yellow, the left side of his face and garment shows the source light in right above him. The source light above the

In Purple Hibiscus by Chimamanda Ngozi Adichie the characters Papa and Jaja’s relationship is put to the test when Jaja begins to rebel. When Jaja misses communion that is when everything changes, including Papa and Jaja's relationship. Jaja is forced to grow up at a young age after realizing there is world outside of his father’s home. After becoming his own person Jaja feels even more protective and responsible for his family. In Purple Hibiscus by Chimamanda Ngozi Adichie the relationship between papa and Jaja is strained because of Jaja’s disobedience.