Chaucer’s very popular work, The Canterbury Tales, is filled with astrological, as well as astronomical, allegories. Some of these astrological references are extremely evident to the reader, whereas some others are more discrete. The first tale in this collection, The Knight’s Tale, contains many of these astrological allegories. This tale is about a love triangle that forms between two cousins, Palamoun and Arcite, with a lady named Emelye. When these cousins discover that they have fallen for the same woman, negative feelings develop
The Canterbury Tales, has withstood the test of time mainly because of the well-known historical influence the work has had on the development of the English language. Today, many individuals continue to read the work and enjoy it for many of the same reasons the individuals of the middle ages enjoyed it. However, many readers of the work today do not realize the historical significance this work has had on the English language as a result of the works translation into modern English. This is why many publications of the work contain both the modern translation as well as the Middle English version. By comparing the two versions, one can see how
Preventing Catheter-Associated Urinary Tract Infections in Older Adults: Improving Health Outcomes through Assessment, Intervention, and Prevention
Patient safety and hospital acquired infections (HAI) are deemed highly important in the health care setting. My organization uses quality indicators pulled from EPIC, which is our health information system, to ensure we are meeting regulations for catheter associated urinary tract infections (CAUTI). Data includes rates of infections, length of foley catheter placement, reasons for foley placement, as well as facility specific documentation that is used to aide in the prevention of CAUTI. By pulling this data, one could identify trends affecting rate of infections. This may lead to a change in policy or procedure that can improve the rate of infections for those patients with foley catheters. Thus decreasing the percentage of HAI’s for
The Medieval Period in history brought along scores of fables about everything from knights engaging in courtly love to corruption in the Catholic Church. The Canterbury Tales written by Geoffrey Chaucer expertly encapsulates many of the great motifs of the era. The Tales are a series of stories and descriptions of characters of all social classes that were composed in the late 1300’s. Chaucer utilizes a multitude of literary techniques to convey his personal views of people, and ultimately, what they represent in society. The author uses such devices when depicting two morally contrasting characters, the Parson and the Summoner, that are documented in the Prologue.
Being a work filled with an unprecedented “wealth of fascinating characters”, Chaucer’s The Canterbury Tales has been translated and retold in many versions over the years (Cohen 7-8). Unavoidably translations and retelling require choices made by writers and editors of how to represent things and what to include, which can easily change aspects of the original story. The most difficult retellings may be versions written for children as writers not only have to deal with modernizing the language but also simplifying stories which feature adult themes, including corruption of the church, sex, marriage, adultery, for a younger audience. This essay will look at children’s versions of The Canterbury Tales retold by Barbara Cohen, who uses
In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.
The stories of Lancelot (The Knight of the Cart) and Perceval (The Story of the Grail) within Chrétien de Troyes’ Arthurian Romances depict a world of Medieval Romance that is somewhat different from one that was depicted in earlier epics. These romances are more focused on the battle between love and honor rather than on war and valor, which were depicted in earlier epics of de Troyes’ time. The tale of Lancelot follows a star-struck knight who undergoes an inner conflict between both the lover and hero inside him. His intense commitment to rescuing the queen causes him to make rash decisions which inevitably restrain him from controlling his own fate. Perceval’s story exhibits a different purpose for love in a knight’s life. Unlike Lancelot, he accepts love only when he believes it can further advance him in becoming the perfect knight. The two heroes’ actions showcase an inner conflict between maintaining their honor as knights and the love for another. Through these two tales, Chrétien de Troyes shows that that idealistic love and conscious chivalry cannot necessarily successfully coexist, yet it is the unachievable idealistic view that these two ideals do coexist.
Margaret Bent,"The late-medieval motet", Companion to Medieval & Renaissance Music. Oxford University Press, (1997) Pg. 44
Cimabue, Madonna and Child with Angels and Prophets (ca. 1280-1290), 12’ 7” X 7’ 4”.
The prologues that link the various Canterbury Tales shift effortlessly from ponderous drama to light comedy. The lamentable tale of Griselde gives way to the Host's complaint about his shrewish wife. This prologue
The Canterbury Tales, the most famous and revolutionary work of Geoffrey Chaucer, is a collection of twenty-four tales presented in the form of a story-telling contest by pilgrims who are traveling from London to Canterbury. In my viewpoint, The Canterbury Tales can be understood as a representation of the English society at Chaucer's time as it documents several of the social tensions of life in the late Middle Age. The choice of setting the tales as part of a pilgrimage allowed the author to cover a wide range of social roles with varying hierarchical positions and occupations. Therefore, the tales depict a number of the evolving themes by that time in many segments of the society, such as the ones presented in The Wife of Bath tale: the
Geoffrey Chaucer’s romantic poem “The Knight’s Tale” chronicles the adventures of two ancient Greek knights and their quest to win the affection of Emily, a beautiful noblewoman. Bound to uphold the chivalric code of loyalty and honor of the time, Palamon and Arcite discover themselves at odds with their noble ideals as they battle one another in pursuit of love. Unable to reconcile the knight’s oath of honor with their obsessive and selfish desires, the actions of Chaucer’s main characters fail to uphold the basic principles of chivalry.
In The Canterbury Tales, Geoffrey Chaucer tells “The Knight’s Tale”, a story of the two knights Palamon and Arcite who fall deeply in love with Princess Emily, a member of Theseus’ kingdom. Even though both knights are imprisoned within a tower, each finds a way to escape jail and try to win Emily. Ultimately, this leads to a duel between the two knights for which the prize is the hand of Emily. Chaucer uses the knights to reflect the very male-oriented time period through the strong chivalry and courtly love displayed towards Emily, when in reality, he was trying to expose the flaws of the chivalric code, which led to the deadly feud between two fellow knights. Essentially, Chaucer is holding up a magnifying glass to what people of the
Canterbury Tales is a story about a group of thirty people, including the Host, that are traveling to the shrine of the martyr St. Thomas a Becket in Canterbury. The diverse group is a concoction of contradicting personalities that are intricately described by Chaucer. Among these twenty-nine excursionists are two women. One of them is the coquettish Prioress while the other one is the partially deaf Wife at Bath. Although both women possess discernable similarities, both possess divergent personalities and experiences.