Essay On The Handmaid's Tale

Marxist literary criticism flourishes from Karl Marx and Engel’s theories on revolutionary change. Through the implicit and explicit detail of a novel, Marxist criticism unravels a text’s underlying economic purpose. A Marxist will read a text and expose “social contexts in ways which the author themselves would not admit” (158). A professor from the Indira Gandhi National Open University (IGNOU) teaches authors inevitably impose their social class ideology on their work, consequently inserting an ideology within the lines of the novel reflecting the struggles of

Margaret Atwood's renowned science fiction novel, The Handmaid's Tale, was written in 1986 during the rise of the opposition to the feminist movement. Atwood, a Native American, was a vigorous supporter of this movement. The battle that existed between both sides of the women's rights issue inspired her to write this work. Because it was not clear just what the end result of the feminist movement would be, the author begins at the outset to prod her reader to consider where the story will end. Her purpose in writing this serious satire is to warn women of what the female gender stands to lose if the feminist movement were to fail. Atwood envisions a society of extreme changes in

THE OPPRESSION OF WOMEN IN ATWOOD’S THE HANDMAID’S TALE AND THEIR WAYS OF RESISTING THE REGIME

   As the saying goes, 'history repeats itself.' If one of the goals of Margaret Atwood was to prove this particular point, she certainly succeeded in her novel A Handmaid's Tale. In her Note to the Reader, she writes, " The thing to remember is that there is nothing new about the society depicted in The Handmaiden's Tale except the time and place. All of the things I have written about ...have been done before, more than once..." (316). Atwood seems to choose only the most threatening, frightening, and atrocious events in history to parallel her book by--specifically the enslavement of African Americans in the United States. She traces the development of this institution, but from the

Character Analysis of The Handmaid's Tale Moira = == = = We first meet Moira "breezing into" (P65) Offred's room at college.

Literature is the window to realizing the negatives of society and how destructive certain norms can be. Readers are brought into a completely different story than their own, but by using similar issues in today’s world, the readers can actually learn from the story and its overall message. All writers write for a purpose, whether it’s for a new meaning to life, to live a different life than our own, or to impact others on an emotional level by teaching them to see the importance of the little things. As a reader, you search for pieces of literature that interest you whether you find the story like your own, or wish you lived the life in the story. By using issues in today’s within their works, authors are able to grab the reader's attention long enough for them to get across what they wanted to get across. Often in many works of literature, writers use societal issues as their basis for the work’s themes and symbols. By doing so, this allows the reader to question the morality behind social norms and how impactful certain ideals can be in people’s lives.

Serena Joy is the most powerful female presence in the hierarchy of Gileadean women; she is the central character in the dystopian novel, signifying the foundation for the Gileadean regime. Atwood uses Serena Joy as a symbol for the present dystopian society, justifying why the society of Gilead arose and how its oppression had infiltrated the lives of unsuspecting people.

The Color Purple (1982) and The Handmaid’s Tale (1985) were published nearly close in time which makes the comparison between them interesting. In fact, they have many common features e.g. gender oppression and the dominance of patriarchal society. Thus, the researcher focuses on the two female protagonists who are both marginalized, treated as submissive objects and how they are oppressed by patriarchal society. With regard to Corpus pre-processing, the researcher uses Adobe Acrobat Reader DC to convert the first novel The Color Purple from PDF to word file to be download easily on the Sketch Engine while the researcher downloads the second novel The Handmaid’s Tale from

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

“Dystopian literature invites the reader to reflect upon the mutability of identity.” By comparing The Handmaid’s Tale and The Road, discuss how far, and in what ways the two novels support or refute this claim?

A woman’s power and privileges depend on which societal class she is in. In Margaret Atwood’s novel The Handmaid’s Tale each group of women are each represented in a different way. The three classes of women from the novel are the Handmaids, the Marthas and the Wives. The ways in which the women are portrayed reflect their societal power and their privileges that they bestow.

In Margaret Atwood’s ‘The Handmaids Tale’, we hear a transcribed account of one womans posting ‘Offred’ in the Republic of Gilead. A society based around Biblical philosophies as a way to validate inhumane state practises. In a society of declining birth rates, fertile women are chosen to become Handmaids, walking incubators, whose role in life is to reproduce for barren wives of commanders. Older women, gay men, and barren Handmaids are sent to the colonies to clean toxic waste.

The central social hierarchy within the novel is the gender hierarchy, placing men in a position of extreme power. This is evident in every aspect of the book, as the entire Gilead society is male dominated. The Commander is at the top of the hierarchy and is involved with designing and establishing the current society taking control of a nation of women, and exploiting their power by controlling what is taught, what they can teach themselves and the words that they can use. Soon all of the women will become brainwashed, simply because it is made nearly impossible to defy the rules

Lack of Difference from Women in The Handmaid’s Tale and Women in Modern Day Society

    Feminism as we know it began in the mid 1960's as the Women's Liberation Movement. Among its chief tenants is the idea of women's empowerment, the idea that women are capable of doing and should be allowed to do anything men can do. Feminists believe that neither sex is naturally superior. They stand behind the idea that women are inherently just as strong and intelligent as the so-called stronger sex. Many writers have taken up the cause of feminism in their work. One of the most well known writers to deal with feminist themes is Margaret Atwood. Her work is clearly influenced by the movement and many literary critics, as well as Atwood herself, have identified her as a feminist writer.