'The Tragedie of Macbeth': A True Aristotelean Tragedy?
The portrayal of the downfall of an opulent and well liked individual is often referred to as a tragedy, but is this downfall always a tragic event or can it be justifiable? This essay will now define the Aristotelean idea of plot structure. Furthermore it will analyse and discuss if “The Tragedie of Macbeth” applies to said plot structure.
To write and perform tragedies dates back to shortly before 500 B.C.. It took place at the annual Great Dionysia, a dramatic festival the people of Athens organised in honour of the Greek god Dionysus. The great poets of Ancient Greece competed against each other, trying to write the most devastating tragedy, but how does one do that?
According
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Because Macbeth's ambition has been achieved, greed turns into his hamartia as well, for it is this rapacity for keeping the throne which encourages him into taking another life. The third crime Macbeth commits is the murdering of Macduffe's wife and children. It is this final unexpected turn which will cause the end of Macbeth's journey, for after the slaughtering of his family, Macduffe seeks revenge and raises an army which later goes to attack and kill Macbeth.
Here we clearly see that it is Macbeth's ambition, but also his greediness for keeping the throne which make him commit crime after crime, amplifying the horror, thus striking fear in the hearts of the
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“I haue seene her rise from her bed, throw her Night-Gown vppon her, vnlocke her Closset, take foorth paper, folde it, write vpon't, read it, afterwards Seale it, and againe returne to bed; yet all this while in a most fast sleepe” (Actus Quintus, Scena Prima). Here it is revealed that Lady Macbeth is walking in her sleep, and as a doctor and a gentlewoman exchange information, it is also revealed that Lady Macbeth repeatedly washes her hands, which can be seen as an act trying to rid herself of the blood on her hands, namely the blood of King Duncan, but also of Banquo and Macduffe's family, for if it wasn't for her persuading her husband to kill the king, he would not have had to kill the threats he faced whilst on the throne. These things haunt the Lady so much that in the end, she is driven to madness and commits suicide, earning the pity of the
In Shakespeare’s Macbeth, the story of an ambitious royal turns into the followings of a murderous tyrant. The Thane of Cawdor, Macbeth, is motivated by his fear that his deep desires will not come true, and his tyrant, gender role-breaking wife, Lady Macbeth, to kill off various successors to the throne. Macbeth is introduced as an ambitious heir to the the throne, but is quickly displayed as a raging king. In William E. Cain’s essay “Murderous Thinking in Macbeth”, he describes the relationship between the audience and Macbeth as “sympathetically connected.” Macbeth is seen as a vicious tyrant to the rest of the characters, but his deep desires are seen by the audience or readers. The audience is shown Macbeth’s guilt and remorse throughout the play, up until he kills Macduff’s family. Macbeth obtains the mindset of a power hungry, murderous tyrant when he kills Macduff’s family.
In Shakespeare’s classic tragedy of Macbeth the main character Macbeth is driven from his status as a well respected warrior and lord of not one, but two Scottish regions to a dishonest, unloyal murderer. Macbeth gets caught in a web of lies and vile acts of murder in which he brings about his own demise. His criminal actions lead up to his tragic ending of life. ‘ They have tied me to a stake; I cannot fly, But bearlike I must fight the course.’ His great ambition and gullibility of the witches predictions are two of the biggest factors of his downfall;however, Lady Macbeth was probably the biggest influence in the whole tragedy.
With attention to the murder of King Duncan, Macbeth struggles with the morality of his actions. Before the murder takes place, Macbeth begins to believe that the murder will “be the be-all and the end-all” to his clear conscious and would risk him to eternal damnation (Act I, line 5). Yet, the murder would bring him power over Scotland and he “shalt be kind” as told by the Weird Sisters(Act 1, line 50). Macbeth goes off of his ambition to murder King Duncan. The internal struggle of choosing mortality over motives brought forth an intense shift of loyalty to betrayal. The murder caused for Macbeth to turn on Scotland and only care for his own selfish motives. The betrayal causes for the play to become horrific and have a double meaning. Macbeth must put on a face to hide his murder to become the king. The double meaning is how Macbeth looks like a hero to all of Scotland, but only the people on the inside know of his horrific actions. He had to murder to to get the position of King, but the
"Macbeth" is a tragic play that was written by William Shakespeare in the early 1600’s. It revolved around the character Macbeth and his urge to become king of Scotland. Macbeth had to do anything possible to become the king including murder, lying, and deception. However, Macbeth committed these evil deeds due to some influential people in his life. Between Macbeth’s wife persuading him to do anything to become king and the witches prophesying over him causes Macbeth to try and bury the past and control the future.
A Shakespearean tragic hero starts out as a noble person; a great exceptional being who stands out. A tragic hero has a tragic flaw of an exaggerated trait that leads to their downfall and eventually to death. William Shakespeare often made his main characters tragic heroes in his plays. In Shakespeare’s Macbeth, the role of the tragic hero is given to the main character: Macbeth. This is because he starts off as a loyal and well liked man in the beginning, but has a tragic flaw of ambition which ultimately leads to his downfall.
William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play.
Macbeth’s desire leads him to murder Duncan in his sleep. Macbeth has committed violence, with desire as its cause, which has put him in a situation where there is no turning back because he has already committed one act of violence. The one act will lead to more.
From the beginning, Lady Macbeth is seen as greedy and prepared to do what her husband will not in order to get what she believes they are destined for. She is more willing to get blood on her hands, even in the most literal sense, so Macbeth will become king and she be the queen of Scotland. To make sure the king's assassination will not trace back to Lady Macbeth and her husband, Lady Macbeth says to her husband, " Give me the daggers. The sleeping and the dead are only like pictures. It is the eye of childhood that's afraid of a painted devil. If he bleeds, I'll smear the faces of the grooms with it, because it must seem that they are guilty" (Act 2 Scene 2) Lady Macbeth's greediness led her to convince Macbeth to kill, and her to convict others of murder by spreading blood. The cycle of her greed leading to blood spilling, and leading to an increase in power throughout the play had terrible consequences for her mind though. After Macbeth
When she hallucinates about blood on her hands while sleepwalking, it’s evident that she’s filled with regret. Still, her clouded conscience doesn’t excuse what she did. Lady Macbeth is left to battle with her own mind, until her death, which Malcolm suggests to be a suicide, “by self and violent hands”
In life, there are two types of people: those who do the right thing and those who don’t. In the play Macbeth, by Shakespeare, the main character Macbeth is given a prophecy by three witches that says he will become king; however, there is no descending line of kings of his own blood. With the knowledge of the Witches’ prophecy, Macbeth’s ambition, and manipulation from his wife, Lady Macbeth, Macbeth is quickly dragged into a never-ending, bloody murder rampage to obtain the crown and get rid of those who stand in the way of obtaining it as well. Macbeth constantly battles with his moral dilemmas; however, he easily falls victim to influences that go against his morals. Influences on major characters emphasize how easily one’s decision making can be negatively affected, resulting in one going against his or her morals/integrity.
Laurence Sterne once wrote, “No body, but he who has felt it, can conceive what a plaguing thing it is to have a man’s mind torn asunder by two projects of equal strength, both obstinately pulling in a contrary direction at the same time.” This passage embodies one of the over arching themes of Macbeth. The character Macbeth, in Shakespeare’s tragedy Macbeth, could easily identify with this passage due to the fact that he is pulled in opposite directions by both his desire to do what is right and his desire for power.
A Tragic Hero is a common figure in many of Shakespeare’s works. A Tragic Hero is usually a figure of royalty, fame or greatness. This person is predominately good, but falls from prominence due to personality flaws that eventually lead to self-destruction.
Today was the day I so patiently had been waiting for, coronation day! As a commoner it was almost unheard of to be able to visit the castle amongst the royals. I walked up to the tall door and entered the grand dining hall. The dining hall was dark and cold sending a shiver up my spine. The sound of laughter and conversation bounced off the walls overpowering the room. That was when I saw him, Macbeth, our future King, accompanied by his wife. Macbeth looked even taller and wiser in person, he was the type of man anyone would want as their king. At least that was what I had thought.
Hundreds of years ago Greek plays were very popular. People would plan to go to these plays for entertainment and to have fun with their friends. These plays would also help to teach the audience all about Greek mythology. The main character in these plays often had something tragic occur at the end, such as death. This character was the referred to as the “tragic hero.” A couple hundred years later a Greek philosopher named Aristotle described tragedy with 4 simple elements, nobility of the character, the flaws of the tragic hero, the start of the tragic hero’s downfall, and his/her punishment. In Things Fall Apart, Oedipus, and Antigone there is a character that shows this definition of tragedy by the end of the book and or play. This is usually caused by something called hubris, excessive pride. Things Fall Apart, Oedipus, and Antigone all fulfill Aristotle 's definition of tragedy.
On the other hand, Shakespearean tragedy radiates with strong characterization—round, of course—“Character is Destiny”. Sixthly, Pity and Fear for Catharsis are perhaps common in both the tradition of tragedies. And, lastly, the role of chorus (highlighting the past and intimating the future—pivotal to the plot), being common in Greek and English Tragedies, make them closer to each other.