Essay On Tina Manley

Caitlyn Hatch is a twenty year old student from Amherst, Massachusetts, who spends her weekends roaming abandoned buildings all over the western part of the state. What she does in these buildings is take photographs, however, she has not always been interested in the medium. Photography had never been her first choice for what she would possibly study at university, and she never imagined it as being something she would want to pursue professionally. Originally, she was intent on being a graphic designer. She had begun to play around with an online photoshop app, editing pictures taken by other people and was sure graphic design was for her, that is, until she got her first camera. She got her first camera at age fourteen for Christmas, one of the big black Nikon digital cameras. While she had never seriously considered photography before, she began to play around with her new camera. The novelty of it all coupled with the support of her father, who himself was an amateur nature photographer throughout his twenties, started the fire in her to take up this art and learn as much about it as she could.

On September of 2015, the image of 3-year-old Aylan Kurdi went viral. “The toddler’s lifeless body on a Turkish beach had reverberated across the globe” (Parkinson & George-Cosh, 2015). Aylan’s family had “fled the brutal civil war in their native Syria and only attempted the boat crossing after Canada denied their application of admission as refugees. The image led to an astonishing outpouring of support for Syrian refugees” (Hein & Niazi, 2016).

When looking back at all of the success of the civil rights movement, it seems that our country has come a long way on many important social issues. Whether it’s ending racial segregation in public facilities or putting an end to disenfranchisement of African Americans, our country has made many strides. That being said, our country still has a long way to go in order to reach true equality for all. Specifically, when it comes to the subject of police brutality. Throughout history, African Americans have been plagued by unfair treatment from members of law enforcement and with each passing year it seems to become an even bigger issue. In fact, it has led to the protest of many powerful members of society, including Tina Charles of the WNBA.

Tina Hildebrand is a 72-year-old woman who lives in rural Manitoba with her husband John. For most of Tina’s life she lived on the farm with her husband, and moved 10 years ago to a nearby town closer to their children and grandchildren. She is very active in the community through her church, volunteering at thrift stores and cooking for community events. In her spare time, she enjoys her sewing group and attending sporting events and concerts. These activities have been a constant throughout Tina’s life, now she just has more time to devote to them. Tina practiced as a nurse for a few years but as soon as she and John began to have children, she chose to stay home with them. As a young

After reading the article, “Shattered Lives” by Kristin Lewis, Dania faces living as a refugee outside her country.The challenges that she faced are when they were in World

Sarah Boseley explains how white women have a higher greater chance getting breast cancer than those blacks and South Asian women. According to Boseley, she mentions how women from ethnic groups such as blacks, whites and south Asian being recruited from since 1996 to 2001. A recent study shows found in British journal of cancer eighteen percent of Asian women have less worried getting breast cancer. Furthermore, statistics show white women have more chance to have this disease and indeed, they show suddenly increased higher rate in the UK. Similarly, from Asian women, black women have a fifteen percent lesser than them. Boseley also notes the relationship among ethnic groups, these individual women's lifestyles such as drinking alcohol, breastfeeding, and having a lot of children are some number of risk factors. This source analyzes how these women need to make changes, as a result, they should reduce risk habits.

The documentary What Remains follows photographer Sally Mann’s life over a span of five years as she balances being a mother, wife and photographer. In the film viewers are able to get an intimate glimpse of Mann’s creative process as she captures various images of her loved ones, landscapes, and even a new series that explores death. In this paper I will discuss Mann’s work detailing the criticism it receives as well as how my experience as a novice photographer parallels hers.

Before starting this project, I knew very little about photography, photographers, or exactly how much impact photographical images have had on our society. I have never taken a photography class, or researched too in depth about specific pictures or photographers. This project has allowed me to delve deeper into the world of photography in order to understand just how much influence pictures can have over society’s beliefs, emotions, and understandings’. I have have chosen two highly influential photographers, Diane Arbus and Dorothea Lange, who I have found to both resonate with me and perfectly capture human emotions in way that moves others.

Thorough research of the works and techniques of Tina Barney and Elliott Erwitt led me to a simple conclusion: their art is simple and meaningful but, meaning is what an observer makes of it. What does this indicate one might ask? It means that although they both have very distinct ways of taking a photograph their common goal is to evoke emotion in their observers. Elliott Erwitt put it in the simplest terms when he said, “I think you should just look at the stuff and if it enriches you in some way or knocks you out, that’s all you need” (Danziger 89).

The different journeys being taken by these individuals and families all beg the question over what obligations society has towards these people. While many would agree that action has to be taken in order to ensure the safety of these individuals and help them as much as possible. This is demonstrated through Sadiq’s journey because when he stopped at a charity center they provided clothes for his trip to Finland and also breakfast. The help being offered by this place gives the refugees not only a place to stay for the night and guarantees breakfast, but also gives them hope to continue on as they approach their final destination. The assistance offered by organizations like these demonstrates that these refugees are humans who are in need of necessary supplies for their survival, and that society is obligated to fulfill these individuals needs to secure their journey and secure their well-being.

The violent markings of the photo album and its images, however, produce an equally powerful message that jars the memory as it disrupts and distorts the photographic chronicle of her life and that of her family and friends. The result is a complex visual experience that addresses the use of images in producing knowledge and making history.

In a gripping photographic article, Peter Jørgensen depicts the lives of Syrian refugee children. However, these are not ordinary photos. The pictures first shown depict the children without a background. As the reader clicks on the image, the background fades in clearly painting a picture of the lives these children live. The apparent purpose of the article is to demonstrate the reality these children are faced to live with and to effectively bring this information to those who may be unaware of the conditions of which refugees must endure.

A common misconception about refugees is that America is allowing the wrong people to relocate here, this, however, is not the case. In her article, “How Syrians

Sally Mann’s style incorporates black and white photographs of her children, which are presented with “ordinary moments of childhood, suspended in time and transformed into aesthetic objects, takes on a distorted, even uncanny quality” (Arnason and Mansfield 719). Sally Mann photographed The New Mothers in 1989. This photograph’s most dominant elements are value and space. Having the photographs black and white really enhances the visibility of values. Most of Mann’s work is outside and has a define depth of field to blur out the background and emphasize the focus of the children. This compositional style helps to identify the high and low key values within the photos. The clothes, the reflection of the sun on the girls’ hair, and the girls fair skin are the part of the image that show high-key values, while the rest of the photo in more middle and low-key values. The intense depth of field increases a feeling of space for the viewer. In the photo you can see that the two young girls and their stroller is all in a line horizontally. Behind the girls you can notice they are outside in a open area because of the blurred grass and trees behind them. This photograph’s most dominant principles are movement and variety. The depth of field and lack of distraction in the background of the photo allows your eye to focus and move around with the subjects in the photo. The height of the subjects forms a triangle shape, which is

This issue was chosen due to its scope. The Syrian refugee crisis is among a list of issues that will not only shape the world in 2016 but also dominate news outlets in upcoming years. Because of the despairing situation, many governments are struggling to find ways to handle the rush of individuals seeking asylum, for the fact that it seems the crisis is worsening. In addition, the media coverage on the topic sparked my interest and led me to research information because I had no idea what was occurring and the detriment of the issue.