Essay On Trifles

Trifles, Susan Glaspell’s play written in 1916, reveal concerns of women living in a male dominated society. Glaspell communicates the role that women were expected to play in late 19th century society and the harm that can come of it to women, as well as men. The feminist agenda of Trifles was made obvious, in order to portray the lives of all women who live oppressed under male domination. John and Minnie Wright are two main characters who are never seen; however provide the incident for the play. In this play women are against men, Minnie against her husband, Mrs. Hale and Mrs. Peters against their husband’s, as well as men in general.

Wright’s defense, the men all head upstairs to go over the crime scene to search for clues. The women; Mrs. Hale and Mrs. Peters knew they were in the center of all the clues. “Women are used to worrying over trifles” Mr. Hale said, and because of that, the women uncovered all the clues that would lead to motive and the men would remain clueless. As for the messy kitchen that the attorney did notice but just chalked up to Mrs. Wright not being a good house wife, the ladies noticed that she was in fact in the middle of cleaning up. That half the table was wiped clean and the other half left as if she were interrupted. They also noticed that the towel that the attorney thought to be just thrown across the room was in fact covering a loaf of fresh bread that was to later be put in the bread box. They also knew that the dirty towel roller was probably that dirty from the man they sent to start the fire in the stove that morning so that the house would be warm by the time they arrived. The ladies were to gather some things to take to Mrs. Wright to the jail. They found her sewing basket under the corner table and were admiring the bright pieces and the log cabin pattern. They wondered if she was going to quilt it or knott it. The men thought this was funny and made fun of them. Unbeknownst to them that the ladies had just found what could be the evidence of Mrs. Wrights’ frame of mind. The ladies noticed that most of the

Glaspell proves her point by a conversation between two women in this story. The women, Mrs. Peters and Mrs. Hale, are at the scene of the murder of John Wright. The women accompanied the County Attorney, the Sheriff, and Mr. Hale to the house. Mr. Hale describes everything that he saw the morning he discovered Mr. Wright's body. The men have come to the house looking for evidence to

Trifles, written in the early 1900’s by Susan Glaspell, is a one-act play illustrating how women can overreact to their own emotions, allowing these emotions to cloud their judgment. This is shown by describing the feelings of two women who are willing to defend a suspect, blame the victim, and go so far as to hide evidence, to protect another woman from being charged with murdering her husband. Mrs. Wright is the suspect in the murder of her husband, who was strangled in his sleep, found with the rope still around his neck. The sheriff and an attorney are examining Mrs. Wrights home for evidence. Mr. Henderson, the attorney, speaking of Mrs. Wright says, “Here’s a nice mess, ..Dirty towels! Not much of a housekeeper,

“A Jury of Her Peers” is a short story written by Susan Glaspell in 1917 illustrates early feminist literature. The two female characters, Mrs. Peters and Mrs. Hale, is able to solve the mystery of who the murderer of John Wright while their male counterparts could not. This short story had been adapted from Glaspell’s one-act play Trifles written the previous year. The play consists of the same characters and plotline as the story. In both works, Glaspell depicts how the men, Sheriff Peters and Mr. Hale, disregard the most important area in the house, the kitchen, when it comes to their investigation. In the end, the women are the ones who find clues that lead to the conclusion of Minnie Wright, John Wright’s wife, is the one who murdered him. Both of Glaspell’s female characters illustrate the ability to step into a male dominated profession by taking on the role of detective. According to Critical Theory Today: A User-Friendly Guide, written by Lois Tyson, a reader-response critique “focuses on readers’ response to literary texts” and it’s a diverse area (169). Through a reader-response criticism from a feminist lens, we are able to analyze how “A Jury of Her Peers” and Trifles depict how a patriarchal society oppresses women in the early twentieth century, gender stereotypes confined both men and women and the emergence of the New Woman is illustrated.

From beginning to end, Susan Glaspell’s 1917 short story “A Jury of Her Peers,” has several repetitive patterns and symbols that help the reader gain a profound understanding of how hard life is for women at the turn-of-the-century, as well as the bonds women share. In the story two women go with their husbands and county attorney to a remote house where Mr. Wright has been killed in his bed with a rope and he suspect is Minnie, his wife. Early in the story, Mrs. Hale sympathizes with Minnie and objects to the way the male investigators are “snoopin’ round and criticizin’ ” her kitchen. In contrast, Mrs. Peters, the Sheriffs wife, shows respect for the law, saying that the men are doing “no more than their duty”. However, by the end of the story Mrs. Peters unites with Mrs. Hale in a conspiracy of silence and concealing evidence. What causes this dramatic transformation?

In the short story "A Jury of Her Peers" a woman named Minnie Wright is accused of the murder of her husband. Minnie Wright is a farmer's wife and is also isolated from the out side world. There is an investigation that takes place in the home of the murder. There are three men that are involved on the case and two women accompany, but are not there to really help solve the murder. These two women will

“Trifles” by Susan Glaspell is a play that is largely based on stereotypes. The most prevalent one is the inferiority of women over men, though the play also explores the differences between genders in general.

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

     Detectives are always looking for little pieces of evidence when investigating a crime. After all, it is this evidence that can turn a trial around, whether be it for the good or bad. This is especially the case in Susan Glaspell's Trifles. When Mrs. Hale comes across little pieces of evidence, she passes them off as being "trifles", hiding them from the detective. She is the sole reason that very little evidence is collected that would convict Mrs. Wright, and can be believed to have some sort of involvement in the murder of John Wright.

Glaspell develops the theme of gender roles by what Mrs. Hale and Mrs. Peters fret about at the crime scene. For instance, the first concern that Mrs. Peters voices revolves around Mrs. Wright’s fruit preserves and implies that the women are housekeepers. Both the Sheriff and Mr. Hale remark about how the women are “worryin’ about her preserves” and “worrying over trifles” (Glaspell 3). Later, when the men go upstairs to look for evidence, the women decide to bring Mrs. Wright’s apron, fruit, shawl, and quilt for her in prison. To further establish Mrs. Wright as a domesticated housewife, Mrs. Peters suggests that Mrs. Wright wants her apron “to make her feel more natural” (Glaspell 5). Because of what Mrs. Hale and Mrs. Peters discuss at the crime scene, Glaspell verifies that the women play the role of housekeeper and cook.

The play Trifles is a world-famous production written by Susan Glaspell in 1916 during the women’s suffrage movement. The women’s suffrage movement was a point in U.S. history when rights for women, like voting and gender equality, were greatly stressed to be enforced. Glaspell’s involvement in the movement did not go unnoticed. Today Glaspell’s plays are famous worldwide for her feministic and socialistic views on legal reform, and involvement in the women’s suffrage movement. However, the play Trifles stands out amongst her others due to it being based on a true murder story she covered as a reporter. The play is about a man named Mr. Wright who is discovered by his neighbor, Mr. Hale, with rope around his neck murdered. Upon discovering Mr. wright, the county attorney and sheriff get involved, along with Mr. Hales wife, Mrs. Hale, and the sheriff’s wife, Mrs. Peters. Throughout the investigation at the Wright residence, the women are not asked for help, and are looked down upon by the men. While the men seldom ask the women for their opinion on the murder, the case unfolds right in front of the two wives’ eyes. Like the women in the play, Glaspell was unable to play a significant role in the murder case she was involved in, and her observations over small and minor details she thought may be of importance went unnoticed by the men. Throughout the play, Trifles, Glaspell symbolizes the conflict of men versus women seen during this period through recognition, the

A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.

Trifles is about how women come together during a time when they were treated with disrespect by the beliefs of men. The plot of Trifles begins with the audience being introduced to the characters in the play as well as the setting in which all of the major events of this one-scene drama play. The setting begins in a farmhouse that appears to be abandoned. The author Susan Glaspell based this play on her personal experience of visiting the same kitchen that Margaret Hossack is being accused of killing her husband. Although, Trifles is being portrayed as a murder mystery the scene of the crimes plays out in the kitchen of the abandoned farmhouse.