Essay On Why Black Women Wear Weaves

They go from straight to wavy to their natural state a lot. Whitney Bellinger (2007) explains in her article why African American of the younger generation use the term “good hair” in order to understand why they change there out of the “natural” state. Throughout this research conduct she gives more details towards the women no longer want to stay towards the historical norms wanting to have a White appearance but states it “claim they change it because their hair’s chemical make-up time, ease of styling and the creation and perpetuation of healthy hair.” (Bellinger, 2007, p. 63) Some don’t change their hair because of racial pride taught by their mothers. An example of a way young women change their hair was with chemicals such as relaxers or perms and color dye. While conducting this research Bellinger also discover the main reason why the younger generation change their hairstyle is because seeing their parents change their hairstyles. The older generation then believed if they had “impression of Caucasian hair” they would be promoted in the job force (Bellinger, 2007, p.

There has been a notable amount of conversation on the internet on the rebirth of the natural hair movement. Cherise Luter (2014) states that despite afros and the natural hair movement not being a new concept (i.e. the Black Power Movement), it has gone under what she calls a “refreshing change”. Furthermore, what used to be “I’m black and I’m proud”, has been replaced with “I’m me and I’m proud” (Luter 2016). So, what is the natural hair movement? It is defined as a movement where black women decide to not conform to the social norms of chemically altering their hair and wearing it in its natural, kinky, or curled state (Joignot 2015). The movement could also be considered as an outlet for black women to display their racial and cultural pride or to articulate their “political position (Brown 2014:297). However, simply the terminology “movement” is something that should be shocking to many. There is a great amount of historical context behind the continuous influence Eurocentric beauty ideals have had on black women for centuries. According to Nadia Brown (2014), Black natural hair throughout history has proven to be recognized as “either unintended or intended personal and political statements” (298). the beauty standard in Western society which praises European hair textures, has influenced many black women to be critical of other black women who choose to chemically straighten their hair, accusing them of being subservient to the dominant and pervasive racist

b. Men normally just stick to one hair style unlike women who change their hair styles a lot.

Chris Rock’s documentary, Good Hair, investigates the notion of what good hair is. Dominant society views good hair as straight or essentially caucasian hair. This is not only problematic to the self-esteem and confidence of black women, but it can also cause black women to appropriate Asian culture. Black women unfortunately take advantage of Asian culture in search of what society believes is good hair. Many black women wear weaves in order to align to what society believes is good hair. However, when they buy this hair, they do not realize what Asians go through. Likewise, Asians who give up their hair do not know where or who this hair will be going to. Thus, this desire for good hair further perpetuates the lack of understanding that black

The researcher interview with African American women with natural hair and examination of social media. The researchers explain that in the natural hair community a curl texture is more attractive than kinky hair texture and lengthier hair more desirable than short hair; also having manageable hair is dynamic to African American women’s effective performances of Black femininity. This research expands the discourse in African American Studies that theorizes the experiences of African American women with natural hair compared to those of African American women with relaxed hair such as perms (Howard, 2015, p.

hair and is extremely damaging to the hair and from personal experience can lead to permanent scarring and scalp irritation to name a few. Since Black women are apart of the “mass” that McCombs and Shaw reference in their theory, they are also consuming these images and have no other way to think about themselves. This puts more pressure on Black women to want to assimilate to Eurocentric standards of beauty which has a direct effect on their self-esteem as discussed in the very popular documentary ‘For Dark Girls’ where Black women discussed their struggles with trying to achieve this Eurocentric standard of beauty.

The attitudes and arguments towards and against black hair in “Balm” by Lonnae O’Neal Parker and “My First Conk” by Malcolm X are contingent because they express two distinct views on black hair. Malcolm X pleads that manipulation of our hair by straightening or covering by wig is self- degradation. While Parker believes that the time she spent doing her daughters hair is translated to the love she has for them. This time not only assures the girls that they have a loving mother, it assures Parker that she could send them out into a world that would appreciate them because they had someone who put time (love) into the girls. Parker is aware of the scary truth that our worth by outside world is one dimensional and fuel by aesthetics. Both Lonnae O’Neal Parker and Malcolm X have analyze the importance of hair in the black community. Parker praises the “black hair ritual” while Malcolm criticizes it. Even though their topics differ, both essays share the act of taming natural hair, and the motifs of love and pain

Most African American women get their hair advice from low class salon who are self-taught. Low class salons have no knowledge of black women's natural hair texture nor natural hair styles that will protect their hair to keep it from breaking off. These salons use hair relaxer products on their African American clients because it is a fast process and are able to quickly move on to the next client. However, African American woman does not have the option to choose between a relaxer or a protective hair style when dealing with these salons, As a matter of fact, The New York Times mentions, plenty of salons are educating themselves on natural hair styles. “Many wear their twist, locks or teenie-weenie Afros”,” proud to have not given in to the

As an African American hair plays a vital role in our society. The ideal of Black hair is one that allows you to explore your inner feelings, attitudes and sense of style through the facet of hair. However, this freedom of expression becomes questioned as you try to pursue a professional career. As an African American woman pursuing a career in the field of broadcast journalism, your freedom of expression through hair is often limited by corporate policy. By pursuing a career in this field and attaining my first internship in a top 10 market. I have already faced some challenges. Due to the fact that I was only an intern, I did not receive pressure from corporate level to change my look. However, I placed internal pressure on myself to assimilate to white culture standard of “professionalism” by straightening my hair for an intern newscast. I decided to elongate my naturally, kinky curly hair in order to fit the bill of a typical news anchor. Who declared black hair of any style to be unprofessional?

Black women were always known for their since of style and to this day are still looked upon as role models for fashion. Their styles range from the “button up” to the “flawless elegant”. Many of these styles are currently being worn today throughout the world by women of all different “colors”, shapes and sizes. “…It is important for us to understand how

While Kylie Jenner’s faux dreadlocks for her ‘rebel-themed’ Teen Vogue photoshoot were described as beautiful, edgy, and raw by various style magazines, Zendaya Coleman’s dreadlocks she wore on the Oscars red carpet were described as making her look like she “smells like patchouli oil. Or, weed," by Fashion Police host Giuliana Rancic. America loves to appropriate black culture, even when black people themselves, don’t receive the same amount of love from America. From box braids to dashikis, black culture has been stolen by America and used for their own personal gain, disregarding the historical context and meaning of these traditions or blatantly perpetuating stereotypes.

Since the early 1900s, Black women have had a fascination with their hair. More explicitly, they have had a fascination with straightening their hair. The need to be accepted by the majority class has caused them to do so. Though the image of straight hair as being better than coarse hair still hasn’t left the Black community, there has been a surge of non straight hairstyles since the nineteen sixties. Wearing more natural hairstyles, which ironically enough include ‘weaves’ and ‘hair extensions’ has been considered to be more empowered and more enlightened. However, this image comes with a price, and though it appears the ‘natural’ hairstyle movement has advanced Black women, it has actually set

In today’s society, we live in a heavily social media world that blurs The lines between heritage and trends. The question often arises if someone is solely trying to imitate something without paying homage to other or stealing it without giving the entitled background of where it originated from. What caused these hairstyles that are rooted from Africa to somehow be manipulated and transition to America. The alteration affects the way we view appropriation and what is considered to be a personal identity of a specific background. Our personal identity is connected to the folkloric aspect of traditional customs that are passed on for generations to generation. Having the customs gives people a sense of roots to grow from and always have something to apply in their daily life. It’s important to have something to look onto for guidance having folkloric customs of tradition Africa hairstyles gives that to African American people.

Hair weave is dated back to the ancient Egyptian times. During this era, both males and females wore hair weave in the form of wigs made either from human hair, sheep’s wool or vegetable fibers, depending upon their social status. In the 19th century wearing hair weave was largely abandoned because the United States was just recently created and only the wealthy during that time could afford hair weave. During the 20th century, hair weave was only seen on actresses and celebrities in many forms. It was not largely used by common Americans. Hair weave did not make its debut until the 21st century. It began to skyrocket in 2013, when the Black Girl Magic movement began. The purpose of the movement is to congratulate women of color on their accomplishments

Unrealistic body ideals lead women to feel inadequate because of how their own beauty falls short in comparison to beauty ideals. The believed result of this is women continuous efforts in trying to change their appearance to go along with beauty standards but this is not the case for something as relevant as hair styling. In