Essay On Wooden Porch

wooden front porch, with roof, and entry through the front door that led to a front hall.

The building is four stories high made of brick, tile, and concrete. The east façade also has Classical features such as a frieze, dentils, cornice, raking cornice, entablature and an architrave. The front of the façade was adorned with floral coffers, corbels, as well as post and lintels (Photo 2).

The building itself uses an abundance of straight lines that give it a very neat and sleek finish. It is perfectly symmetrical, having a broad staircase with granite steps going right down from the second level to the front of the building. Written on these stairs are the words Invent, Discover, and Remember. Right next to this staircase, placed on each side are some brilliant green plants which wrap around the entire building and make it look very appealing. The building has several tower like sections that have upward sloping roofs that give it a bit of a medieval castle look. Made mostly of red brick and a yellow looking stone, this also gives the building the look of a castle. It also has lots of windows that give a welcoming feeling. There are also six bright lights which hang down from the second and third levels which add to that welcoming

Above the bed’s pillows is a circular fixture, possibly a mirror. A white, decorated vase is in front of the bed, laying on the ground. Two tall, white flowers are set within it. Beside the bed is a green, gold trimmed chair with a red cushion. Above the chair is a dove with its wings spread, it is surrounded by a gold halo. Just above the dove is a depiction of a horned figure with a halo. To the left of the depiction is a gold chandelier that is styled in a similar manner to the angel’s scepter. Behind and to the left of the chandelier is an ornate diptych, only one of the panels are revealed. Inscriptions are below the diptych. A wood furnishing bearing intricate carvings supports the diptych, a white cloth rests on its surface. Below it is a metal plate and cup, a cloth resting on it. Beside the furnishing and diptych is an opened window, each of the opened panels attached to it in varying positions. A city is outside the window. Beside the window is a lit candle which is attached to the wall by a gold support, a decorative gold plate behind it. The room’s floor is made up of faintly colored tiles arranged in geometric

Built in 2011, this masterpiece of 7000 SF will welcome you with well-crafted Java hardwood floors, leading to a well-spaced kitchen designed by one of the top interior designers of the country, Karim Rashid. The divine arched door enveloping the kitchen reveals a beautiful winding staircase, that ceases at a large interior balcony. A skylight is held above the edge of the staircase, perfect for a glimpse of the western sunset! The master bedroom on the second floor consists of a private bathroom, and a breathtaking view of the blue ocean. Remaining bedrooms provide a comfortable vibe with magenta walls, designer carpeting, and built-in stereos!

Thomas D. Mears had this structure built in 1859 on the former site of Governor Benjamin Smith’s summer home which was demolished to accommodate this new building. The H-shaped layout has the two long sides sitting parallel to Bay Street. An entry lobby separates two large parlors on the side and opens into a room with a circular opening in the ceiling to allow for a chandelier to extend downward from the second story. The two front parlors show the influence of Italianate architecture with plaster cornice, robust moulding and fine mantels.

The west façade of the house will be facing the Botanical gardens to be able to enjoy the view. Another addition to the house will be a swimming pool. The pool will keep with the theme of being connected to the outdoors and to be able to cool down on those hot summer Oklahoma days. The pool will be constructed on the northern side of the house. There will be a door added to the north side of the house to access the pool. The doors that are going to be added will be tall sliding glass doors to give the feeling of being outdoor while you are actually indoors. The last addition to the house will be a breakfast nook on the opposite side of the tall sliding glass doors, since the crossing of the transept is the dining room. The breakfast nook will be an additional seating area and it will be kind of secluded from the rest of the house for when you need a little

The windows on the front and sides of the building differ from those in back. The similarities among all of the windows is that they feature glass panes separated by muntins, have sills, and are without lintels. The windows on the front side of the building have a hinged lower section, feature twelve panes of glass, and the windows have security bars on the basement floor. The windows on the back are slim, with fourteen panes of glass each. Characteristics that the building share with the Mediterranean revival style are its semicircular arched entry, red tiled roof, wrought iron balustrades on its twinned, L-shaped staircases that lead to the first floor, and small paned windows.(PDF) The building features a central, gabled pavilion and the roman arching that frames the double-door main entrance features a protruding keystone, and is flanked on both sides by original light fixtures(PDF). Above the front entrance to the first floor of the building is a half-circle window with five panes of clear glass framed in wood. Two unique stones can be found on the building; one on the northeast corner noting the building as the “Sparks Branch Washoe County Library”, and the other on the southeastern corner baring the image of a Freemason square and compass.

Looking back at the main building lies the main east façade with its beautiful porch leading up to the main structure. The size and exquisite decor is what takes the mind of the city view and into the past of a revival architecture. Constructed by Henry C. Trost from Trost & Trost Architects & Engineers, this building serves as a revival evoking memories from Greece and Rome. The façade itself consists of six shafts or columns which indicate the ionic part of the Corinthian style structure. The Corinthian style capitals are a piece of work; they take the viewer back in time. The Corinthian leaves and beautifully carved flowers are clearly visible as if time had no effect on the buff terra cotta. The detail is acute and precise, to the extent that beautiful is a dull word to describe the vision. The bases of the columns are like a perfect structure that hold a grand shaft that leads to beauty on top. Furthermore, each column is big, no, in fact they are huge, they are elegant in their design and seem to fit one another as they stand side by side. Above the six columns lies the architrave. The architrave is a small part of the structure but fine to the last detail, it is astonishing the level of perfection that was achieved down to the last inch of this structure. Above all this is a

The Vogelstein addition is unique in that is combines two dramatically different styles in the same building. The addition respects its predecessor, while borrowing from, and reinterpreting the original. The mass of Vogelstein acts to balance the overwhelming presence of Avery’s façade, as the addition’s layers hint at the building’s depth, while remaining far less distinctive. The windows are highlighted with burnt orange window frames, comparative to the white window frames that dominate the façade. While different colors, the color contrast itself is complementary, as it serves to highlight the windows in both structures. Further, while much simpler in shape, these windows serve to continue the building’s tradition, without dominating focal attention. The glass doors reflect the façade’s windows, while the glass towers reinterpret both elements, acting as a transition. The canopy above the entrance is orange as well, creating a sense of balance between each of the building’s

“It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of

In this picture, Victorian style house stands alone in the field. A railroad track cuts through the foreground. There is a bare sky behind the house with no secondary objects in the immediate surroundings of the building. this enables us to keenly focus on the articulation of the building and its relationship with its environment.

The significance of this specific building is apparent from the moment you enter its domain. The door, witch is not shaped like a door you will find in an average office building or home, is designed to be deliberately dark, narrow,

The entryways of the building come from four different sides and meet in the middle. The overall shape of the building creates different views and facades. The building was not created just on the looks of it; it is made up of a three dimensional, stimulating, tactile human thing.

From the rooms on the first and second floor, the views of the city can be seen as there is a small balcony for each room that open onto this narrow airwell, water feature and the old party wall where the guests can have a cup of tea or coffee enjoying the beauty of the city. With the design which has lots of open and exposed spaces as well as the floor-to-ceiling glass windows and the modern comforts and fittings, plenty of natural light can penetrate into the room although they are compact and minimalist. Each light-filled guest room has a glass-enclosed compact bathroom with the privacy is protected as those glass walls are facing the mouldy walls of the adjoining shophouse. Moreover, guests can also relax themselves and mingle on the small roof terrace upstairs with the lovely views of the historical