Essay on "A Wagner Matinee"

I leaned my head against the car window watching the leaves blowing around, just trying to distract myself from a slight feeling of emptiness inside of me. This feeling seemed all too familiar to me. My family and I had all of our possessions packed into boxes yet again. We were moving to a new state. At this point, up rooting our lives and starting over almost seemed more like a hobby than anything more significant. However, I have just now come to realize that what seemed like constant inconveniences in the past, have actually taught me how to be the best me with influences all around the country. Living in three different states and five homes may have been a challenge, but it provided me with memories that I wouldn’t trade for anything because those moments created the person I am today.

a vegetarian for the past four years. Her personal nutrition habits and values can be attributed to her favorable stance towards plant-based diets. The essay’s context is set in the middle of the rising veganism fads popularized by celebrities and mainstream media. As a student, Breslaw’s main audience are her fellow peers, professors and those concerned with lessening their carbon

I was born into a family that has been practising lacto-vegetarianism for generations and later chose to continue that lifestyle. Through this autoethnography, I would like to explain more about vegetarianism and its benefits and how it can make us feel good about ourselves. My intended audience for this essay is anyone who is open to learning more about different lifestyles.

Augusta Miller sold or pawned all of her jewelry, lost her piano, and began to resent her husband . . . ”(Abbotson 3).

“If you love something, let it go” -Unknown. In life, relationships have both good and bad characteristics. Not everything is always sunshine and roses. Multiple examples of sacrifice can be found in a book or poem.

“‘Tis better to have loved and lost than never to have loved at all” (Miriam-Webster 253). This quote has been used for centuries as both persuasion in favor of loving and also as comfort in times of heartbreak and loss. However, is this statement completely true, or does it offer false hope to anguishing lovers? In fact, are the rules and costs of loving and being loved so great that in fact it is actually better to never have loved at all? When pondering these questions, one must first consider the rules of loving and being loved to determine the physical, emotional, and psychological costs they entail. In order to do so, one could use Andreas Capellanus’ The Art of Courtly Love as a guideline for the rules of love.

We sang on three songs: ‘Shackles and Chains,’ ‘Roll in My Sweet Baby’s Arms,’ and ‘Song of the South.’ Instead of being a sideshow freak, I was treated as a ripe little goddess…” (Cash online). Suddenly Rosanne Cash experienced a shift in attitude, and the tone of the piece at that point reflects the alteration. The reader goes from feeling somewhat dejected to feeling much more cheerful and uplifted by the change in word choice to phrases such as wonderful and ripe little goddess.

In my search to find an argument for omnivores, I found, despite typing in the exact opposite, that pro veganism articles outnumbered most them. Nevertheless, I discovered a piece about reverting from veganism on the blog of Aaron Moritz. The author’s reason for his renascent into his former meat-eating ways were primarily for health purposes. Ironically, health was a motive for converting to his vegan lifestyle. Differing is Moritz’s argument for as to why he completely renewed his sentiments on consuming meat.

In the frantic first grade classroom, I was the girl nervously hiding behind my mom’s skirt. My world fell apart when my parents took me out of our close- knit village in India, to a random city halfway across the world. Everyone promised a better future in America, but all I could think about was everything I left behind and the uncanny feeling that I didn’t belong. I felt as if someone trapped me inside a dark,unknown cave.

The main character, Aunt Georgiana, in A Wagner Matinee, is a woman living and struggling in a very ordinary lower class life. She follows common routine each day of her life and not much change or excitement influences her. When at the concert hall, Clark states, “She sat looking about her eyes as impersonal, almost stony, as those with which the granite Ramses in a museum watches the froth and fret that ebbs and flows about his pedestal” (Cather, 517). In a place passionately loved by Aunt Georgiana, she showed no excitement about her pastime. If set in the Romantic era, she would have shown a plethora of different emotions in the concert hall. The aunt would have been overjoyed and passionate about going to the Wagner Matinee, but instead, she shows no emotion attachment and enjoyment.

The unfortunate event began a completely new and terrifyingly dreadful life experience in which all my previous hard endeavors of securing the structurally sound habit of dedication, commitment, and studying I exercised extensively during my senior year, with the inner weapon of possessing powerful agency to absorb material with an extreme passion and letting my heart beat madly on long-distance runs whenever possible were indeed losing their color at a quickening pace. Suddenly I began to doubt my worth and the world’s lessons soon disappeared from my unawakened consciousness. The delicate networks of improvement and inner faith were becoming swept into a tide wayward, far out to sea where the light of my touch couldn’t embrace it.

During the early 20th century an artistic and social movement originated in Italy and was known as futurism. It was an innovation in technology. A similar movement was also occurring in Russia France England and etc. The persons who practiced such phenomenon were known as futurists. Futurists practiced in every art aspect that there was. Such as music, poetry painting theater etc. In each different part of Europe where futurism was evolving there were unique artists arising. Such Luigi Russolo Vladimir Mayakovsky Filippo Tommaso Marinetti Richard Wagner and Claude Debussy amongst others.

Wilhelm Richard Wagner was one of the greatest opera writers of all time. He helped to take opera to a whole new level from even Verdi and Puccini. Some say that Wagner was very egotistic, however; “his extreme egotism rested on conviction, Wagner had the ability to do great things” (Colles 207). He was extraordinary at composing music as well as formulating words. He was not a prodigy however his musical skills surpassed many other composers from his time period.

At times in life there comes something called change. In my opinion, I was not a big fan of change. You cannot imagine how I was feeling when my mother announced that we were moving. It was the middle of my sixth-grade year, I was feeling countless emotions, none that could be explained at the moment of the announcement. The main thing on my mind was school; my friends, my outstanding teachers, and the environment. All things I had left behind. All I could think about was, “How will I ever adjust?” I knew exactly what was to come, I knew exactly what I was going to become, an outcast. There were numerous of ways on why I was feeling this way, but

On Friday November 3rd I had the pleasure of attending an evening of Opera titled Love Through the Ages with Maria Fortuna and Nancy Townsend at the Sean O’Sullivan Theatre. Having never been to an Opera performance I had no idea of what to expect and was looking forward to this new experience. Fortuna was accompanied by multi-faceted pianist Nancy Townsend. These two musicians showed tremendous expertise and were able to keep my attention through the extent of the program.