Essay on Camus’ The Stranger (The Outsider): Meursault’s Indifference

Diction shows the difference in Meursault’s views and beliefs as he spends more and more time in prison, adapts to his new lifestyle,

All the facts the prosecutor presents are valid and true, though unrelated to his case. From the prosecutor's point of view, Meursault is a “monster, a man without morals” (96). Even Meursault agrees that "what he was saying was plausible" (99). The reader, who knows all of Meursault’s thoughts, knows how absurd the prosecution’s accusations are. Throughout the trial, Camus explains that perception means everything, and there is no absolute truth.

In Albert Camus novel, The Stranger (The Outsider), the main character Meursault displays a unique indifference to his surroundings and the world around him. It takes him a degree of time to come to terms with his indifference, but when he does he feels truly free from society's constricting bonds. He leads an apathetic lifestyle that is characterized by his constant lack of a definitive personality. Meursault wanders through life as if in a drunken stupor, living the life of a pleasure seeker. When he accepts his death he is relieved of the pressure of dealing with guilt and with relationships towards other people.

 In one of his later interviews, Camus made the somewhat irritated comment that Meursault is the “only Christ we deserve.” While this seem to be a pithy, witty comment, we need to figure out how Meursault is like Christ. Christ taught his disciples and had them go and teach others, yet Meursault has no disciples and chooses to say little. Meursault murders while Christ brings a man back from the dead. Most drastically, Christ ”died for our sins” in order to make all those who follow free from original sin. Meursault just dies.

Meursault is truthful, therefore not only is his guilt dealt with at the murder trial, but his personal views and opinions come out as well. In fact, during the trial his lack of emotion about his mother’s death seemed to be of more importance than the murder he committed. From this it seems that truth is a crime and

Albert Camus creates a series of characters in The Stranger whose personality traits and motivations mirror those that are overlooked by the average man. Camus develops various characters and scenarios that are considered rude and unpleasant, but because it has become common, society accepts it as norms. Camus incorporates atrocious personality traits of the characters, variety, consistency, and everyone’s fate through the creation of the characters.

Flat characters play a significant role in all novels. For instance, the brother of Raymond’s mistress is a key flat character. The Arab never grows throughout the novel; rather, he remains a stalker, stalking his prey, tempting a fight. Without the role of the Arab, Meursault, would never have gone to prison, and never be tried for murder.

The chaplain comes to see Meursault against Meursault’s own wishes and the chaplain tells him that he should turn to God for comfort in his final days. Meursault does not believe in God and he tells this to the chaplain. The chaplain seems so sure about everything in life and about everything that will happen but to Meursault, the only certainty is that everybody dies. If it does not happen today, it will happen tomorrow, and if not tomorrow, then the day after. Life is indifferent to everybody and nothing in it is important unless the person makes it important. There are no pre-set values that everyone must believe in when they are born. The choices a person makes are what define him because existence precedes essence. If someone chooses to value love, then it is important to him or her and he or she should care about it. If someone chooses to believe in God, then He is only important to him or her and only he or she should care about Him. The reason that he did not cry at his mother’s funeral is because he does not believe that this is the appropriate reaction since everybody dies at one point or another. The reason that he said that he probably does not love Marie and that it is not important, is because he does not have love as one of his values; therefore, he should not care about that emotion. Finally, the reason he did not show remorse for killing the Arab is because he did not feel that emotion. What Meursault does value is the truth. He

Although Meursault is the title character and narrator of Albert Camus’ short novel The Stranger, he is also a somewhat flat character. His apparent indifferent demeanor may be a convenience to Camus, who mainly wanted to display his ideas of absurdism. And as a flat character, Meursault is not fully delineated: he lacks deep thought and significant change. His purpose is that of a first-person narrator whose actions embody the absurd, even before he has any awareness of the fact. Since Meursault is embodied absurdism, it is not necessary that he be hyperaware of his thoughts and intentions. His truth has already been built into his character by the

Meursault was introduced as a young man whom recently found out his mother, Maman, died. He was not the most emotional person, but he dealt with his feelings the best he knew how. Meursault lived his life on the verge of truth and honesty. He was honest within every aspect of life, from women to freedom. He was never certain about anything in life ,but one thing he was sure of, death was inevitable. After murdering an Arab, he was on trial in front of many people being interrogated with many questions about why he did what he did, but also to evaluate his psyche about the situation. Unlike others, Meursault did not hide from the truth and that is what others could not cope with. Living his life the way others were afraid to, Meursault was the outcast in his society.

In The Stranger, Albert Camus writes about a detached yet normal man, Meursault, who encounters unusual situations that evidently leads to his demise. From cover to cover, it was established by the author that Meursault had an unusual way of thinking and that he was continuously revealing his peculiar perspective on life and death. Throughout the novel, Meursault is reminded of death and continues to be judged by everyone in the society that he lives in, for instance, when he was put on trial for shooting an Arab man. Camus writes about the main character by describing his absurdist mindset. It is through the focus of funeral scene, however, that Camus is able to formulate the values of the character and the society in which they live in. This scene was able to reveal Meursault’s perspective on life as well as death.

This easy-going, pleasant hedonism is interrupted permanently by Meursault's murder of the Arab on the beach. Not only is he incarcerated, but also he must examine the reality behind the illusion of his trial and, ultimately, of his life. Introspection has not been his metier. It takes him a while to realize that the judge, the jury, the journalists, even his own lawyer, do not wish him well. Meursault finally realizes that he is going to be convicted, not because he killed an Arab but because he did not mourn his mother's death.

The change of tone is illustrated by how initially he says, “A minute later she asked me if I loved her. I told her it didn’t mean anything but that I didn’t think so.” (Camus 24) Meursault when talking to Marie shows no true interest even though that’s one of Meursault’s most intimate relationships. Contrary to the beginning where Meursault doesn’t understand certain emotions or how to display them, towards the end of the novel he has plenty of emotion, seen by how he states “As if that blind rage had washed me clean, rid me of hope; for the first time, in that night alive with signs and stars, I opened myself to the gentle indifference of the world. Finding it so much like myself—so like a brother, really—I felt that I had been happy and that I was happy again.”

Jean Valjean lives in absence of love. He has forgotten the jubilant feeling that occurs when he is loved and knows no different. He feels powerful affections for Cosette and needs nothing except her. She is his whole world and doesn't need or fear anything unless it involves her. In each of these cases, Jean Valjean experiences the sensation of happiness.

The simple sentences in The Stranger reveal Meursault’s emotional detachment from society, while the more complex sentences are assigned to objects with authority. Throughout the entire novel, Meursault’s simplicity and disinterest in the world can be identified with the incorporation of his simple statements. Especially in this particular passage, Meursault finds it unimportant to challenge himself in a way that makes sense. Although Meursault recognizes the sensibility of walking