Essay on Discourse in A Portrait of an Artist as a Young Man

Throughout history the human figure has been demonstrated in Middle Eastern, Egyptian and Greek sculptures and paintings. Most of these artifacts tend to focus more on humanism than realism due to Rulers and Gods, geographical areas, resources and events thus, giving them the idea for the theme of the art they create. These are the reasons that might explain their commonalities or differences in the representation of the human figure.

Even though he will not let himself be beaten for no reason, if he has made an inadvertent mistake, he will try to correct it, as he does with his grandmother, after accidentally embarrassing in church. “Later, I convinced her that I had not wanted to hurt her and she immediately seized upon my concern for her feelings as an opportunity to have one more try at bringing me to god. She wept and pleaded with me to pray... I promised; after all, I felt that I owed her something for inadvertently making her ridiculous before the member of her church.” (Wright 119) And he follows through with that. He prays, daily, for an hour. That hour is torture, but he keeps his promise, abiding by his moral code. He is different from the boys and girls of his church congregation, and class: they have been indoctrinated and do as they are told, docilely. One boy walks up to Richard, prompted by the congregation, who think that Richard is doomed to burn in Hell, and tries to convert him; it is obvious that the boy has no real conviction in God of his own, rather, the belief in God has been forced upon him by his parents and community. “Though older than I, he had neither known nor felt anything of life for himself; he had been carefully reared by his mother and father and he had always been told what to feel.”(Wright 116) Meanwhile, Wright, in stark contrast, resists the attempts of his Grandmother and extended family to indoctrinate him into religion, instead deciding to

This artwork appears to be an abstract piece made from magazine clippings to create a collage. The artwork is a vertical piece that measures approximately 17 x14. It focuses in on the subject of a girl who is created out of neutral colors. She stands out against the rainbow background. In the background each clipping has a different element and pattern, but they all work in unison creating a rainbow background.

Topic 2: Identity is a central concern of contemporary life. Critically examine and discuss how design or art has been used to explore, discuss and express identity.

Case Study: The use of assemblage and the found object in historical and contemporary art practice.

The narrators’ approval is being held hostage by this personal internal conflict with his own beliefs which allow his “suffering” to

He uses his perception of his intimate relationship with God and uses it to his advantage. St. John exploits the close relationship that is emphasized in the New Testament to "make himself a hero on a level with God" (Shapiro, 694). Within his argument with Jane, he even claims that "it is not me you deny, but God" (180). This line of thinking is what propels his ego throughout the entire book. He continuously holds himself at a higher regard than the other characters. He then applies the value of discipline in the Old Testament to control others in the novel. Through this process, he "[stifles] all humanity within himself" (Shapiro, 693). As a result of this, he distances himself from humanly relationships. He objectifies people. Jane describes their relationship, stating "He prizes me as a soldier would a good weapon; that is all" (179). His view on religion prevents him from having a real relationship with others, promoting apathy. He eventually becomes "blind to his own motives and passions and that he has been cloaking them all along in sanctimonious rhetoric" (Franklin,

Other people could not understand why Richard was not religious. Richard had said that, “My faith, such as it was, was welded to the common realities of life, anchored in the sensations of my body and in what my mind could grasp, and nothing could ever shake this faith, and surely not my fear of an invincible power”

The art piece that I chose to critique is the sculpture of a figure kneeling down and getting shocked. It is located on campus near the Morris University Center(muc). When I first saw this sculpture it caught my attention immediately, because of how gruesome the piece was. I feel like I don’t have a good understanding of what the sculpture represents, but it seems like it would raise plenty of controversy, due to its erotic features. It seems like the artist was venting his emotions when he created his idea. The sculpture is fairly large in size, which makes it noticeable, among the other art pieces on campus. The sculpture media consist of wood and concrete, and metal mostly. The individual is keeling down toward the west and is supported

The most prominent quality of Elizabeth Bishop’s, “One Art,” remains the concise organization and rhyme scheme of the poem, which amazingly keeps the audience informed at all times what the theme. Her choice of a villanelle constantly reminds the audience that “the art of losing” always seem easy until one loses something so much more than an inanimate object and at the point, it does become a “disaster.” Written in 1976, the poem is very modern and uses an impeccable rhyme scheme, diction, and imagery to convey the hints of misery and frantic the speaker feels.

Self-portraits have been used by artists for centuries to explore aspects of the self. They are the subjects they know best and artists have reflected this through their treatment of media, subject matter and techniques. Two artists who explore aspects of their personality and life experiences in their self-portraits are Frida Kahlo and Ben Quilty. Many of their artistic techniques can be derived from the same origins. Whilst there are similarities in self-portraits by any artist usually, you will find differences the norm. After all, this is what makes art and art form.

Modernism is an art movement that is characterized by a deliberate departure from tradition to a more expressive form that distinguishes many styles in the arts and literature of the late nineteenth and twentieth century. Emile Bernard was part of this modern art movement as can be seen in his painting, "Breton Woman and Haystacks", painted around 1888. Impressionists were modern artists who tended to paint outside landscapes and street scenes and were concerned with the effects of light. Bernard was a Post-Impressionist artist who considered Impressionism too casual or too naturalistic, and sought a means of exploring emotion in paint. Bernard's work, "Breton Woman and Haystacks", depicts a woman in

Stephen starts as an object - Baby Tuckoo - in his father's story of his early years and is thus without his own identity. Later, at Clongowes, he is either gripped with embarrassment as he fails to connect with his peers or speechless at a family Christmas dinner as debate and anger rages around him. He is isolated, associating only with the sounds of words (belt, iss, suck) and other stimuli. He doesn't understand the schoolboy argot and his consequent victimisation is all too predictable as his peers react with typical schoolboy nastiness to a boy who doesn't fit in.

The history of art dates back to ancient times. Artwork can be, and was, found around the world. What makes art interesting is that it can be created in any way, shape or form with any materials. It seems that the artwork can also tell us a lot about the artist. Art seems to be simply, a direct, visual reflection of the artist’s life. Therefore, one can assume that an artist’s life experiences and beliefs directly influence their art. If we look at examples from different periods of art we will be able to see the connection between the artist and the art.

Like winding down a choppy and uneven river, we traveled through his developing consciousness and like tourists, we made note of the rugged landmarks of his maturity. We contemplated his ever-present melancholy, his plunge into sinful abandon and his guilty conversion into an unbearably obsessive religious fervor as well as his later struggle to define his passion and purpose.