Essay on Imagery, Language, and Sound in What's That Smell in the Kitchen?

In the 1950’s, women were working and being transformed into the American housewife, while their husbands went off to corporate careers. In Ingalls and Johnson, women were said to have careers however, could only succeed at “motherhood substitute jobs” such as teaching, nursing, administrative assistive, and social work (I&J, 51). This culture portrayed woman as only being capable of household jobs. When looking for the perfect suburban home, General Electric said women would head straight for the kitchen because this was where she would be spending most of her time. General Electric’s Wonder Kitchen made it even easier for women to save time, space, and work, allowing for wives to have more leisure time. The Chase & Sanborn advertisement reinforces the culture of women having to do everything to please their husbands. The picture on the ad depicts a man spanking his wife across his lap because she disappointed him with flat and stale coffee. Not only are women conforming to this domestically pleasing life style, but men also had

The aftermath o the gas attacks is addressed in the last stanza. The reader is now apart of the poem by the use of the possessive pronoun "you too" that imposes the reader to empathise with the injured victim. The victim is then described by the gruesome alliteration and assonance of "watch the white eyes writhing in his face" that together enhance the vivid sight. The continuing imagery of "gargling from the froth-corrupted lungs" uses onomatopoeia to lead the reader to believe that war is incorrectly glorified. The last lines "My friend, you would not tell with such a high zest/ To children ardent for some desperate glory,/The old Lie: Dulce et decorum est

The stereotyping of women is quite common in today 's society and throughout history. In the past, women have taken the full time job of being a mother and a housewife. The 1930s initially started the ideal image of a woman. A woman was often represented as a maid-like being who would serve to their husband and children. In Richard Alleyne’s article, “Advice for women in the 1930s: Nothing Destroys the Happiness of Married Life More than the Lazy, Slovenly Wife,” he discusses the frequent expectations of a housewife. Common assumptions included; “Don’t argue with your husband; do whatever he tells you and obey all his orders” (1) and “Nothing destroys the happiness of married life more than the lazy, slovenly wife” (1). These rules have often been published into past newspapers that were

Linda Pastan’s poem Marks is a short narrative many women will be able to identify with, as it addresses the tasks by which a stay at home mother is measured. Reduced to a mere extension of her “work,” or family, the female narrator describes in detail not only the domesticity that rules her life, but also the fact that her family has the audacity to assign grades to her efforts. Her husband instrumentalizes her by treating her not as a partner, but as a tool to satisfy his need for to be clothed and fed. He also exhibits fungibility over her in that she is interchangeable with other woman, rather than being her own unique person in the relationship. Finally, he grades his wife even on her performance in the bedroom, reducing her even further to body, vice an active participant in this most intimate facet of their lives. Fortunately, the wife’s self-esteem remains intact, despite her family’s best efforts to dislodge it. In her feminist poem Marks, Linda Pastan highlights the power a husband has over his wife as he subjects her to instrumentality, fungibility, and reduction to body, yet the woman’s inner strength refuses to bow to their systemic oppression.

In line 5, the adverb ‘coupling’ is describing the couple as R.W is walking to McDonald’s; also showing sign of symbolism. This makes the reader understand the time it takes for writing a quality poem. Next, on line 3, the preposition ‘through’ and the adjective ‘blossoming’ are “feeding” the reader’s brain, and the reader can really enjoy this. Lastly, on line 18, the phrase ‘the counter girl is as crisp as a pickle’ is a very descriptive simile that makes the reader starving after reading so much descriptive adjectives about McDonald’s and their

In this poem, women are tired and outraged of the limits of their occupation. The poem shows this by the tone of the first line “women are burning”. This shows that women all over America are fed up and angry for being stuck at the house. I believe that burning gives a negative connotation. So when I hear burning this makes me think that the person is angered and outraged. These women are outraged because they are limited to only housework.The poem also states that “she says, once I was the roast duck on your platter with parsley but now I’m spam”. This quote makes me feel that this woman is being treated poorly. I also believe that this woman feels unappreciated and abandoned by their husband who once paid

Throughout essay “In the Kitchen,” Henry Louis Gates Junior recalls a time when he and his friends and family constantly tried to straighten their African American “kinky” hair. They did this to try to fit in with white people. The writer is using his personal experience as an African American straightening his hair to show how black people felt about assimilating into white society. It was very difficult for blacks to fit in with white people but he remembers how this difficult time brought the black community together.

In two passages of Toni Morrison’s novel, Beloved, she describes a party at 124. Everyone become so full from the food that flows endlessly that they become angry at Baby Suggs extravagance. Baby Suggs thinks it was this overfullness that caused them all to not notice the coming of Schoolteacher and his sons. The narrator of one passage is Stamp Paid and he recounts to Paul D. what happened at the party – what they ate and how it made everyone feel.

For centuries, women have had the role of being the perfect and typical house wife; needs to stay home and watch the children, cook for husbands, tend to the laundry and chores around the house. In her short story “Girl”, Jamaica Kincaid provides a long one sentence short story about a mother giving specific instructions to her daughter but with one question towards the end, with the daughter’s mother telling her daughter if she had done all the instructions to become a so called “perfect” woman, every man would want her. Kincaid’s structuring in “Girl,” captures a demanding and commanding tone. This short story relates to feminist perspectives. The mother expects a great deal from her daughter to have a certain potential and she does not hesitate to let her daughter understand that. As a matter of fact, the story is about two pages long, made into one long sentence - almost the whole time the mother is giving her daughter directions to follow - conveys a message to the reader that the mother demands and expects great potential in her daughter. The daughter is forced to listen and learn from what her mother is telling her to do to become the perfect housewife. Throughout the story, Kincaid uses the symbols of the house and clothing, benna and food to represent the meanings of becoming a young girl to a woman and being treated like one in society. Women are portrayed to appeal to a man to become the ideal woman in society, while men can do anything they please.

The 1952 Schlitz advertisement that is shocking to most modern day feminists, was trying to normalize the “imperfect woman” by advertising beer. The printed ad states: “Don’t worry darling, you didn’t burn the beer!” After WWII, women were slowly gaining independence as most of the male population was away at war. The women had to fill in the spots of males in society, transcending from the private sphere, being confined to the home, to the public sphere, where they would work for wages. Once the men returned home from war, so did the women. The women became confined to their homes and became what we know as the stereotypical housewife: caretakers of their children, caterers to their husbands, and makers of the home. The media continued to build upon the ideas of the perfect housewife, and while perfect housewives were ubiquitously depicted in their ads, they strategically used women as bait to conform to the development of the dramatic consumerist ideologies.

The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate

352). In today’s society there are no rules that prevent a person from doing all their laundry in the same day. A majority of people have probably learned from their parents or from experience that it doesn’t work so well if you wash whites and darks together; otherwise stating there are no instructions that come along with the task of laundry. In Kincaid’s (2011) story “Girl” the reader gathers the idea from the tone of the text, as it is the women’s role to do the laundry; whereas, in today’s society it is not always the woman completing the task of laundry. In some families, more often than less the women and men share the responsibility of doing laundry. In viewing the story “Girl” from a feminist perspective, another occurrence of gender roles would be the narrator’s statement “soak salt water fish overnight before you cook it” (Kincaid, 2011, p. 352). In the society that the story takes place, it is the woman’s responsibility to cook, compared to the twentieth century family, the meals may be prepared by every member of the family. Prior to the feminist laws women were treated with little to no respect for the things that they were expected to accomplish on a daily basis. In the era the story is written, women were often wives, housekeepers, cooks, and teachers. “This is how you iron your father’s khaki shirt so that it doesn’t have a crease; this is how you iron your father’s khaki pants so that they don’t have a crease,” and “this is how you sweep a

As is typical of most Modernist poetry, William Carlos Williams uses very specific images in "The Young Housewife" to reveal not merely a particular circumstance or event, but to also suggest underlying themes and ideas of his subject matter. For example, he gives to the reader various real and imagined images, such her moving about in negligee behind closed doors, or her going about her daily affairs, that are at once very seductive and suggestive of ideas that supercede their appearances. These images especially accentuate the young housewife's naturalness and beauty. However, they are quickly contrasted by a comparison drawn by Williams of the young lady to a

In this poem “Woman’s Work”, the mother is forced to do household cleaning which represents a domestic life and the impact of gender specific roles. This poem is written in the third person point of view. The speaker is the daughter of a mother who doesn’t work outside, but only inside of the house, and is forced to do household cleaning with her as she hears her friends playing outside in the street. Author Julia Alvarez uses imagery, simile, and alliteration to portray the meaning of the poem that women work harder than men.

In “A Doll House” by Henrik Ibsen was created during 1800s time period. This play helps shine a light on the gender roles of the 1800s while also creating a twist that was uncommon for this period. During this time period, women were left home to oversee the domestic duties, while men went to commuted to work (Hughes). Men were seen as physically superior but morally inferior to women; which is also portrayed within this book (Hughes). This play marks the beginning of Henrik Ibsen’s realist period, which he explored the ordinary lives of small-town people (Kirszner and Mandell 881). This “modern tragedy” helped make Ibsen famous internationally because of the real-life story it captured (Kirszner and Mandell 882). Henrik Ibsen uses an array of literary devices to help keep the reader captivated from beginning to end. Three of the most prominent literary devices used by Henrik Ibsen are symbolism, foreshadowing, and an array of themes. These literary devices help transform a basic play into a complex story of lies and deception.