Essay on Pointing the Finger in John Milton’s Paradise Lost

Dated back to the 10th century B.C., the story of Adam and Eve is told in Genesis chapters 2 and 3 of the Christian Bible. The creation is the main focus of chapter 2 and their fall and punishment is the main focus in chapter 3. God creates Adam in his image from mud, he blows to his face and gives him life. God presents all of the animals of the land to Adam and he is not satisfied, so God created Eve out of Adams rib as a companion and helper for him, and he is satisfied with Gods work. God commands Adam and Eve to not eat the fruit of the tree of the knowledge of good and evil. But, the serpent persuades Eve to eat the forbidden fruit, and she persuades Adam to do so as well. After they eat the forbidden fruit they realize they are naked

her to put herself into a situation in which Satan can get to her. Eve is not fearful because

The serpent eventually persuades Eve to eat from the “Tree of Knowledge”. After she eats from it, she has Adam eat from it. Shortly after, they finally notice they are naked and become self conscious and cover up. God then asks about what they have done and Eve blames Adam, while Adam blames the Serpent. God curses them, and makes Eve suffer through labor and banishes both of them from the Garden of Eden.

Milton’s Paradise Lost has been praised as being the greatest English epic of all time, most stunningly in its author's depiction of the parents of humanity, Adam and Eve. How Milton chose to portray the original mother and father has been a focus of much criticism with contemporary readers. One of the main subjects of these comments is in reference to Eve, who, according to many, is a trivial character that is most definitely inferior to her mate. Nonetheless, many do not recognize that, after the fateful Fall, she becomes a much more evolved character. When Eve is introduced to the storyline of the epic, her character is shallow and extremely undeveloped, meant simply for display. She is quite firmly set as being inferior to her mate

Genesis 3 exposes the serpent, also known as the devil. The serpent asks Eve to

    The seventeenth century poet, John Milton, takes the attitude common to the time period while portraying Eve in Paradise Lost.  This epic, telling of Adam and Eve's fall from Paradise and the story of creation, constantly describes Eve as a weak individual, while Adam is often compared with God.  The idea of women's inferiority has been fixed through time, making Milton's characterization of Eve not surprising, but rather expected and accepted.  However, Milton shows a suggestion of women's inner strength while describing the control Eve has over Adam.  Nevertheless, except for this instance, Eve is depicted as subordinate to Adam.  This is evident through Adam and Raphael's treatment

and as man’s other. This is how Eve was seen as the fall of man. “Yet looking upon her as

A. “The allusion to pagan fable that most haunts views of Milton's Eve is her Narcissus-like behavior when, fresh from her Creator's hand, she pauses at the verge of the mirror lake attracted by her own reflection and has to be called twice: first by God, who leads her to Adam, and then, as she starts back toward the softer beauty of the face in the lake, by Adam himself.” (McColley 63).

Throughout John Milton's Paradise Lost, the reader feels a sense of foreboding. Because the reader knows that the fall of humankind is inevitable, the warnings and discussion of "free will" throughout the first eight books of the poem serve only to make Eve's transgression all the more tragic. The reader sees evidence of how the fall could have been avoided, and therefore feels as if it was unnecessary. If only Eve had heeded the warnings, if only she had listened, we might all be living in paradise. When Eve dreams of the fall, she is tempted by a very simple argument made by an angel--that if she eats the fruit from the tree, she will

Adam and Eve sin, insufficiently cover themselves from their nakedness…and in nakedness feel free to insert weakness, defenselessness, or humiliation. Adam then proceeds to blame God for giving him the awful temptress of a woman, Eve and Eve decides to blame the serpent.

However, they rebel and sin enters the world after a serpent tricks Eve into questioning God’s love and motives. In her gullible innocence, she ate from the tree of knowledge of good and evil (Genesis 3). Eve shared the fruit with Adam and they spiritually and physically die. This was catastrophic to Gods Order and led to the condemnation of all human beings (Roman 5:18). Immediately, they

Now I will talk about how milton portrayed eve in his writing. Milton sees Eve as Narcissus. For many hundreds of years, the female has been seen as the weaker sex the gentle sex, the docile sex, even the less intelligent sex. And this is because, for many hundreds of years, the societies that humanity lived in were based mainly on survival. Necessity of women remained in the home in order to further the mere survival of the species, while men were in charge of providing for this family unit. Through this situation, men developed an egocentric view of life, seeing themselves as the centers of their own microcosms. Humans always look for someone else on whom to place the blame any man would be pleased if he were able to place all of the evil of humanity on to a poor decision made by a woman. This view of Eve makes her a flat and undeveloped character. She is vain, falls in love with herself at first sight in the glimmering pool, and can barely stand to tear herself away from the water to be with Adam. As usual, this episode of her self-absorbed conceit only contributes to the already growing compassion for Adam,

Adam was the image and glory of God, Eve the glory of a man. While Eve may have been created inferior, she is well developed within the poem. When Eve is created, her first action is to follow a stream and “...to look into the clear/Smooth lake, that to me seemed another sky” (4.458-59). This action has been interpreted as vanity, but it is perhaps more of an innocent action. It is not unreasonable to assume that looking at a reflection of yourself for the first time would be captivating. Eve had no way of knowing that the figure was herself so it is less of a vain action.

In Adam's case, Satan in the form of a serpent persuaded him to bit the apple.

As Book VIII of John Milton’s Paradise Lost begins, the “new-waked” human Adam ponders the nature of the universe and the motion of the stars (ll. 4-38). When Adam has finished his speech, Milton takes the opportunity to describe Eve, who is listening nearby. We find Eve reclining in the Garden, but with grace, not laziness: “she sat retired in sight,/With lowliness majestic from her seat” (41-42). This “lowliness majestic” is the central phrase to understanding Eve’s character—she is both humble and glorious. Everything that beholds her is captivated by her “grace that won who saw to wish her stay” (43). Even in this paradise, every other beautiful creation is drawn to Eve. She walks