Essay on Social Expectations in Story of an Hour and Sorrowful Woman

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

Kate Chopin's “The Story of an Hour” and Gail Godwin’s “A Sorrowful Woman” are similar pieces of literary work. Both stories offer a revealing glimpse of extremely unhappy marriages due to being forced into stereotypical roles. Both stories portray women, who are trapped in their marriages and trapped in their socially expected matriarchal characters. They are identified by their role as a wife and mother.

In “The Story of an Hour” by Kate Chopin, the author depicts how someone can be trapped in an unproductive and unsatisfying reality because of other’s thoughtlessness, exploitation, and domination. When combined with the contemporary society’s belief, presumably the later half of the 19th century, a further understanding of Chopin’s thoughts and feelings can be realized. Mrs. Louise Mallard, the victim and messenger of this story, is the image of such a person. Her relationship with her husband is so oppressive and limiting that even death is considered a reasonable means of escape. The condition of life for Mrs. Mallard is terrible, yet for some reason she doesn’t seem to come to the full

In Chopin’s short story, she demonstrates how men in the late ninetieth and early twentieth century treated their wives more as possessions than individuals, thus when the protagonist Mrs. Mallard learns her husband Brently Mallard just unexpectedly died, she feels “free, free, free!” (15). Since, Chopin published this short story in 1894; women often got married while they were quite young and typically to men much older. Likewise, divorce was never usually an option for unhappy marriages. Subsequently, Mrs. Mallard appears unhappy in her marriage, after learning about her husband’s death, she pictures how much better her life is going to be, “There would be no powerful will bending hers in that persistence with which men and women believe they have the right to impose a private will upon a

Anyone who receives notice of a loved ones death is never expected to take it lightly. In Kate Chopin’s “The Story of an Hour,” Mrs. Mallard is informed of her husbands “death” as gently as possible, and immediately she understands the enormous significance this loss will have on her life. Unlike many widow’s, her feelings of utter devastation do not last. Mrs. Mallard’s sobs of loss turn to cries of joy after she reflects upon her own character and discovers truths about her marriage.

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

I chose to do my analysis on the short story, “The Story Of An Hour”. The themes I see in this story is the quest for identity/coming of age, romantic/love, birth, and death. It is about a woman named Mrs. Mallard. She was an elderly lady and had a heart complications. Her sister Josephine and her husband’s friend Richards had to break the news to her that her husband, Brently Mallard, has been killed in a railroad disaster. Mrs. Mallard was sorrowful and sobbed in her sisters’ arms. After her grieving process, she wanted to be alone, so she went to her room and locked herself in. As she sat in the window, she seem to be calmer and accepted her husband’s death. She was not distressed of what had happened. She began to say the words “free” and her heart

The setting of these two stories emphasize, on visually showing us how the main characters are based around trying to find freedom despite the physical, mental and emotional effects of living in confinement. While on the other hand, dealing with Psychology’s ugly present day behavior showing dystopia of societies views of women during the time period they lived.

Kate Chopin’s “The Story of an Hour” and Nathaniel Hawthorne’s “The Birthmark” examine the complex relationship between a husband and wife. The two works take two different approaches to convey the same message: Marriage is not a fairytale, it requires sacrifice and unselfish behavior in order to work. Relationships are difficult to begin and harder to maintain. Mr. and Mrs. Mallard and Aylmer and Georgiana are two relationships that shatter the surreal perception of marriage and expose readers to the raw truth, marriage is not a fairytale.

In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.

Marriage is depicted as an adventurous lifestyle between two “soul mates” for an eternity, but during the 20th century women were viewed as house wives. Gail Godwin’s “A Sorrowful Woman” and Karen Van der Zee’s “A Secret Sorrowful” illustrate how men exceed boundaries to satisfy women. These two narratives demonstrate how children can play a huge part in a couple 's marriage from different perspectives. “A Sorrowful Woman” and “A Secret Sorrow” demonstrate how the husbands so dearly loved their family, although Godwin implies the marriage is slowly falling apart, Van der Zee reveals an infertile marriage that is prosperous and full of love.

"The Story of an Hour" involves one married couple and when the wife, Mrs. Mallard, hears her husband has died in a railroad disaster she breaks down into tears. Moments after sitting in her chair weeping she begins to feel free to do as she wants now that he has passed on. As she approaches the stairs in her home the door opens and her husband stands alive and well. When the doctors arrive they say Mrs. Mallard ."..had died of a heart disease-of joy that kills." In both of these short stories the wives seem to share the foul qualities of selfishness, unfaithfulness and confusion.

In both short stories, the main characters, Mrs. Mallard and the narrator have or ended up developing some sort of illness while in their marriages which can create difficulties in their relationship. In “Story of an Hour”

In “The Story of an Hour,” Kate Chopin describes the series of emotions a married woman with a heart condition, Mrs. Mallard, endures after hearing about the death of her husband, Mr. Mallard. She assumes that she will be a mournful widow, but she ends up silently rejoicing. It turns out that she was not happily married and the thought of freedom from her attachments of marriage gave her

In the short story "The Story of an Hour" Kate Chopin, the author, presents the reader with an obscure view of marriage. Chopin's main character, Mrs. Louise Mallard, experiences the excitement of freedom instead of the devastation of loneliness after she receives the news of her husband's death. Mrs. Mallard disturbingly finds out that Brently, her husband is still alive. She know knew that her only chance at freedom is gone. The disappointment instantly kills Mrs. Mallard. Published in the late 1800s, the overbearing nature of marriage presented in "The Story of an Hour" may very well reflect, but not restricted to, that era.