Essay on Susan Bordo's Beauty(Re)Discovers the Male Body

The hypersexualization of females is fairly prevalent across different cultures. The media seems to be bombarded by it; magazines are plastered with risque images of barely clothed woman and even young girls. In 2011, a French issue of Vogue featured females as young as ten years-old as models, “Stretched and slinked on an array of animal furs.” Their clothing was low cut and revealing. This prompted the French

As most of our popular culture, everything is always changing. What is in while we are teenagers will be ancient in 10 years. The same goes for the wardrobes of women. I think that the clothing options have had a positive progression because of the acceptance of female sexuality. In the early 1920s women were extremely modest by showing little to know skin in their daily lives. Women were expected to be made up all of the time and that is something that I couldn’t even imagine. Being a Marian girl, there is nothing I love more than throwing my hair up every morning with no makeup. As you move into the 60s and 70s women began wearing skirts, dresses, and girdles. YUCK. There is nothing wrong with a more modest look, the problem I have with clothing is that even when mothers were cleaning the house they were expected to be in dresses or other types of uncomfortable, but nice looking clothing. It has been cool to see how slowly skirts have gotten shorter and more skin is being shown, but the central issue is the mindset of seeing women as sexual object rather than a person. Although in our time no type of clothing is surprising, there is still a sense of judgement from men and even older women when you wear something that makes your look like a “slut”. It saddens me that people really can’t look past what you are wearing. I hope the future for women is going to be

Notwithstanding the differences, however, she notes that regardless of contrasts in standards, the appeals for body exposure and sexual satisfaction of men still resonate from society’s view of beauty.

Proof 2: “Can they be expected to govern a family with judgement, or take care of the poor babies whom they bring to the world” (Wollstonecraft

“Beauty” by Tony Hoagland was written in 1998. In this poem, Hoagland expresses his feelings on how women care too much about physical appearances. Throughout his poem he tells the story through the eyes of a brother of a girl who learns to love herself for who she is. Hoagland’s poem stresses the importance that beauty goes deeper than the surface. Throughout his poem, Tony Hoagland uses many literary devices to perfect his poem. These devices include the message, tone, imagery, figures of speech, and personification.

These differences aren’t biological as some researchers lead us to believe, claiming that men are more sexually stimulated by images, making it natural for women to be gazed at. Bordo argues that our culture determines what if acceptable for “women learn to anticipate, even play to the sexualizing gaze…in the process we learn how sexy being gazed at can feel-perhaps precisely because it walks the fine edge of shame” (135). Yet, with the use of erotic male images and her clearly sexually reaction to them, Bordo pushes readers to question why there are differences in how men and women are viewed and view each other. Who decides what is acceptable?

In "A Woman's Beauty: Put-down or Power Source," Susan Sontag portrays how a woman's beauty has been degraded while being called beautiful and how that conceives their true identity as it seems to portray innocence and honesty while hiding the ugliness of the truth. Over the years, women have being classified as the gentler sex and regarded as the fairer gender. Sontag uses narrative structure to express the conventional attitude, which defines beauty as a concept applied today only to women and their outward appearance. She accomplishes this by using the technique of contrast to distinguish the beauty between men and women and establishing a variation in her essay, by using effective language.

People tend to views an image based on how society say it should be they tend to interpret the image on those assumption, but never their own assumptions. Susan Bordo and John Berger writes’ an argumentative essay in relation to how viewing images have an effect on the way we interpret images. Moreover, these arguments come into union to show what society plants into our minds acts itself out when viewing pictures. Both Susan Bordo and John Berger shows that based on assumptions this is what causes us to perceive an image in a certain way. Learning assumption plays into our everyday lives and both authors bring them into reality.

Throughout all of history, males and females have always had certain expectations in which they need to uphold. Both males and females are expected to act, dress, and do certain things that the opposite sex normally would not do. If somebody were to act as someone else of the opposite sex, society would then look down upon that person and humiliate them for what they have done. If a man or a woman desires to act or dress as the opposite sex, they should be able to without being humiliated or shamed. Society has too many expectations and regulations that people have to follow in order to fit in or be considered “normal”. No one should be shamed for how they want to feel or act. What we look like on the outside does not always match who we actually are in the inside; which is what actually truly matters.

At the end of the 18th century there was one of the most significant events in the history of dress. Men gave up their right to all the bright, more elaborate, and more varied forms of clothing. They left all that to the women. Men abandoned their claim to be considered beautiful. They, instead, aimed at being useful in society.

I chose gender criticism this theory to analyze the gender roles and the gender expectations displayed in “Lady Susan”. I chose this theory because “Lady Susan” mainly discussed the relationship between males and females, and the interesting gender roles the characters played. Thus, gender criticism theory can help me to understand and comprehend the underlying meanings of different characters’ conducts and personalities as females.

During our life we construct many different identities of who we want to portray ourselves as to the rest of society; fashion plays a vital role in generating who we are. With the ideas from Storry and Childs they state that “the way that we dress can either serve to confirm or to subvert various facets of our identities, such as our gender,

On the other side of the coin, some people do not care about fashion, and while this is fine, does not necessarily serve the person well. People are often judged by their lack of fashion sense. Even though people may not judge others by bad fashion sense on the surface, the issue does come up in the matters of job promotions and future success. If a person does not dress and carry themselves well, it shows a lack of pride in themselves, which may portray that a person does not care about other things as

In Sontag’s “A Woman’s Beauty” the structure the author uses for the story has a dramatic impact on the readers. In the story, Sontag structures the essay base on many historical events and other religious ideas to support her idea, how a woman sometime is only judge by her appearance. Specifically, Sontag uses three ideas in the story to support her argument. First is in history what the Greeks believe in a woman’s beauty. Second, Sontag discuss about how the Christian religion plays a major role in shaping how a woman is judge only base on her beauty. In the end, Sontag talks about in today’s society how woman are still judge by her beauty. However, in the end Sontag mentions how the society should stop judging a woman only base on her beauty.

To be feminine is to be pretty, sexualized, and passive. “Marked Women” by Deborah Tannen, “Sexism in English: Embodiment and Language” by Alleen Nilsen, and “A Woman’s Beauty: Put Down or Power Source?” by Susan Sontag are three essays that show these negative connotations of femininity. Together, they exemplify that females are “marked” as pretty, sexualized, and passive.