Essay on Symbolism in Kafka's Metamorphosis

Although Gregor turned into a bug, the real Metamorphosis occurred before the change and with the whole family. Kafka’s novella The Metamorphosis reflects the ideals about industrialization and existentialism during the turn of the century. In the novella, Gregor turns into a bug, and the whole family has to deal with it in different ways. Many characters go through a metamorphosis in the novella. Although the changes may not be physical the changes occurred greatly in Gregor, Mr. Samsa, and Grete.

In Kafka’s “The Metamorphosis”, the character Gregor transforms from a man into a bug, specifically a cockroach. Although Gregor physically changes, he does not change as a person. Gregor merely accepts his new condition as a bug and his family’s continuous abuse and hostility. Gregor’s acceptance of his new bug form is representative of his passive personality before and after his transformation. Gregor’s passivity, in response to the hostile world around him, causes his eventual downfall. Therefore, Kafka uses the character Gregor to exemplify how a passive attitude can cause one’s demise.

Gregor was betrayed by society turning its back on him due to the transformation from human to a human-sized bug. After the metamorphosis, Gregor was pondering the idea of what people would think of him in his new form. He had high hopes that society would still accept him. "A man might find for a moment that he was unable to work, but that's exactly the right time to remember his past accomplishments and to consider that later on, when the obstacle has been removed, he's

Kafka’s Metamorphosis suggests to his readers to take a glimpse inside a dysfunctional atmosphere triggered from a painful childhood, to see how influential each member of the family contributes to the dynamics, but also to learn how to make light of the situation with acceptance. Kafka is reflecting on his own relationship with his family in Metamorphosis. He sees himself in Gregor, or is he him.

With this in mind, Gregor, being an allegory for Kafka, portrays his feelings towards his family and his involvement with them. He portrays most of his feelings through his sister, and father, who are mainly static characters

Introduction: Kafka depicts the working class as having to make personal sacrifices in order to survive in a capitalist society. Kafka does this through the characterization of Gregor as depressed, the symbolism of food and the diction surrounding Gregor’s father employment status.

The deterioration of Gregor's life was in part due to the ostracism associated with his being turned into a bug. Once his family found out what happened, they banished him to his room, and his parents could not even bear to look at him. Prior to his metamorphosis, Gregor was an integral part of the family. He provided the money by which the family survived. Yet as soon as he changed, he was labeled an outcast, who was useless to the family, and therefore not paid any attention. He felt this ostracism, and it made him not want to continue on in life, he gave up because he felt unloved.

In HTRLLAP by Thomas C. Foster he talks about how many authors include biblical allusions in their stories. The transformation of turning into an insect could actually symbolize his desire not to have to return to a job he hates. In part one it says, “Gregor goes back to bemoaning his life as a traveling salesmen.” The transformation into a bug can be seen as a freedom from the from what he thought to be a boring life.

Kafka utilizes a new narrative perspective in the last passage of his work to expose the one-sided love between Gregor and the rest of his family. The majority of the story had been told in a free indirect discourse restricted to the mind of Gregor. In this position, Gregor’s humanity —despite his inhuman exterior— and his genuine love for family is revealed. As the only source of income for the family, he works with every fiber in his being to overcome the debt that plagues them, as “He felt great pride at having been able to give his parents and sister a life like this in such a beautiful apartment” (411). This compassion is clearly not reciprocated when the narration shifts to the remaining family following Gregor’s demise. Instead they critique the shelter that Gregor

The Metamorphosis (Die Verwandlung 1912), Franz Kafka’s best known short story, is a master work of incredible psychological, sociological and existential malaise. Although his points are simple and straightforward, this richly layered and textured story is open to many interpreta-tions, making it complex, yet critical to decipher. There is an incredible amount of theories based off of what this story could possibly symbolize or represent, but it is of the autobiographical in-terpretation that is undeniably the most enlightening. This interpretation allows the reader to gen-uinely understand the tale on an intense level that would not be able to be reached, otherwise. In order to gain true insight on the autobiographical approach to The Metamorphosis, a brief examination of his life is required; his thoughts, his beliefs, the acknowledgment of the cruel circumstances of his life, especially his home life, must be made clear that the anguish of his own world is the model for the themes in his stories.

To begin with, while reading the story we notice how Gregor is the only son in the family. This is important to the rest of the story because if Gregor wasn't the only son then there would be no connection to Christianity. Gregor being the only son is the same as in the Bible, the only son of God was Jesus. Both Gregor and Jesus made sacrifices during their lives to support those who they loved the most. Gregor had to support his family working a job as a traveling salesman that he didn't like. He did this because he was the only one who could provide for his family. Jesus did the same by supporting the people around him through curing their illnesses and teaching them the way to love.

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

One other idea that Kafka worked into this story is that "All people are outlaws." This seemingly outrageous statement can be explained through Gregor's absurd dilemma as a vermin. Gregor became the source of income for his family, and yet once he could no longer help the family, they stop loving him. Without his initial function, he became an outlaw of family life. Gregor eventually wanted the family to give up all hope in him, a hope that he wanted to exist but did not. "He thought back on his family with deep emotion and love.

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

Gregor’s family does not try to help him but instead they feel ashamed and try to hide him. They do not think of his feelings or how much he has done for them, instead they want to get rid of him, “We must try to get rid of it” (500) said the sister, “She’s right a thousand times over” (500) the father said to himself. Gregor did not deserve, nor do they ever explain why it happened; he seemed like the perfect brother and son, supporting them financially and physically. Which gave me this notion, “Everything happens for a reason”; even though Gregor ends up dying he was killing himself in the story as a human to feed, pay and give to his parents and his sister when they did not even deserve it. His family could not function without him and when Gregor is turned they finally have to shift to supporting themselves.