Eternal Sunshine Of The Spotless Mind

In both films, One Who Flew over the Cuckoo’s Nest and Shutter Island, lobotomies are used as the last resort in attempts to heal both of the main characters’ mental instability – Randle McMurphy played by Jack Nicholson and Teddy Daniels played by Leonardo DiCaprio. The only difference is that McMurphy is forced to undergo a lobotomy and the mental institution never asked for his permission, while Daniels voluntarily agreed to a lobotomy. A lobotomy is neurosurgical operation in which a blade is inserted into the brain to separate and cut certain nerve fibers in the frontal lobes of the brain. Because of the nature of interfering and severing important nerves in the brain, patients who undergo such drastic surgery never have the same control over their body again, as seen with McMurphy’s character when he lays lifeless on his bed. Therefore, there are moral and ethical considerations regarding lobotomies. In the 1930’s when lobotomies were first introduced, one of the main U.S. supporters of this procedure, neurologist Walter F. Freeman travelled throughout the world to advertise the positive effects of this new procedure. He even cited a study where thirteen of twenty patients’ conditions supposedly improved after their lobotomies (Lerner 1). There was opposition from other neurologists as they saw the after-effects of the lobotomy performed on one of the Kennedy children – Rosemary Kennedy (Goldberg 1). After the surgery, she was not able to coherently articulate herself

Schizophrenia is a mental disorder often characterized by abnormal social behaviour and failure to recognize what is real. Common symptoms include false beliefs, unclear or confused thinking, auditory hallucinations, reduced social engagement and emotional expression, and inactivity. A person with schizophrenia often hears voices, experiences delusions and hallucinations and may believe thoughts, feelings and actions are controlled or shared by someone else.

Have you ever wanted a bad memory erased? Is love erasable? These questions are attacked head on in the wonderfully complex drama Eternal Sunshine of a Spotless Mind. After working together on the film Human Nature, director Michael Gondry and screenwriter Charlie Kaufman discussed the possibility whether or not they would have their memory erased of a bad relationship should the opportunity present itself (dvdtalk). Out of that discussion a movie idea was formulated, pitched to a studio, and a film was created showing the potential impact of doing so. Through Kaufman’s brilliant and strange storytelling, Eternal Sunshine of the Spotless Mind takes its audience on a journey challenging us to ask: what would we do

The plan of the “Steel Magnolias” is an autobiography or a bond narrative. While a lot of the action occurs offstage, the on stage (Salon) is the culmination of the emotions generated by the action that takes place off stage. Shelby numerous challenges such her aspiration to become a pregnant besides her illness, breakdown of her health due to diabetes, and her conflicts with her mother takes place offstage. Annelle’s troubles with her husband, who is a villain, and pregnancy and remarriage follow the offstage action. Emotive complexity drives the film (Grandin, 2013).

Joel Barish and Clementine Kruczynski were a couple in love. Everything changed when Clementine woke up one day and just decided to have Joel erased from her memory. He was “boring” and she wasn’t happy and wanted to move on. Joel then decided he wanted to also remove Clementine from his memory. This was all possible due to Lacuna Inc. who asked those wishing to remove a particular person from their memories to remove anything from their homes that could possibly be associated with that person. They sit the patient down, map out where memories are located that are associated with each object. Then, the company sends a couple of their scientists/psychologists to the home at night after they’ve fallen asleep. They then track down any remaining memories as they appear while asleep

The film Scott Pilgrim vs The World gives an abstract, but truthful reflection of the lives of young people in modern society. The movie displays the struggles Scott has with his relationships, his journey believing in himself and how he learns to face the repercussions of his actions. The films morals and ideals help to inform young people on going through adolescence and young adulthood by using similar social ideas to those used in today's world.

In Breakfast at Tiffany’s, Holly GoLightly battles with a psychological struggle between the basic need for stability and the aspiration for freedom. Throughout the book, Holly is coded as various animals symbolizing her independence. She fears being captured by her feelings of belongingness. Although she may toy with the idea of personal connection through superficial relationships, she ultimately chooses isolation, which she believes, is freedom.

Driving Miss Daisy depicts a strong friendship that progressively builds between an elderly Jewish widow named Daisy Werthan and an African American chauffeur named Hoke Coleburn. After crashing her car into a neighbor’s property from pressing the reverse peddle too hard, Miss Daisy Werthan lost her privilege to drive on the road. Since she cannot drive, her son hired Hoke to be her personal chauffeur. At first, Miss Daisy refuses to let Hoke drive her anywhere out of fear of losing her independence but out of necessity; she began to accept his offers. From driving to a local Piggly Wiggly to Miss Daisy’s brother’s 90th birthday party in Alabama, the two characters begin to appreciate and respect one another that gradually forms a loving

Michael Gondry’s Eternal sunshine of the spotless mind (2004) is not your typical Hollywood rom-com. Its cinematic style is very original and by far out of the ordinary for its genre. The use of techniques and the way the film is produced is the reason why it is so memorable. The non-linear narrative is based around a middle-aged guy who falls in love with a woman, who, after a while into their relationship decides to erase every single memory and feeling towards him. The story is told in flashbacks that slowly reveal the time and space the couple spent together and all the events that made

Most of the movie is taken in Joel’s mind or his memory removal process. Starting from his nearest memory that they broke up till his last remaining memory of Clementine that they first met at a beach. I think the most possible reason the movie is called Eternal Sunshine of the Spotless mind is referring to the deepest memory (or say, soul) survived and reserved in their both minds that brought them back to the beach and met each other again. This title quotes entirely from Alexander Pope’s poem which know as describing a very contradictory mood from the unattainable love. So does it, the movie shows Joel wants to remove all memory of Clementine while he still loves her, but then during the process he changes mind and want to try his best to keep these memory which is the “spotless mind”. In my mind, the soul theory is the personal identity that the movie most engage. According to the soul theory, to have a same identical, it’s not necessary to have a same memory, but it’s necessary and sufficient to have the same soul. In the movie, though Joel erased his memory, he still has his soul which makes him fall in love with Clementine again, even in theory he can never love her then. On the other hand, this movie seems to intensely against Loke’s memory theory that sharing a memory of an experience is necessary and sufficient to be a same person. And I think the movie also presents its own personal identity that for one person to be identical to the other person, they should have

The Eternal Sunshine of the Spotless mind is an Oscar winning alternative U.S. film released March 19th 2004(IMDb 2015). It was produced by Focus Features and follows the dysfunctional love story of Joel and Clementine. The film itself despite being strongly influenced by Hollywood pays homage to other film movements such as surrealism and Soviet montage. The film in itself was a struggle to be categorised, thought it has been described as a romance, black comedy and many others that will later be explored. The director aimed to make this film timeless and still stands to be as effective today as it was when it was released.

Charlie Kaufman and Michel Gondry found the perfect, fragmented form to simulate memories in the non-linear storyline of Eternal Sunshine of the Spotless Mind (2004). The thematic elements of the film helps this simplistic story of love found, lost, and found again develop into a complex pattern, much like the workings of the brain. Each character is everything you would expect them to be in real life – down to earth, imperfect, and hopelessly searching for the love someone can only dream of. We can relate to them because we all long for more than we are, and want the best of us to be shown to someone else. Memories make up who we are, they define us. Life teaches us lessons which shape our memories, and in turn, we learn from them. What if those memories were gone? Are we still destined to be the same person? The protagonist of the movie is Joel, and the story surrounds his relationship with Clementine. The antagonist can be seen as Patrick, who tries to destroy their relationship, or Lacuna Inc., whose purpose is to make them forget their relationship. Charlie Kaufman has created a beautiful story that incorporates so many valuable forms in cinema, and leaves viewers on the edge of their seat until the very end. My goal is the show the class concepts of this narrative, as well as demonstrate how the way the film’s story is told

‘The Grand Budapest Hotel’ (Wes Anderson, 2014) combines a perfect mix of nostalgia and history. The film explores the themes of war as it recreates history through mise-en-scene. Anderson also incorporates other themes such as racism and elitism during pre-war Europe. The film widely explores Europe from many viewpoints, one of which is of Mr Moustafa. His nostalgia is seen through flashbacks of when he was a lobby boy that went by the name of Zero. As an audience the depth of his nostalgia is seen through mise-en-scene. With the help of cinematography and props we see can see the time and place that Moustafa acknowledges. Anderson shows how history is reimagined through ones nostalgia. Mr Moustafa recalls events, which he was not present in yet he explains them as if he were there. This also shows how one reimagines history from another due to emotions and personal attachment. Despite the outcome being the same there are many viewpoints it can be seen from.

The film “The Pursuit Of Happyness”, directed by Gabriele Muccino in 2006, depicted a responsible and hardworking salesman Chris Gardner struggles for life and try his best to improve the quality of his family environment. In spite of facing various difficulties, Gardner never gives up and he manages to pull through in sense of determination and finally obtained his “ happiness” in his life. After watching the movie, I agree on the point that one must ready to sacrifice and works really hard in order to achieve his/her dream as there is no shortcut to success. In the following paragraphs, I will describe some interesting and meaningful scenes in the movie and explain how these scenes could actually bring some moral values or inspiration in

The love story between two different teenagers that come from completely different worlds is the most remarkable. The Notebook is about two young teenagers who fell head over heels with each other. They got separated by Allie’s upper-class parents who insist that Noah isn’t right for her. But that obstacle didn’t stop these two young lovers from being together even if it took years. This beautiful tale has a special meaning to an older gentleman who regularly reads the timeless love story to his aging wife to help her remember what they went through and that the story that he’s reading to her was their love story. The story he reads follows two young