Euphemism In The Wars By Timothy Findley

Timothy Findley's The Wars describes the history of Robert Ross, a Second Lieutenant in the Canadian Army, during World War 1. The story of Robert Ross is a candid recollection of a young man coming of age in the midst of horror and confusion associated with the "war to end all wars". Presented in the form of an archivist trying to piece together the past from pictures and letters, the narrative account is full of rich imagery and deep meaning. The abundant animal imagery in the novel is used to parallel and reveal the character of Robert Ross, foreshadow the situations he finds himself in, and symbolize hope amidst war.

     Through despair, Robert forces himself to keep with his ideals, which shows just how strong his resolve is. When Robert was in despair, he took his mind off his problems by keeping himself busy. After losing Rowena, Robert decides to join the army to replace taking care of Rowena, by taking care of the human condition. Later when Robert loses Harris, he busies himself by performing the last rites over his good friend. “This is not a military funeral. This is just a burial at sea. May we all remove our caps? (p107)” Later when Robert is attacked in the bath house, he finds that he is still trying to protect Rowena. He does this by lighting her pictures on fire to remove her from this cruel world. “Robert sat on the mutilated mattress and opened his kit bag. Everything was there – including the picture of Rowena. Robert burned it in the middle of the floor. This was not an act of anger – but an act of charity. (p172)” These show that even through despair, Robert manages to stick to his ideals.

Our history books continue to present our country's story in conventional patriotic terms. America being settled by courageous, white colonists who tamed a wilderness and the savages in it. With very few exceptions our society depicts these people who actually first discovered America and without whose help the colonists would not have survived, as immoral, despicable savages who needed to be removed by killing and shipping out of the country into slavery. In her book, The Name of War: King Philip's War and the Origins of American Identity, Jill Lepore tells us there was another side to the story of King Philip’s War. She goes beyond the actual effects

The abundant animal imagery in Timothy Findley's book The Wars is used to develop characterization and theme. The protagonist, Robert Ross, has a deep connection with animals that reflects his personality and the situations that he faces. This link between Robert and the animals shows the reader that human nature is not much different than animal nature.

Statement of Intent: This fictional extract emulates the style of Charles Dickens, his signature style of vivid imagery, repetition of phrases, rhythm and rhyme gives the reader a lucid, visionary perspective on his stories. A young child’s perspective is utilised to mimic the innocence of emotions as he first-hand experiences an invasion, the horror of war and to expose raw sensations of realisation of human malevolence. The colour Red is symbolic to how power is created, used and ruled alluding to the British Army “The Red Coats” who fought against the colonists during the American Revolutionary War. This piece is targeted towards young adults who are intrigued in the history of the Red Coats, as this extract exposes how war and violence

Robert Ross, the protagonist of Timothy Findley’s novel The Wars undergoes a disturbing violation when his fellow soldiers rape him; this is a significant turning point for Robert’s character and a section of the book Findley uses to address many themes. Throughout the book we witness Robert maturing and experiencing many hardships that will help create the man he becomes. The most significant of these trials is the scene at the insane asylum because it is where Robert looses the last connection to his innocence and his faith in humanity’s virtuousness. Findley also uses this scene to address the topic of homophobia in that era, and

Sigmund Freud once argued that "our species has a volcanic potential to erupt in aggression . . . [and] that we harbour not only positive survival instincts but also a self-destructive 'death instinct', which we usually displace towards others in aggression" (Myers 666). Timothy Findley, born in 1930 in Toronto, Canada, explores our human predilection towards violence in his third novel, The Wars. It is human brutality that initiates the horrors of World War I, the war that takes place in this narrative. Findley dedicated this novel to the memory of his uncle, Thomas Irving Findley, who 'died at home of injuries inflicted in the First World War" (Cude 75) and may have propelled him to feel

John F. Kennedy once said “mankind must put an end to war before war puts an end to mankind.” (Brainy Quotes) This quote describes the message Timothy Findley was trying to convey using the four elements in his novel “The Wars.” The four elements are water, fire, earth, and air. Findley uses Water to show the reader that as Robert goes through the war he slowly loses both his freedom and his clarity. Fire is used to convey the message that as the war continues, people change how they show passion, and fire shows how some of the soldiers have lost their humanity. Earth shows the reader that Earth is human’s home which is supposed to support and protect them, but in times of war, it does the opposite. Finally, air is used to show how war disrupts

"His assailants, who he'd thought were crazies, had been his fellow soldiers. Maybe even his brother officers. He'd never know. He never saw their faces." (Findley, P 193) This is just one of the many examples which make the reader feel sorry for Robert Ross. Because the reader feels sorrow, there is more chance that the reader believes everything that is being said by or about him, although there is more that one perspective to the whole of World War I.

Despite the fact that the German has let the rest of the soldiers escape unharmed, Robert’s innate violence triggers the death of an innocent soldier. Thus, Robert’s actions reveal the inherent savage nature of humankind.

In an effort to redeem himself from Rowena’s death, Robert’s goal is to save life, any life, even if it is the life of an animal. To Robert, animals symbolize innocence. He views them as innocent bystanders in a world full of violence and madness. He feels a special connection to them, especially to his totems of horses and dogs. So when Robert is forced to put down the ill horses, this is utterly emotionally heart-breaking. Again he is faced with the murder of innocence. This time, he is the one responsible for such a horrid action. This kind of situation can shape anyone’s character

For my rhetorical analysis, I read Rebecca Solnit’s essay “The Longest War,” which shed a light on the unequal treatment of men and women and the violence that women face throughout their lives, and around the world.

War is hell. Literally. In an instant, in the blink of an eye, the world as we know it is torn apart and shredded. Normality explodes into atrocity as we see the depths of depravity that man can sink to. Even though their reasons for painting the pictures are different, Goya’s Third of May, 1808, and Picasso’s Guernica are testaments to the violence of war using specific events and symbolic features as their vehicle while their representations and styles are different.

Beginning on August 4th, 1914 to November 11th, 1918, Canada was a part of World War One between the Triple Entente and the Triple Alliance. The First World War brought changes to every aspect of the world from society to medicine to the arts. This investigation aims to evaluate the contributions of artists in the World War One war effort. To determine the extent of the artists’ contributions, the investigation will focus on art created during this time for the war effort such as propaganda posters, dazzle camouflage and military camouflage. To analyze the contributions, I will be looking at photographs and images of dazzle camouflage, propaganda posters and military camouflage as primary sources found on the website and at the Canadian War Museum but also using databases and websites such as the Canadian government website for secondary sources and other information.

The way Russian artist”Kandinsky” used the colors to depict the scene of war in his painting “Improvisation 31 (Sea Battle) is completely amusing. The painting did not represent any particular war itself. Due to the formless shapes and use of bright color, the image completely looks like as abstract form of art. However, with focus you can observe several recognizable images. The most noticeable thing was the turbulence of waves that he represents very effective that is create by impact of ammunition used by both the ships. The image defines a situation of war as both the ships are firing cannons on each other. Including that human attachment to the material things, that in most of the cases becomes the reason behind dispute and war.