British Prime Minister Winston Churchill once asserted that “history is written by the victors.” Indeed, when Athenian troops first invaded the tiny, neutral island of Melos during the prolonged Peloponnesian War, few native Greeks protested against the violent incursion. However, when Euripides, the third of the Greek tragic poets, developed “The Trojan Women” months after the deadly attack, Greek citizens were presented with a perspective of war unlike any other. Although Euripides’ production is centered on the mythical Trojan War, it was recognized by Greek citizens as a clear condemnation of the invasion that had just taken place the year before. Even today, “The Trojan Women” is widely regarded as an anti-war composition that focuses on the terrors and irrationality of …show more content…
Euripides intentionally employs graphic imagery to convey the inhumanity of war and thus evoke a wide range of emotion from his audience. Near the beginning of the play, Poseidon observes that “blood drips down from the gods’ shrines” as he passes through the devastated city where Troy once proudly stood (Euripides 31). Evidently, the Greek soldiers had exercised such depravity during battle that they had resorted to slaughtering and raping innocent civilians in consecrated temples. This despicable act surely would have upset Euripides' largely religious audience, who would not have condoned such immorality, regardless of the circumstances. Euripides uses this same literary device to evoke pathos when he describes the death of Astyanax. When Andromache is first informed of her baby son’s fate, she cries out, “Why hold me with your hands so fast, cling so fast to me? You little bird, flying to hide beneath my wings” (Euripides 64). By creating an image of a little child, hardly developed beyond babyhood, clinging desperately to his mother in the same way a hatchling might seek shelter in its mother’s
Undeniably, the ancient Greek society places a heavy emphasis on values and traditions. The two texts of the “Clouds” by Aristophanes and “History of the Peloponnesian war” by Thucydides, although contextually divergent, are actually conceptually convergent. Both texts are built around the central theme of the collapse of conventional values. While the breakdown of traditional values in the “History of the Peloponnesian war” is presented in a more metaphorical and symbolical manner, the downfall of conventional values in the “Clouds” is on a more direct basis. Although both texts essentially convey across the same solemn message that the relinquishment of
The Greek forces won the Trojan War. The story of the war is a cornerstone of Greek legend, and pervaded Greek literature and culture. Though the evidence for the Trojan War as historical fact is scarce, it was a formative event in Greek cultural memory, producing some of the classical world’s most famous heroes and narratives. The War was won, Helen was retrieved from Paris, whose violation of ξενία was redressed, the heroes attained the κλέος that many of them fought for – and yet the positive outcomes of the Trojan War are difficult to grasp. For the victims of the Trojan War, the tragedy is obvious; the War ended in genocide and total cultural destruction. But such a war, burnt into legend, should have left the victors far better off; and yet, the Greek heroes only suffer because of it. They die tragic, dishonourable deaths; their households are left in ruin; their families are torn apart. From both modern and classical perspectives, the Trojan War is a tragedy, a “harrowing destruction of life” (Euripides, Andromache, 291). The victory is pyrrhic, the loss of life is horrific, the reparations non-existent.
Hesiod leaves no doubt that the existence of women is on balance a terrible thing for men. Zeus ordered Hephaistos to create women as a punishment for his having been decieved.. Women were to be a poisoned gift for men, which "all shall take to their hearts with delight, an evil to love and embrace" (W&D, 57-59). In the Theogony women are called "a great plague" because they are "ill-suited to Poverty’s curse, but suited to Plenty" (592-93), among other flaws. While Hesiod offers some well-turned phrases in praise of womens’ good qualities, it is unmistakable that these positive attributes are all put there by Zeus for the sole purpose of making woman an "inescapable
Centuries of traditions has enabled men and women to define gender roles in society. Although some critics declare gender roles do not exist today, others believe they do. In society, men and women are defined by gender roles throughout their activities and emotions. A doctor is typically portrayed by a male while women rear the children and cook for the men. However, although still in existence, today these roles are less obvious but tend to have similar meaning when compared to the past. In ancient Greece, women suffered great hardships. Currently, females work, vote, and run for office. In comparison to ancient Greece, these activities are a phenomenal leap from being under the direct supervision of a male husband.
Charlotte Bronte once said, “Women are supposed to be very calm generally, but women feel just as men feel. They need exercise for their faculties, and a field for their efforts as much as their brothers do. They suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow minded in their more privileged fellow creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags”. In the play Medea, Euripides diverged from the traditional role of Greek women through Medea’s characteristics and response to her plight. In delineating the role of women, Medea was unlike any other Greek character. Medea was portrayed
Since the beginning of time, women have always been looked down upon mentally. During the time period of The Odyssey and Lysistrata, women were known as less powerful gender. They have never had much say about what goes on around them. Some women were recognized as a sex symbol. In The Odyssey, some women were goddesses that just wanted sex and other women had to stay at home to help raise their kids and do all of the feminine work. Compared to The Odyssey, in Lysistrata, women denied sex against their men to get what they want. In addition, they did not have many political rights and a say so on what goes on in their country. In comparing both of these stories, women show similarities toward each other.
Even being from the same time frame in history, the Roman women from Sparta and the Greek women from Athens were completely different. Their ideas, habits, and daily activities were majorly impacted by the community they lived in. Some of the main differences between the lifestyles of these women include the rights they were given under the government, the daily and professional attire of the women, and the marital and divorce rituals of each of the women. Though they had many different things about them, they also had some similarities that connected them together. Both the Athens and Sparta have two completely different statuses for their women in the society, in many different aspects as well.
The play Medea by Euripides challenges the dominant views of femininity in the patriarchal society of the Greeks. While pursuing her ambition Medea disregards many of the feminine stereotypes/ characteristics of the patriarchal Greek society. She questions the inequality of women in a patriarchal society, contradicts Jason?s chauvinist beliefs, challenges the stereotype that women are weak and passive and completely disregards the feminine role of motherhood. Feminism is the belief that women and men are, and have been, treated differently by society, and that women have frequently and systematically been unable to participate fully in all social arenas and institutions. This belief is confirmed in
The duty of women portrayed in Greek society is a major subject in Euripides Medea. In old Greek society, ladies are delicate and compliant as per men, and their social position is viewed as exceptionally mediocre. Feminism is the hypothesis of men being viewed different in contrast to women and the male predominance over ladies in the public eye. Women's lives are spoken to by the parts they either pick or have forced on them. This is obvious in the play Medea by Euripides through the characters of Medea and the medical attendant. During the day and age which Medea is set ladies have exceptionally restricted social power and no political power by any stretch of the imagination, despite the fact that a ladies' maternal and residential power was regarded in the protection of the home, "Our lives rely upon how his lordship feels." The constrained power these ladies were given is diverse to present day society yet parts are as yet forced on ladies to acclimate and be a devoted spouse. Ladies have dependably been dis engaged because of their sex in present day and antiquated circumstances alike. In Corinth they are required to run the family unit and fit in with social desires of an obedient spouse. Medea, being an eternal and relative from the divine beings has a specific power in insight and guileful keenness. Being an outsider, Medea's wayward nonsensical conduct was normal in this play as she was not conceived in Greece and was viewed as an exotic foreigner. She goes over to the group of onlookers as an intense female character regarding viciousness. Some of Medea's responses and decisions have all the earmarks of being made a huge deal about as creators for the most part influence characters to appear to be overwhelming; this makes a superior comprehension of the content and the issues which are produced through the characters. Medea's ill-conceived marriage and the double-crossing of Jason drive Medea to outrageous vengeance. Medea acts with her immortal self and confer coldhearted demonstrations of murder instead of legitimize the results of her actions. Medea see's this choice as her lone resort as she has been exiled and has no place to go, "stripped of her place." To make sensitivity for Medea, Euripides
The Trojan War is described as one of histories most legendary battles. This battle is told to have lasted ten years, resulting in the eventual collapse of Troy, under the siege of Greek forces. Modern knowledge of the Trojan War has survived mainly through the account given in Homer’s Illiad, and while having proved to be a rich source of inspiration for other writers, artists, and even filmmakers in recent history, much speculation still exists surrounding his account. I will analyze modern interpretations of the Trojan War and examine both speculation and support for Homer’s account. Concluding with sufficient evidence that has been collected surrounding this epic battle, proving Homer’s account of a massive battle between these two powerful city states to not be just a tale of myth and legend, but actual history.
Many different interpretations can be derived from themes in Euripides's The Bacchae, most of which assume that, in order to punish the women of Thebes for their impudence, the god Dionysus drove them mad. However, there is evidence to believe that another factor played into this confrontation. Because of the trend of male dominance in Greek society, women suffered in oppression and bore a social stigma which led to their own vulnerability in becoming Dionysus's target. In essence, the Thebian women practically fostered Dionysian insanity through their longing to rebel against social norms. Their debilitating conditions as women prompted them to search for a way to
Euripides’ The Bacchae can be read as an allegory celebrating the revolution of women against a patriarchal society. The argument for this allegory has substantial evidence. The Theban women reject the men of Thebes and the laws to join the Dionysian cult out in the wood. However while the women gain power initially, in the end they lose their newly gained power. The women then face severe punishment for their rebellion. Agave and her sisters receive the punishment on behalf of all the bacchants. The message is that female rebellion is a threat to social order and their power must be weakened or destroyed to restore order. This provides the conflict and resolution to entertain and appease the audience. The Bacchae condemns the proposition of
Women’s role in Greece can be seen when one first begins to do research on the subject. The subject of women in Greece is coupled with the subject of slaves. This is the earliest classification of women in Greek society. Although women were treated differently from city to city the basic premise of that treatment never changed. Women were only useful for establishing a bloodline that could carry on the family name and give the proper last rites to the husband. However, women did form life long bonds with their husbands and found love in arranged marriages. Women in Athenian Society Women are “defined as near slaves, or as perpetual minors” in Athenian society (The Greek World, pg. 200). For women life didn’t
The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”
Gender inequality has been a controversial topic for numerous religions and cultures throughout history. Women were commonly regarded as the subservient gender, an idea that was no different in Ancient Greece. Throughout Greek mythology, women were considered inferior and troublesome symbols, while men were known for courage, leadership, and strength. While there is no argument of the flagrant sexism that is illustrated in Greek mythology, it can also be claimed that women were given a situated position of freedom, necessity, and power as well. Many popular Greek plays and myths contain several complexes and well described female characters. These goddesses themselves, partook the role of victim, heroine, and villain as it illustrated the diversity of characters in which women were portrayed and seen in both Ancient Greek society and mythology, allowing us to question “Were the women of Ancient Greek mythology equally represented as free and superior?” The creation of the Greek mythological universe, the creation of multi-gendered goddesses or deities, and the free and superior personalities accredited to women in Ancient Greek mythology to answer the question that women were fairly represented as powerful in Ancient Greek mythology.