European Religious Art

European art during the 1400-1700s, just like any other decade, has had many influences, as well as new discoveries. One of the major influences that marked this specific time period as the “rebirth” of classical art was scientific and humanistic approaches to the styles. The three main time periods showcasing these influences in each of their key styles are Renaissance, Baroque, and Rococo.

The general perception of an ideal male and female type changed with each passing time period. This was evident in the portrayal of male and female characters in Northern and Italian Renaissance art. In the Northern Renaissance, two pieces of work stood out in their depiction of the ideal male or female. The first of these is the Arnolfini Wedding Portrait by Jan van Eyck. This painting is very representative of the ideal female type during the Northern Renaissance.

I would say that I did not have a favorite piece of artwork this term. But I did like some of the Northern Renaissance artwork out of the other eras that we went over.

When dealing with both the Romanesque clothed body art style and the Chinese clothed body art style, one could point out the individuals’ status symbol. From each group, the people in all of these paints are either royalty, dukes, kings, or upper-class society figures from their time period. From the reading about Romanesque clothed art style, was an Age of Enlightenment, and always had a religious undertone. Even debating back then in Rome, what would the Pope have done if anyone painted Mary, mother of Jesus nude? The city would be in an uproar. In Romanesque art style, such as The Last Supper, one can easier point out who was the important one. The middle character who is sitting, yet in the rich elite’s society, the duke would sit at the

The Renaissance time period was home to many new ideas in art. This includes new artists bringing forth ideas that had yet to be discovered and made popular. New themes and types of art were also being brought forward during this period.

The number of people researching in the same field and quality of their results often depend on the amount of the project financing and complexity of the demand. In our case, the project was Renaissance, a complex cultural phenomenon of XV -XVIII centuries, flourished due to its extensive financing by the number of wealthy patrons from diverse religious and secular backgrounds. Another factor (out of the scope of today’s discussion task) was a specific political situation advantageous for the arts and science revolution.

Artwork from Africa dates back to prehistoric times. Early forms of painting found in Africa are cave paintings showing men and animals on the walls. The practice of representing life with simple animal and human figures is universal in all early civilizations.

Emotion has always been a vital part of art and design, and “human responses to the everyday things of the world are complex, determined by a wide variety of factors” (Norman, 2007). Knowing this makes using emotion to make communication more effective, and moving the intended messages past just rational, and on to rational and emotional to make it more memorable. The intent of this paper is: to show how graphic designers and artists of the Romanesque period use emotions to promote their message and intent; and how they approached problems and thought of creative solutions.

Throughout the 14,15, and 16th centuries the world saw a resurgence of Catholicism throughout Europe. This is referred to as the counter-reformation. This resurgence and reformation of Catholicism was caused by the Protestant Reformation. Throughout this time there was a prominent effect on art and how artists added the cause of the Counter-Reformation.

The introduction of this current week learning journal on the above point began with the authentic improvement of the Christian art that experienced a crucial change with its acknowledgment by Constantine. The imagery of Christian arts before Constantine engaged the devotee's longings for individual salvation, while the overwhelming subjects of Christian art after Constantine stressed the power of Christ and His congregation on the planet. Pretty much as Rome got to be Christian, Christianity and Christ tackled the atmosphere of Magnificent Rome. A sensational case of this is exhibited by a mosaic of Christ in the Archepiscopal royal residence in Ravenna. Here Christ is demonstrated wearing the cuirass, or the breastplate, routinely delineated in pictures of Roman Sovereigns and officers. The staff of royal power has been changed into the cross. Roman reservoir conduits, additionally taking into account the curve, were typical in the realm and crucial transporters of water to substantial urban territories. Their standing brick work remains are particularly great. Here a run of the mill has been adjusted to the necessities of the assembly. A divider was brought down to consolidate two rooms. This was without a doubt the space for administrations. It is noteworthy that the most expand part of the house is the

The paintings composed during the Romanesque era were also highly involved with religious subjects. Toman emphasized this by describing the different uses of paintings as well. He explained that paintings were very similar to sculptures. They were used to decorate the interior of churches just like sculptures. They also consisted of many of the same images as sculptures did such as saints and religious themes. But a distinct difference in the use of paintings was that they were used for book illuminations. They were used to illustrate many bibles and scared texts. A unique set of texts that developed from paintings were the Bestiaries. The Bestiaries revolved around religious ideas and themes. According to Toman, they were collections of animal

The Four Seasons were originally hung in four separate panels on the wall of the Mediterranean Court, where they remained until 1990. At this time, the Ancient Collection was being r reinstalled. which brought up questions aboutplacement of the mosaics, still in separate pieces. It was decided that in order to present the mosaics in a manner more in keeping with their original context, they needed to be removed from the wall and recombined into a cohesive mosaic once again. However a problem quickly presented itself: how exactly could they remove the mosaics safely from the wall? The 1954 installation team had left no records on how they had successfully mounted the panels on the walls, which left the 1990 installation team with concernson how to get them down.

Romanesque art happened to be "crude and unpolished," but they really were trying to become something new and different, many artists before had a lot of the same aspects, and the Romanesque period was the in between stage of Early Christian and Gothic periods. They wanted to make a change in art and many people did not like the fact that someone was going out of the "normal" art so it was considered vulgar. In the beginning, the rooms were made out of wood, this looked very nice but structurally did not work very well. The architects were not fully capable of understanding what could go wrong when they did not use concrete, as many did before. The Romanesque period was such a big aspect because it allowed a transition to have art transformed.

It is amazing how something that is recognized as an important center of European Medieval art is looked upon by most of the world as a place where you can snap a cool picture of yourself ‘leaning’ on the Tower of Pisa. A place detailed, yet decayed… a place with four monuments, yet recognized as one center… a place representing life, yet death. The aura surrounding this square makes me just want to sit on the grass and read or write or think. I just want the stony intricate building to envelop my train of thought and allow me to live in a world hundreds of years before. I want the world to appreciate art and to live in art and to see through art. I want the world to get off their useless, mind-numbing gadgets and look up at the sky, or

Throughout the vast history of art, historians can find connections throughout the centuries. Artists from the beginning of humankind have been inspired by the world around them. From the Apollo 11 stones to present day, history and culture have provided inspiration and have been the focus of various pieces. Examining artwork from the 15th-18th century, viewers can be shown a whole world that would be unknown to us without these artist’s contributions. History, religion, and cultural events have sculpted the art world, and we can observe this through many pieces during the 15th-18th centuries.