Ever Changing Shape Analysis

The last sentence of the poem, ““There is still murder in your heart” (14), is a powerful claim that suggests that a routine consisting of prayer, communion, or hymn singing will not dissolve the sin of the heart. However, seeing this claim from a different standpoint, this can also suggest that this dull routine is convenient when it comes to preserving an appearance of purity and grace. There is an image in the middle of the poem, “light swords” (7), that possibly represents sharp members of the congregation trying to deceive the church authorities and God. Their comfort to the routine is remarkable because it does not really make a difference at the end; the only thing that truly matters is the masked life they are trying to keep hidden. Readers may consider the arguments presented in this poem as the truth reaching out to the contemporary church and its followers to improve their relationship with

Death is a natural cause from the human condition. There are three poems that explore death. “Thanatopsis” by William C. Bryant, “Dust in the wind” by Kansas, and Don't fear the reaper.” by Blue Oyster Cult.

The one poem that really glorifies death is, “Don’t Fear the Reaper”. In the poem it states, “Romeo and Juliet

Edna St. Vincent Millay’s “Thou famished grave” and “Mindful of you” both include the themes of death, however, “Thou famished grave” uses the personification of a grave as a starving beast, diction to add imagery of starvation, and an image of a strong will to live to show the resentfulness and bitterness that the speaker has towards death, while, “Mindful of you” uses the imagery and personification of the four seasons to remember someone close who has died, to express that although death may take people physically, but they live and are remembered through memories.

To begin with, both Walt Whitman and Emily Dickinson spoke about not only a person dying, but the people who were left to live through that person’s

The subject matter of death isn't the theme of this poem. The poem prevails truth being disguised and manipulated over documented history. This not only opens the mind into questioning whether historical events truly happened the way historians say it did, or whether documentation can prove a justification of truth, but it forces the second idea to raise questions whether any of the history being told is true at all. The poem "Richard Bone" carries out this idea strongly. The reason this poem plays an interest in my mind is that it synthesizes to current events happening every day in the real world in a variety of ways. The poem places the tactic of truth versus false and how reality plays with this fundamental game with scenarios of

The theme of Dylan Thomas and W.B Yeats poems are about death. In Do Not Go “Gentle Into The Good Night” the author is telling his father not to die and to stay strong. He does this by repeating ”Do not go gentle into that good night. Rage, rage against the dying of the light.” In ” When You Are Old “The narrator said” And pace upon the mountain overhead And his face amid a crowd of stars.” The narrator is looking down on her from when he passed away.

Emily Dickinson is well-known due to the fact that she uses an immense amount of death in her poetry; she is also known as being reclusive and death-obsessed. Although other poets don’t typically use large amounts of death in his or her own poetry, Dickinson decided to take her own path in order to get her point across; meanwhile, some found her obsession with death rather disturbing. On the other hand, death could be interpreted through various forms of symbolism. For example, death can symbolize things such as equality, religion, and journeys. Additionally, death can be used to express the loss of a loved one or even an internal loss of yourself, such as despair. Her poems about death

“Because I Could Not Stop for Death” death is approached as a an easy topic to talk about.

For many, poetry can act as a gateway to express feelings to those who have passed away. Although it cannot truly bring the dead back to life for a last conversation, it can allow the writer to feel, in their mind, as if they are actually talking to their beloved one that has passed away. Through figurative language, especially imagery, the author of a poem can create a mental picture that allows him or her to become immersed in talking with someone that has passed away. In the poem “The Wind Tapped Like a Tired Man” by Emily Dickinson, we see the speaker trying to find a person, which we can assume to be a greater being, such as the Christian God, and using this poem to have a conversation in her head that could not happen in real life. In

In this stylistic analysis of the lost baby poem written by Lucille Clifton I will deal mainly with two aspects of stylistic: derivation and parallelism features present in the poem. However I will first give a general interpretation of the poem to link more easily the stylistic features with the meaning of the poem itself.

An example of this is Herbert’s looking towards the Bible for stylistic inspiration rather than to alien imagery and ideas of Donne. Another very important and distinctive characteristic of the poetry is Herbert’s introduction of two quiet final lines, resolving the previously mentioned argument within the poem, without answering any specific points mentioned. The doubts in faith and religion are expressed in intellectual terms by Donne, and the argument is answered in this intellectual style too. Herbert, although occasionally exploring the doubts in an intellectual manner, answers his doubts with emotion. In this specific way, Herbert conveys an explicit insight that one is unable to argue or reason with God; one is aware of God’s presence or one lacks this awareness and guidance.

Death and loss are tragic, but both inevitable. Both Seamus Heaney in his poem "Mid-Term Break" and W.H. Auden in his poem "Funeral Blues" explore the theme of death and how they dealt with the grief after losing someone they love, but both delved into it in different ways. They talk about the anger, shock and the feeling of emptiness after losing someone.

The form of ‘God’s Grandeur’ is an Italian sonnet, but with some alteration. Even though Hopkins does not use sprung rhythm here, he varies his sonnet structure from the traditional iambic pentameter. Typically, a sonnet contains 3 quatrains (4 lines) and a couplet (2 lines); the Italian sonnet is characterized by having 1 octave (8 lines) and 1 sestet (6 lines). In ‘God’s Grandeur’ a similar pattern is followed, however, Hopkins presents a technique he often employs in other works as well, that of using the octet to present a personal or a sensory experience and the octet in order to provide some reflection on the topic (Gardner 221).

The period before these two poems were written in was filled with religious dissent that first began with Henry VIII’s establishment of the Church of England. This action began a long chain of religious opposition between this new Protestant movement and Catholicism. From entire Protestant rules such as the rule of Henry’s son, James I, to the slaughter and persecution of Protestants in the rule of Mary I, England was searching for a religious identity that