Everyman Analysis

It’s obvious that Shakespeare's play isn’t from our time period, especially the way they act. When we read stories we want to be able to the relate the character

The story of Faust has inspired creative works for hundreds of years. The myth features an ambitious and intelligent man, usually a scholar, who desires more than his current situation can offer him and so makes a dangerous pact with the devil. Interpretations of this story range from classical music and opera to paintings and cartoons. From Goethe to Radiohead, Dr. Faustus’ thirst for knowledge and the chaos this desire produces have captivated artists of all disciplines. This paper will examine two theatrical depictions of this myth. A little more than 400 years separate the original productions of Christopher Marlowe’s The Tragic History of the Life and Death of Dr. Faustus and David Mamet’s Faustus, but both plays feature the bare

“Everyman" certainly fits the mold of a typical medieval mystery play. Ominously, the play begins with God perceiving how "all creatures be to [Him] unkind." Men, it seems, commit the Seven Deadly Sins far too regularly, and their only concern seems to

There will always be philosophical interpretations that will create universal truths for many generations to come. In addition, these literary works enriches the audiences’ understanding of these texts as supremely important cultural and historical documents, for audiences who embrace their universal truths. Both generational audiences’ spiritual interpretations seemed to have, collectively, developed a text of extraordinary literary works that are overflowing with philosophical and truth-seeking richness.

Christopher Marlowe's play, Dr. Faustus, is the story of the struggle of one man who is battling with himself over what he values most in life, and to what extent he will go to obtain what he desires. The battles over the control of one's ego and what a person values in their life are the two underlying struggles in this work. Faustus is a very educated and high member of society, but he was born in a lower class and has struggled all his life to be a wealthy person. He attains this opportunity to become wealthy when he learns how to call upon Satan, and he makes a deal with the devil to attain all the riches in life for his soul. Through out the play Faustus

     Mythology is a way that the ancient societies explained why things are the way they are and how they came to being. Two ancient societies are infamous for their mythology. These societies are Greece and Rome. Great authors were made be the mythological works they wrote. Homer was a famous author who is best known for his epics. It is from these epics that most of the gods and actual myths well known. I am writing of two of these gods in particular, Saturn and Dionsysus.

The differences in styles of language truly brings alive the plays' various characters, from the lowliest drawer to the noblest knight. The playwright's audience would have been composed of a similarly diverse spectrum of society, from the groundlings at the foot of the stage, to the members of the court in attendance, and these disparate members of the audience might very well have come away from the plays with different interpretations of

Throughout literature, characters who live transcendentally share similarities. Their descriptions evoke clarity and purity, and their names often symbolize their beliefs. Mindful characters tend to stand out from the crowd, stepping away from the boundaries of society and choosing their own paths. As transcendentalism is difficult to develop alone, most of these characters have some sort of role model, someone to gain a message from. They then go on to spread that message to the people they meet. A transcendental character’s mission is to impact some un-transcendental character by bringing them clarity, and this can be seen in the characters studied this semester. The similar descriptions, messages, and impacts of conscious characters prove

There are two stories which one can analyze and put into comparison, that being the stories of the mighty Beowulf and that of the arrogant Doctor Faustus. In Beowulf a story is told from the view of a warrior becoming a hero and displaying amazing feats. While in Christopher Marlowe “Doctor Faustus”, he is recognized as an ambitious self- centered individual with an eager sensation to learn more knowledge of the Arts. He decided to takes his learning a step further and ultimately becomes his main wrongdoing for his entire life. By reviewing the text of both tales, there are a set of both similarities and differences able to be made between Beowulf and Faustus.

Racial hatred is prejudice and hostility targeting groups of color or ethnic backgrounds in various ways. “Night” by Elie Wiesel is a story about the author's experience during the Holocaust and how he survived through the harsh treatment of the concentration camps. Paul Rusesabagina’s “From An Ordinary Man” is about how the author saved many people from an ongoing tribe attack by putting them in his hotel. In Elie Wiesel’s “Night”and Paul Rusesabagina's “From An Ordinary Man”, both the author's use of overall purpose, theme, and use of rhetoric help tell the stories of survivors.

There is constant references to the beliefs and ideas of the Catholic Church such as confession, penitence and the Virgin Mary this suggests the catholic centered society in which the play existed. It concentrates on the qualities of the catholic religion that are important in the journey to heaven. Everyman is a symbol of the human condition and how it is understood by medieval Catholicism. Whereas in the sixteenth century in which Doctor Faustus was written, saw a shift of Christian ideals. No longer was there only the

“Everyman” is regarded as a morality play that was written in late 15th century. According to Michael A. Babcock, author of the story of Western culture, “Morality plays can be explained in best ways because of allegories figure out efforts made between seven virtues and seven vices contained in heart of man”. The play is a picture of what Christians should do or how they should spend their lives to save their souls from being convicted by death (Yaw Adu-Gyamfi P.265). The understanding of death in “Everyman” play is influenced by how people live their lives. The play brings out an idea of how people struggle to choose between worldly things and the ultimate spiritual judgment. The conflict between riches, relationship and the spiritual enrichment, heaven and hell and God’s verdict seems to be on the rise in the play. Babcock also states, “Everyman is a struggle between good and evil, between seven virtues as well as seven vices”. (167). we see how life is a transitory, when the play documents Everyman’s journey from sinful life to sin free life and finally to a holy death.

“How would a modern audience view this play in a different way to an audience in Shakespeare’s time, particularly in relation to the role and status of women and attitudes to marriage and courtship?

Just as each Devil’s motivation for enlarging his kingdom varies, so do their relationships with God. This differing in goals also reflects the change in humanity’s religious pursuits between the time periods. When Faustus tries to seek God’s forgiveness, Lucifer expresses his displeasure when he says “We come to tell thee thou dost injure us […] Thou shouldst not think of God: think of the Devil” (Marlow 5). This Devil’s dislike for God is evident in his jealousy over Faustus’s pledge of allegiance. He can’t seem to stand it when Faustus talks about Paradise or creation. This ultimatum to only think of the Devil, as well as the previously identified thirst for power, alludes to some sort of conflict between the Devil and God in Dr. Faustus.

The play is a human tragedy for not only is Faustus tragically constituted in his boundless ambitions but, at the same time, the play questions the effectiveness of the cultural aspirations that shape his ambitions. Consequently, the play provides a complex interaction between the human dimensions of the dramatic character and the ambiguities and ambivalences of the cultural situation the character is placed in.