Everyman

The play Everyman may have been written many years ago, but its lessons are still relevant today. Generally, the facts of death are very traumatizing and in fact unthinkable. This leads the modern day Everyman to ignore its significance, dying without acknowledging or reflecting on their lives here on earth. It is based on this fact that this paper aims to show the position of the author of the play “Everyman” regarding death.

The author asks question in the play, what happens when you die? Everyman looks back into his life and tries to find a time that he can give up but he is not ready to do so. Throughout the play, Everyman begins to realize the things he thought were important

The author of the play Everyman views death from the Catholic point of view. The moral message to live each day with the goal of eternal life in Heaven in mind sets the tone of the play. Everyman illustrates that every man’s soul needs to be saved before death or he will not have eternal life with God. The author views death as the foundation of man’s spiritual journey with God in Heaven or as the initiation of the soul’s damnation. The author portrays death as God’s messenger. The play underscores a message that the treatment of death is similar for every man, as he is held accountable for his actions and deeds in life upon facing death. Additionally, the only way to avoid death is to strive towards achieving ever-lasting life with God in

The English morality play “Everyman” uses allegorical characters to represent what Everyman holds onto and values during his life. Everyman has neglected his spiritual life, but as the play develops Everyman repents of his sins on time. Summoned by Death, Everyman realizes that he is not ready and does not want to die alone. Thereafter, Everyman seeks to find a companion to go with him on the journey to give account of his life to God but to no avail, Everyman soon realizes that all of those who accompanied him on earth soon abandon him.

In the play “everyman” death is depicted as something that is terribly feared as no one seemed ready for it, death is perceived as something that takes one away from the pleasures of this world.

Meaning and significance of death in the light of the Christian narrative is addressed including adequate detail.

Abstract The author’s perception and treatment of Everyman are that each individual need to prepare for it by repenting, following God, and doing good works. The author’s perception is that at the end of the day one cannot take anything or anyone with them when they die. The only entity someone can take is their actions and how they use the resources that are given to them. Those who put God before everything and perform good works will enjoy eternity with Him, but those who enjoy only the pleasures of life and forget God, will not. The author’s main message throughout the play is to not fearful of death but know that one day everyone will die, so do as much good as one can, repent of one’s sins, and to put God first. Keywords: author, perception, treatment, death The Author’s Perception and Treatment of Death in Everyman In the late fifteenth century, an unknown author wrote a morality play called Everyman. According to Pearson, a morality play during the Medieval period would communicate a moral lesson and make it so simple that both illiterate and well-educated audiences could both understand the lesson (Adu-Gyamfi, 2016). One may believe that the author of Everyman want to communicate to the audience that everyone will receive judgment the actions they commit on Earth. The author’s perception of death is that God is the only one who has the power to control when each individual die, so if one has a relationship with Him one should not be fearful death. The author

In act 3 scene 1 of William Shakespeare “Hamlet” the main protagonist, Hamlet, recites a soliloquy “To be, or not to be.” Throughout his lines Hamlet explains the concept of suicide and why people choose to live long lives instead of ending their suffering. The main point he speaks on is the mystery of one’s afterlife, they never know for sure what happens when they die. For this reason, his speech does a good job highlighting the plays underlying themes of pervasiveness of death, and tragic dilemma, and tragic flaws.

Thomas J. Jambeck describes Everyman as a Bernadine humanism work, a work in which a man acts as “an active agent in the work of his own redemption” (109). William Munson echoes this idea, writing that Bernadine humanism gives emphasis to a person's motive, which is the reason why a person acts the way he does (252). Both authors agree that if knowledge is what a person uses to influence his or her actions, then good works in Everyman become the play’s central theme. Knowing what to do and doing it are necessary to accomplish good works (Munson 257-58). Everyman shows the importance of Knowledge and Good Deeds acting together when he plurally addresses them when he says, "now friends, let us not part in twain" (Line 651). Good works become the result of the two working together. Since man has fallen after Adam and Eve's original sin, Murdow William McRae argues that a true Christian must "cooperate with grace; that is, he must live well in the life of grace in order to achieve heaven" (723). This statement implies that good works save people from hell and allow them to dwell eternally with God.

Even though people have been dying since the start of life, we can never get use to the idea of leaving our loved ones behind. Therefore humans choose to disregard death and get pleasure from life, and consequently we tend to stray away from righteousness. Two works; Everyman by an unknown author, and The Pardoner’s Tale by Geoffrey Chaucer have been written to preach humans toward Christianity-the right way of living. These authors utilize plot to reveal the role of death in understanding life. This is achieve by drawing on the foolishness of mankind, their response to the inevitable death and the effect of death on protagonists which altogether helps the readers understand worldly treasures are temporary.

Death perception is what sets apart the wise from the foolish and the sensitive from the weak minded; this statement is both true within life and the epic poem Beowulf. Many statements within the spectrum of death in the current world relates and dates back to this one poem, even more so now through the translation of Seamus Heaney. Passed along as a folk tale from as early as the 5th century to the 9th century, and then composed in about the 10th century, Beowulf creates a solid base for many of today’s present and worldly ideals. Countless themes are taken from this poem, but one theme that many people may glaze over is the extremely morbid tone of death and its purpose. Used as an archetype for the audience, the purpose of this morbid theme of death is to help understand and cope with mortality, especially during that time period. Accepting/ understanding is wiser than foolishly attempting to escape or cheat death as the poem blatantly proves after closely analyzing its purpose of discussing fate and death before the battles; choosing to always stand by good morals and actions; and the major significance of the main character’s death along with a couple counterarguments. By examining each aspect, the reader will gain the realization as to why Seamus Heaney decided to create this theme that he did with the direction from “The Beowulf poet [that] was captivated by the imagery of death” (Tanke 356).

“Everyman” is regarded as a morality play that was written in late 15th century. According to Michael A. Babcock, author of the story of Western culture, “Morality plays can be explained in best ways because of allegories figure out efforts made between seven virtues and seven vices contained in heart of man”. The play is a picture of what Christians should do or how they should spend their lives to save their souls from being convicted by death (Yaw Adu-Gyamfi P.265). The understanding of death in “Everyman” play is influenced by how people live their lives. The play brings out an idea of how people struggle to choose between worldly things and the ultimate spiritual judgment. The conflict between riches, relationship and the spiritual enrichment, heaven and hell and God’s verdict seems to be on the rise in the play. Babcock also states, “Everyman is a struggle between good and evil, between seven virtues as well as seven vices”. (167). we see how life is a transitory, when the play documents Everyman’s journey from sinful life to sin free life and finally to a holy death.

The play Everyman is a perfect representation of public literature from the Renaissance period. The anonymous author reveals through the morality play that 'everyman' should be prepared for judgment at any time because, "Suddenly, [Death] come[s]." (Scene 1, Line 81) This, as with all allegorical works of that period, was constructed under the direction of the Roman Catholic Church to strike fear in to the hearts of men and, in doing so, have power over them. The church succeeded by censoring all works and designing them to fit their purpose.

Everyman is a morality play from the 15th century with no known author, and The Seventh Seal is a 1950’s fantasy film about a knight returning from the Crusades. Although the timelines for these two pieces don’t match up, they share a lot of similarities: the most prominent of which being the personification of death into a character. Both pieces feature death as an ever-present entity and solidify the inevitability of death. However, through the characterizations of death within these two pieces, the two offer differing views on the role of religion in human mortality, and the creators offer interesting views of human relationships with death himself.

This essay will address the theme of death in Shakespeare’s Sonnet 12 (1609) and George Herbert’s poem Virtue (1633). Both Shakespeare and Herbert explore notions of death in their poems, in terms of the tension between the psychical and the spiritual in a religious context. However, where they differ is that Shakespeare places emphasis on the importance of the corporeal, and of what is left behind on earth after death. In contrast, Herbert focuses on the impermanence of the physical, instead advocating a focus on the eternal life of the soul in heaven.