Everyman Pilgrimage

When life gets good, glory can get in the way of things. Even as I finish this book, I wonder whom I will meet and help because of this. However, God’s Will for the last twenty-one chapters has everything to do with Him and little to do with me.

The Pilgrimage of Grace was a religious uprising in York, England which started in late 1536 and finished in early 1537, where people lead by Yorkshire lawyer Robert Aske staged protests and demonstrations in opposition to King Henry VIII’s dissolution of monasteries and break from the Catholic Church. This rebellion was mostly aimed at Thomas Cromwell, who was Henry’s High Chancellor; and many of these marchers influenced Cromwell’s policies. The participants of the Pilgrimage of Grace had a goal to reinstate the Catholic Church, and a concern of the economic impacts caused by losing monasteries; those who opposed the movement had a goal to punish leaders and anyone associated with the movement and a political concern of losing power for

Everyman is a Christian morality play written during the 1400s. No one yet knows who wrote this play. It is said that Everyman is the English translation of similar Dutch morality play of the same period called Elckerlijc. Everyman is generally represented as the best and most original example of the English morality play. “Like other morality plays from the late medieval period, it is meant to communicate a simple moral lesson to both educated and illiterate audiences” (Gyamfi & Schmidt, 2011). “Everyman” is about a man who is content with his life when Death calls and tells him about his end. The author has used metaphorical names for characters to show up the moral of the play.

“The Hero’s Journey” is a pattern of narrative identified by the American scholar Joseph Campbell that appears in drama, storytelling, myth, religious ritual, and psychological development. It describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization. The hero’s journey is divided into three sections departure, initiation, and return. The three sections are then divided into subsections that give a little more in detail journey that the so-called “hero” takes in the storyline. Hamlet and Simba are the main characters in the two storylines that take on the role of the hero.

The play Everyman begins with God commanding his messenger Death to summon “every creature and give account” of their lives. The name Everyman symbolizes mankind who has become “blotted and blind” by worldly riches and have “wend” onto the corrupt path. The author alludes to biblical allusions, “I [suffer] to be dead and “[hang] between two,” to alert people from God’s anger. This imagery evokes desolate tone because Jesus, the savior of mankind, is crucified between two thieves to save man from drowning into sins such as; “pride, covetise, wrath, and lechery.” However the mankind still overlooks Him and hence Death is send to Everyman. The Pardoner’s Tale, begins with three rioters who “daunce [drink and gamble] bothe day and night.” The author portrays this

Everyman is a classic play written in the 15th century whose subject is the struggle of the soul. This is a morality play and a good example of transition play linking liturgical drama and the secular drama that came at the end of English medieval period. In the play, death is perceived as tragic and is intensely feared. The protagonist; Everyman, is a person who enjoys the pleasures of life and good company. When he is unexpectedly called by death to account to God for his actions on earth, he is thunderstruck. He is filled with sorrow and

The author of the play Everyman views death from the Catholic point of view. The moral message to live each day with the goal of eternal life in Heaven in mind sets the tone of the play. Everyman illustrates that every man’s soul needs to be saved before death or he will not have eternal life with God. The author views death as the foundation of man’s spiritual journey with God in Heaven or as the initiation of the soul’s damnation. The author portrays death as God’s messenger. The play underscores a message that the treatment of death is similar for every man, as he is held accountable for his actions and deeds in life upon facing death. Additionally, the only way to avoid death is to strive towards achieving ever-lasting life with God in

Like many other morality- allegorical plays, Everyman, fits in as the finest representative of this category. This morality play reflects on the reaction of mankind when faced with the dilemma of eternity. In the play, God sends Death to summon Everyman- a representation all mankind. It is

Abstract The author’s perception and treatment of Everyman are that each individual need to prepare for it by repenting, following God, and doing good works. The author’s perception is that at the end of the day one cannot take anything or anyone with them when they die. The only entity someone can take is their actions and how they use the resources that are given to them. Those who put God before everything and perform good works will enjoy eternity with Him, but those who enjoy only the pleasures of life and forget God, will not. The author’s main message throughout the play is to not fearful of death but know that one day everyone will die, so do as much good as one can, repent of one’s sins, and to put God first. Keywords: author, perception, treatment, death The Author’s Perception and Treatment of Death in Everyman In the late fifteenth century, an unknown author wrote a morality play called Everyman. According to Pearson, a morality play during the Medieval period would communicate a moral lesson and make it so simple that both illiterate and well-educated audiences could both understand the lesson (Adu-Gyamfi, 2016). One may believe that the author of Everyman want to communicate to the audience that everyone will receive judgment the actions they commit on Earth. The author’s perception of death is that God is the only one who has the power to control when each individual die, so if one has a relationship with Him one should not be fearful death. The author

Christ also fulfills this duty of a hero by bestowing many wonderful gifts and treasures upon any man who will follow Him faithfully. The treasures described in the poem

then he became a stranger. Soon, she began to see a crazy, God-fearing man. Scripture

After each friend desert Everyman and he is moaning and wondering who will go with him, he calls upon Good Deeds whom he finds on the floor weak. Good Deeds is weak because Everyman has made very few good deeds in his lifetime. Good Deeds calls on her sister Knowledge to help Everyman go on his journey.

Starting with “The Wanderer,” the speaker begins his tale by reminiscing upon his trials and tribulations of which he has suffered a great deal and “longs for relief, the Almighty’s mercy” (118). He has lost his friends and no longer has anyone to confide in, forcing him to be alone with his thoughts: “So I must hold in the thoughts of my heart” (118). In the midst of his grieving, the Wanderer recalls a joyous occasions, such as when “his friend and lord helped him to the feast” (119), only to realize that what once was, is no longer. He finds comfort in his dreams, longing to be back with his “liege-lord again” only to awaken and have reality come shattering down upon him (119). However, he comes to the conclusion that through hardship and suffering, one matures, grows, learns his place in life and how “a good man holds his words back, tells his woes not too soon, baring his inner heart before knowing the best way” (120).

The play Everyman is a perfect representation of public literature from the Renaissance period. The anonymous author reveals through the morality play that 'everyman' should be prepared for judgment at any time because, "Suddenly, [Death] come[s]." (Scene 1, Line 81) This, as with all allegorical works of that period, was constructed under the direction of the Roman Catholic Church to strike fear in to the hearts of men and, in doing so, have power over them. The church succeeded by censoring all works and designing them to fit their purpose.

that Mary told Bernadette to find a spring. She did and in 1862 it was