Everything That Rises Must Converge

Flannery O’Connor’s “Revelation” is a story of a typical, hypocritical Southern woman. Her and her husband are home owners, land owners and slave owners, although she is religious. The story takes place in a doctor’s office, which serves as a microcosm of the real world. In the doctor’s office there is Mrs. Turpin, her husband Claud, an old lady, a pleasant lady, a young girl with acne, a mother and child, someone Mrs. Turbin describes as “white trash”, and others. The story’s cast chimes in on conversations about race, class and economic status, until Mrs. Turpin is hit with a revelation.

Flannery O' Connor's short story “Everything That Rises Must Converge” is about racial judgment in the south in the 1960's. O' Conors main focus in this story is how the white middle class viewed and treated people from different races in the 1960's. The story is an example of irony, redemption as well as a struggle of identity among the characters. The main characters in O'Connor's story are Julian an aspiring writer, who works as a typewriter salesmen, and his mother who is a low-middle class racist white woman who has strong views about thvxe African-American race. Both Julian and his mother are great depictions of the white mindsets of racial integration in the

The conflict in this story is shown by the Julian's point of view on society, who as a young man doesn’t believe in racism and criticizes his mother's fanatic opinion on society, her dis??? behavior with neighborhood, and the passengers on the bus. He is not agree and dominated by his mother at all. His mother truly believed that she is a member of the upper class and quite unwaire of condition of social values and human equality.

“The mother removes her purse from her shoulder and rummages through its contents: lipstick, a lace handkerchief, an address book. She finds what she’s looking for and passes a folded dollar over her child’s head to the man who stands and stares even though the light has changed and traffic navigates around his hips… He does not know his part. He does not know that acceptance of the gift and gratitude are what makes this transaction complete… The mother grows impatient and pushes the stroller before her, bearing the dollar like a cross. Finally, a black hand rises and closes around green” (paragraphs 3-5).

When the narrator mentions that her doctor wants her to lose weight to stabilize her blood pressure, implies the mother is not in good health. The narrator shows that the mother is disgusted with the society in her era, which African Americans roam free. In her opinion, she thinks they should be a lower class than her. Her signs of disgust are shown when she tells Julian of her Grandfather’s plantation after an African American man enters the bus with a newspaper. When the man sits down and reads, the mother exclaims to Julian that “Now you see why I won’t ride on these buses by myself” (O’Connor 452). She does “feel sorry for. . . the ones that are half white” (O’Connor 449), because they have no place to belong in society. She does get annoyed by her son’s behavior when he loosens his tie and asks the African American man for a match. Julian’s mother does have hope for Julian that he will become a writer and keeps reminding him that “Rome wasn’t built in a day” (O’Connor 448). She is so focused on her past that “she can’t comprehend that depth to which its loss has affected her, and she repeats the narrative in order to re-establish the historical boundaries of her identity” (Williamson 751). The narrator shows that she adores young African American children, even though, her son tries to warn her not to give a penny to the boy. After being punched by the African American mother, she is in shock and extreme confusion to why it happened. Wanting to go “Home” (O’Connor 457) where her grandfather’s plantation was, she immediately retreats to her historical fantasy

Mrs. Harrison believes that black people have to earn the white people’s respect, trust, freedoms and equality. Mrs. Harrison says to Bob, “You mustn’t think in terms of trying to get even with them, you must accept whatever they do for you and try to prove yourself worthy to be entrusted with more” (52). She states that if black people work hard enough, the white people will reward them. She also wants the black community to wait for the white people to “give” them something better, to accept what the white people “do for them.” She compares the idea of black and white people equality to communism. She tells Bob that he needs to make himself worthy of respect. “You know yourself, Bob, a lot of our people are just not worthy, they just don’t deserve anymore than they’re getting” (52). These comments illustrate how class has a great influence on Mrs. Harrison’s point of view on race. Without having to work and being rich, she is ignorant of the racial discrimination that a day to day skilled worker of Bob’s color has to go through. Like her daughter Alice, Mrs. Harrison has been given special treatment by the white people for her lighter skin, and her social and economic class.

Flannery O’Connor, undoubtedly one of the most well-read authors of the early 20th Century, had many strong themes deeply embedded within all her writings. Two of her most prominent and poignant themes were Christianity and racism. By analyzing, “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” these two themes jump out at the reader. Growing up in the mid-1920’s in Georgia was a huge influence on O’Connor. Less than a decade before her birth, Georgia was much different than it was at her birth. Slaves labored tirelessly on their master’s plantations and were indeed a facet of everyday life. However, as the Civil War ended and Reconstruction began, slaves were not easily assimilated into Southern culture. Thus, O’Connor grew up in a highly racist area that mourned the fact that slaves were now to be treated as “equals.” In her everyday life in Georgia, O’Connor encountered countless citizens who were not shy in expressing their discontent toward the black race. This indeed was a guiding influence and inspiration in her fiction writing. The other guiding influence in her life that became a major theme in her writing was religion. Flannery O 'Connor was born in Savannah, Georgia, the only child of a Catholic family. The region was part of the 'Christ-haunted ' Bible belt of the Southern States. The spiritual heritage of the region profoundly shaped O 'Connor 's writing as described in her essay "The Catholic Novelist in the Protestant South" (1969). Many

The little boy’s mother attacks Julian’s mother, symbolizing the freedom that blacks now have attained. The religious symbolism in this story is present because in God’s eyes we are all the same, and Julian wants his mother to acknowledge it. Somehow, she fails to comprehend. The title itself is a metaphor. Just as bubbles bang into each other as they rise to the top in boiling water, the women in this story clash with each other as the black woman rises to the top of her social status and the white woman resists.

“Everything That Rises must converge”, by Flannery O’ Connor is sometimes considered a comical but also serious tale of a grown man named Julian, who lives with mother, who happens to be your typical southern woman. The era unfolds in a couple years after integration begins. Throughout the story, O’Connor impresses us with her derived message in which people often resist to growing away from bigotry towards self-awareness and love for all humankind, which is so necessary for life to converge in equality. O’Connor has a distinctive style of writing that expresses this message through characterization, conflict and literary devices.

Even though his mother is horrifically racist, Julian’s thoughts reveal to the reader that he is no better than she is. He even fantasizes about how he could terrify his mother by marrying a black women. O 'Connor writes, “Instead, he approached the ultimate horror. He brought home a beautiful suspiciously Negroid woman. Prepare yourself, he said,” (10). The lengths Julian goes to degrade his mother say more about him than they do about her. His criticism of her racism identifies him as a complete hypocrite.

Readers can find that “ Everything That Rises Must Converge” and “A Good Man is Hard to Find” are Southern American literature. “Everything That Rises Must Converge” was written in the midst of the movement of American Civil rights. In the story, the settings such as ” bulbous liver-colored monstrosities of a uniform ugliness” and the “dying violet sky” make people feel moody and uncomfortable. The main character Julian’s mother has an unchangeable opinion of racism and refuses to accept the racial integration

In Flannery O’Connor’s “Everything That Rises Must Converge”, Julian Chestny, a young white man struggles to accept the ignorant beliefs and actions of his elderly mother in a post-civil rights era. The point of view plays an important role in this story and how readers interpret it. A point of view is the vantage point of which the story 's told. O’Connor uses point of view to help illustrate the central idea of the story.

In Flannery O’Connor’s short story, “Everything That Rises Must Converge”, O’Connor uses the symbolism of the violet hat and the shiny new penny along with all of the things Julian’s mother has done for him throughout his life, to place the broader societal conflict of race relations within the context of the unstable relationship Julian has with his mother, showing how poor southern whites used blacks to elevate themselves. Julian’s clashes with his mother over morals, race, and appearances mimic the greater conflict of racial relations in society.

Flannery O’Connor’s short story “Everything That Rises Must Converge” emphasizes the hostility and racial discrimination that white southerners exhibited towards African Americans as a result of integration during the 1960’s. This short story focuses not only on the white American’s living in poverty, but also accentuates the ways in which two people born in different generations react to racial integration. Having descended from a formerly wealthy slave owning family, Julian’s mother, who remains unnamed, struggles to support both herself and her son after slavery is abolished. The family’s poverty becomes evident after the mother regrets purchasing a hat, claiming that if she returned it she could pay the gas bills instead (O’Connor, par. 10). As a struggling writer and typewriter salesman, presumably in his early 20’s, Julian claims to have “lost his faith” in a struggle to reason with his racist mother (O’Connor, par. 10). Describing himself to be “saturated in depression”, it becomes unmistakable that Julian feels resentful towards his mother for his upbringing and current position in life (O’Connor, par. 10). His mother, who takes pride in the way she raised him, reasons, “…if you know who you are, you can go anywhere”, prompting a quick disagreement from her son, where he argues, “[that’s] good for one generation only” (O’Connor, par. 16). Through observing

Throughout the story Julian’s mother repeatedly claimed “I know who I am”, and that this is why she knew her place in this world. Yet, she did not really understand who she was at all. It was obvious from the beginning that her bringing up had caused her to see racial segregation as necessary, and that the whites truly were a higher class. She was a very closed minded person that saw herself as a gracious being when she was nice to the African-american community. It should feel good to be nice to people, but it will never make you a superior being to do something that is expected of you. Being sensitive and having understanding of how your actions may make people feel shows your compassion for others, and Julian's mother severely lacked any type of