"Everything That Rises Must Converge" Analysis

The story “Everything That Rises Must Converge” is another story of a mother and son that is tragic. Julian’s mother is a product of her upbringing and views towards Negroes. She reminds him that his great-grandfather was a plantation owner, who had 200 slaves, Julian said to his mother irritably “There are no more slaves” (214). She talk about the ones that are half white being tragic. Clearly his mother had raciest views and this upsets Julian. While his mother is a product of her times, Julian is a product of his time and the change is

Julian fails many times at proving his superiority too his mother. We see this when he attempts to try and make friends with the African-American man on the bus who is reading the paper next to

The black characters in the novel are all victims of this “separate but equal” mentality; the younger characters yearn for real equality and the older characters have settled in to their lives by accepting their “fate.” The existing structures of society in Bayonne, Louisiana prevent black characters such as Grant Wiggins and Vivian from ever breaking out of their social class; both are forced to remain in their lives as teachers of young black children who will also grow up to live limited lives. Wiggins says of his classroom, “I’m the teacher... and I

The conflict in this story is shown by the Julian's point of view on society, who as a young man doesn’t believe in racism and criticizes his mother's fanatic opinion on society, her dis??? behavior with neighborhood, and the passengers on the bus. He is not agree and dominated by his mother at all. His mother truly believed that she is a member of the upper class and quite unwaire of condition of social values and human equality.

In Everything that Rises Must Converge, Julian and his mother experience a moment of clarity in terms of contemplating on their actions and thoughts. Julian has always hated his mother for her traditional southern beliefs and ways. She even goes as far as to wish that she lived back in the past when she was a girl. She embodies the traditional pre-civil rights southerner who believes in being superior to someone else in terms of race, money, or any other factor. When she sees a black woman on the bus wearing the same hat she is wearing, she realizes that someone regarded as inferior by her standards, a black woman, is suddenly equal to her. She shows great discomfort and disapproval of this new ideal. When the black woman and her son are getting off of the bus, she approaches them and gives the child a penny as a sign of humiliation and inferiority. The black woman then hits her which causes her to fall to the ground. Julian’s mother falling to the ground shows a change in actions and thoughts for both her and Julian (Moore). Julian begins to tell her that she got what she deserved for giving her insulting pennies to black

In “Everything That Rises Must Converge” by Flannery O’Connor, is a story of racial domestic violence between Julian’s mother and an African American woman who is trying to keep her son away from her. The story is in a third person point of view which means none of the characters is the narrator, however, it does show Julian’s thoughts during the story. The third person narrator focuses on Julian, his mother, and their relationship which is a “parasitic relationship [that] establishes the prototype for parent and child figures” (Winn 192). Julian, despite being an adult, still lives with his mother and has a childlike attachment to her. His mother has a “deep connection of her identity with the intergenerational ties of family and history,

As Anne begins to mature she comes to the stark realization that the existing racial divide is not simply a difference based on economic disparity but a true statement of inferiority versus superiority. One experience that manifested this was a visit to a movie theater with some white friends. Moody was not allowed to sit with the group; she was forced to sit instead in the Jim Crowe section.

"Everything That Rises Must Converge" also uses its setting to explore place and heritage to give us better insight into the actions and feelings of the characters. Julian, living in a poor neighborhood with his mother, shortly after the integration of blacks to public transportation, struggles to get his mother to understand that the world has changed. No longer are there huge plantations with hundreds of slaves, in fact "there are no more slaves." Once fashionable neighborhoods, like the one in

To the uninitiated, the writing of Flannery O'Connor can seem at once cold and dispassionate, as well as almost absurdly stark and violent. Her short stories routinely end in horrendous, freak fatalities or, at the very least, a character's emotional devastation. Working his way through "Greenleaf," "Everything that Rises Must Converge," or "A Good Man is Hard to Find," the new reader feels an existential hollowness reminiscent of Camus' The Stranger; O'Connor's imagination appears a barren, godless plane of meaninglessness, punctuated by pockets of random, mindless cruelty.

“Everything That Rises must converge”, by Flannery O’ Connor is sometimes considered a comical but also serious tale of a grown man named Julian, who lives with mother, who happens to be your typical southern woman. The era unfolds in a couple years after integration begins. Throughout the story, O’Connor impresses us with her derived message in which people often resist to growing away from bigotry towards self-awareness and love for all humankind, which is so necessary for life to converge in equality. O’Connor has a distinctive style of writing that expresses this message through characterization, conflict and literary devices.

Flannery O 'Connor’s works are nothing short of extraordinary. They frequently step into the realm of the extreme to make a statement or prove a point. The result is that her messages are stark and vivid, and O 'Connor is able to make bold positions on controversial subjects. She achieves this effect through a number of means, which consist primarily of Christian symbolism, character foils, and literary irony. Combined, they create rich, intense environments in which radical events push and twist characters. As a result of this stress, the characters are defined more clearly. In many instances, they achieve a kind of self realization, and their revelations usually come with an ironic factor or consequence. O 'Connor’s stories, notably

Flannery O’connor is one of the most shinning stars in American literature. Her distinct writing style makes her work recognizable and outstanding from other literature works. Many critics have commented on Flannery O’connor’s narrative voice. Louise Blackwell discovers Miss O’Connor often wrote according to southern tradition by using symbols in people’s daily life to convey the theme in a more profound way. From the perspective of the O’connor’s writing technique, Shirley Foster speaks highly of Miss O’connor’s works: O’connor’s skilled technique establishes the complicity between the readers and narrators. These two evaluations reveal the most important characteristics of Flannery O’connor’s works, directing readers to understand O’connor’s works much easier. Readers can understand the two critics’ comments by exploring the special narrative voices in Flannery O’connor’s well- known stories: “ Everything That Rises Must Converge” and “A Good Man is Hard to Find”.

In Flannery O’Connor’s “Everything That Rises Must Converge”, Julian Chestny, a young white man struggles to accept the ignorant beliefs and actions of his elderly mother in a post-civil rights era. The point of view plays an important role in this story and how readers interpret it. A point of view is the vantage point of which the story 's told. O’Connor uses point of view to help illustrate the central idea of the story.

In Flannery O’Connor’s short story, “Everything That Rises Must Converge”, O’Connor uses the symbolism of the violet hat and the shiny new penny along with all of the things Julian’s mother has done for him throughout his life, to place the broader societal conflict of race relations within the context of the unstable relationship Julian has with his mother, showing how poor southern whites used blacks to elevate themselves. Julian’s clashes with his mother over morals, race, and appearances mimic the greater conflict of racial relations in society.

Julian is the only character who logically would have attained an advanced education. “Everything That Rises Must Converge” is set in the South in the 1960s/70s, shortly after society integrated. So, unless a character is a white male from an affluent background, that character would not have gone to college. The only characters with whom Julian interacts are his mother, the black man and woman on the bus, and the woman’s son. Even so, Julian only interacts for a prolonged period of time with his mother, the woman, and her son. None of these three people would have gone to college. Julian’s mother would not have gone to college merely because she is a woman; at this point in time women would not have been expected to further their education, especially if they came from wealthy