Evil In Paradise Lost

Othello trusts Iago and now Iago is trying to take his wife from him for someone else. Furthermore, “He takes her by the palm...sir in.” (pg. 71). Iago watches Cassio and Emilia because he thinks they had an affair he watches them carefully so he can figure out how to convince Othello that Desdemona and Cassio are having an affair. Another example involves the plan to help Othello kill Desdemona. “Do it not with poison. Strangle her in her bed, even the bed she hath contaminated” (pg. 185). Othello believes that Iago is most honest, thus he believed killing his wife Desdemona was the right thing to do. Iago brainwashed Othello into believing the wrong thing was the right thing. The characterization of Iago is created by the use of dramatic irony. The audience knew how devious Iago is, but the characters fell for his mischievous acts.

Wilde also was famous for his leading of the aesthetic movement and his imprisonment for propagating homosexuality. The Picture of Dorian Gray tells a story about a degradation of a young man Dorian Gray. At the beginning, an artist Basil Hallward paints a portrait of the kind and innocent Dorian Gray and, after seeing the artwork, Lord Henry Wotton - a vain and snobbish class man - requests to meet him. Influenced by eccentric Henry Wotton’s philosophy, Dorian begins to become vain and cruel but while his external appearance remains unchanged, his appearance on the painting alters every time he commits a sin. The novel explores many issues, one of them is aestheticism - exaltation of art and beauty, leading to the eternal question - can a beautiful person be moral and a moral person be beautiful, which always have and will stir society’s curiosity. Oscar Wilde once said that "All art is quite useless" and in The Picture of Dorian Gray, he tends to juxtapose various expressions of art with the routine of Dorian Gray and a shallow life in the nineteenth century. As a tool to reveal the concept of a life at the end of the 19th century Wilde uses art of pretty - but meaningless - things used to please one’s vanity and create a mundane environment. This raises the question: what did Oscar Wilde want to imply by and how does he use art to develop the theme of morality in The Picture of Dorian Gray? It was impossible to avoid art in any of its expressions (parties, theatre, clothes, etc.) in even the most regular lives in the 19th century and of course it influenced the way of thinking, created the social status and the image of oneself, so, after all, art had a huge impact on the individuals of the 19th century. And, as often beauty does, art encourages greed and vanity, which Oscar Wilde demonstrates through the usage of art in the novel.

The event of Othello’s elopement is the turning point for Iago’s obsession and plot to destroy his life by sabotaging his relationships with Desdemona and his closest friends. Othello’s tragic flaw of trusting the wrong people leads him to his demise. Iago’s first plan of action brings Brabantio, Desdemona’s father, into play. He speaks of how “The Moor”, Othello, is deflowering his daughter’s purity. “Even now, now, very now, an old black ram / Is tupping your white ewe” (1.1.88-89) (Othello.) Iago’s obsession goes so far as to bring his own wife into his plot without her knowledge. Iago asks Emilia to steal Desdemona’s handkerchief as “evidence” of her infidelity. “My wayward husband hath a hundred times / Woo’d me to steal it; but she so loves the token....I’ll have the work ta’en out, And give’t Iago: what he will do with it Heaven knows, not I; I nothing but to please his fantasy.” (3.3.292-299) (Othello.) A man who prided himself on being trustworthy was so blinded with jealousy and hatred that he would sabotage his own wife to take down Othello’s life.

Firstly, Iago showed how he was the perfect villain with his ability to manipulate characters throughout the play. By manipulating other characters Iago can forward his plan of ruining Othello without other characters becoming suspicious. One character that Iago often manipulates is his friend Roderigo, this one character is the one that mainly does all the hard work of Iago. This quote: “Desdemona should continue her love to the Moor-put/money in thy purse-nor he his to her. It was a violent commencement in her, and thou shalt see an/answerable sequestration-put but money in thy purse. (1.3 334-338) convinced Roderigo to not kill himself and to continue to believe in Iago’s plan of making Desdemona to stop loving the Moor. Roderigo is in love and this is one reason why he is unable to realize that he is manipulated by Iago. Also, Iago manipulates Cassio to go talk to Desdemona, but Cassio is totally oblivious that he plans to use this to the Moor with jealousy. The quote: “I’ll send her to you presently; /and I’ll devise a means to draw the Moor/out of the way, that your converse and business/May be more free. (3.3 37-40) convinced Cassio to talk to Desdemona, which consequently shaped Othello to be even more jealous than before.

Iago’s next achievement in Shakespeare’s play Othello is to convince Othello that his wife is cheating on him. He wants to destroy their marriage because he believes Othello has slept with his wife, Emilia which is another motive as to why he hates Othello. Starting in Act One, Scene Three Iago wants to start “poisoning” Othello’s mind with thoughts of his wife having an affair with Cassio. He states in lines 385-387, “Let’s see. After some time, to abuse Othello’s ear that he is too familiar with his wife”. Iago is going to put the impression that Cassio and Desdemona are having an affair. Iago wants to put these thoughts into Othello’s head; therefore Othello can experience the same betrayal and heartbreak that he is experiencing. He believes Othello will trust his word because Cassio is good looking and a smooth talker. In Act Three, Scene Three Iago starts hinting to Othello that his lieutenant, Michael Cassio could be having an affair with Othello’s wife Desdemona. Iago tells Othello, “Look to

Iago is evil and he doesn 't care who he hurts; he enjoys it. Although Iago is evil he does display grit and mindset. Iago persuades Cassio into drinking a lot then has Roderigo provoke him into a fight. When Montano tries to break it up Cassio hurts him. This made Othello intervene and stop the fight. Iago planned the whole thing out but he plays it off like he 's shocked about what happened. Othello ends up firing Cassio. Iago tries to persuade Cassio into thinking that he can get Desdemona to talk Othello into giving him his job back. This is all apart of Iago 's evil plan. After firing Cassio Desdemona tries to stick up for Cassio. To get Othello even more upset Iago tells Othello that it 's lust that makes Desdemona speak up for Cassio. Iago believes it 's an excellent plan to bring down Othello. He says, "So will I turn her virtue into pitch, And out of her own goodness make the net That shall enmesh them all" (360-362). Iago plans to use Desdemona as a way to get under Othello 's skin. This shows grit in Iago because he is determined to ruin Othello and anyone in his way. He tries anything he can to achieve this goal. In order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and eventually himself. Iago is a hard character to place under a specific mindset. Reviewing Iago 's actions he shows he has a growth mindset. Having a growth mindset

Iago’s indignation arises from knowing that someone with no experience received the position. The bitterness is left unchecked and quickly turns into hate. Instead of going to Othello, he whined and pined over it and eventually he says, “...I hate the Moor” (1.3.369). His hatred toward Othello drives him to become deceptive and manipulative. Iago advises Cassio: “confess yourself freely to her; importune her to help you put you in your place again” (2.3.282-284). Although this seems to be sound advice, Iago plans to deceive Othello by leading him to believe that Cassio and Desdemona are in love. In an aside, Iago says, “I’ll pour this pestilence into his ear, / ...So I will turn her virtue into pitch, / And out of her own goodness make the net / That shall enmesh them all” (2.3.316,320-322). Through deception Iago aspires to bring Othello and Cassio to their knees and achieve the position he so desired. With the first step of his plan complete, Iago now has to manipulate Othello into action. In an aside Iago sneers, “O, you are well tuned now! / But I’ll set down the pegs that make this music” (2.1.194-195). Essentially, Iago is going to manipulate Othello in such a way that Othello becomes a puppet acting based on Iago’s wishes. In Iago’s ideal world, he will make Othello love him more and hate Cassio:

Iago is a man of jealousy, and he is proposing revenge against Cassio and Othello. " He claims both Cassio and Othello have seduced his wife, Emilia, a warm-hearted, simple woman. He proposes, as revenge of wife for wife, to put Othello into such a jealousy as judgement can cure" (Jorgensen 59). "We know therefore from the start why Iago hates Othello . . . " (Modern 3). Iago's hatred for the Moor is deep, and there is apparently reason. The Ten Commandments teach us to love thy neighbor and to not steal. It seems that Othello has in a sense broken both those rules, or at least that is what Iago wants us to believe. By trying to seduce Emilia he is not loving thy neighbor, and he

Iago plans to ruin Othello because of Iago's jealousy towards him is by carrying out a plan to get back at Othello based on lies and deceit. This plan will make Iago the only person that Othello believes he can trust, and Iago will use this trust to manipulate Othello. Iago plans to remove Cassio from

Iago’s reasons for wanting Othello to murder Desdemona are never satisfactorily explained. As Iago himself says, "What you know, you know" (5.2.306). He gives various reasons for wanting to destroy Othello, but none ring completely true. He is disgruntled because of Cassio’s promotion over him. He suspects Othello of bedding his wife. But why is he determined to have Othello murder Desdemona? His plot seems based on sport rather than reason. Iago truly hates the Moor, but his hate is not grounded in any firm reason. As the play progresses, Iago’s motive never fully crystallizes, but his determination to dupe Othello into murder, thereby destroying his sense of honor, grows stronger.

Iago has many reasons to hate Othello, including the fact that he had been passed over for a promotion, in which Othello had snatched the position, and he also suspects Othello had slept with Emilia. These reasons were given to the audience, as Iago, himself, reveals his reasons to Roderigo, “ I hate the Moor; and it is thought abroad that 'twixt my sheets 'has done my office. I know not if't be true; yet I, for mere suspicion in that kind, will do as if for surety.” (1.3.378-82). Iago is never turned back on his plan to ruin Othello and the people surrounding him, since he is always contemplating on how Othello doesn’t deserve his accolades, and how Iago is plotting revenge against him. This keeps Iago to consistently, and deliberately continue with his strategies, which keeps the audience empathetic for the rest of the story. Iago is also jealous of Othello’s ability to woo and lure Desdemona, “It cannot be that Desdemona should long continue her love to the Moor ... She must change for youth. When she is sated with his body, she will find the error of her choice.” (1.3.340). However, Even if Iago had received the promotion; even if he had no suspicions or jealous feelings, he would still invent new motives for hating the Moor, as he is the devil of the story. Iago is not capable of performing good deeds, sustaining good relationships, or even

Iago also has his own suspicion that Othello had an affair with Emilia, Iago’s wife, and seeks revenge. Iago’s soliloquy at the end of “till I am even’d with him, wife for wife” (Act 2, Scene 1) has the notion that Iago might sleep with Desdemona so that Othello must feel the same destructive jealousy.

At all points of one’s life, one has desires; what separates and defines a person is determined by how that person goes about dealing with those desires. Some believe in working honestly towards his or her aspirations and others in seizing it at any cost. Iago, the antagonist of the play Othello is one of those people who would do anything in order to get what he wishes. Because Othello names Cassio lieutenant instead of him, he begins to device a plan in vengeance to bring Othello and Cassio down, which ends up tragic for all of the major characters. Iago’s obsessive need for revenge stems from jealousy and ambition, and because he is a master manipulator, the plan goes extremely smooth for the majority of the play.

In The Picture of Dorian Gray the main character Dorian gray was first an innocent man and role model to artist Basil Howard who represented humanity. Overtime influences, interactions, and beauty got the best of him. In The Picture of Dorian Gray Basil says “He has a simple and a beautiful nature. Your aunt was quite right in what she said of him. Don't spoil him. Don't try to influence him. Your influence would be bad” this shows how even at the very beginning Basil knew how Lord Henry would influence him in a negative way. As we read on we can see how lord Henry teaches him to only care about beauty which causes Dorian to believe beauty is the only thing that matters in life. Lord Henry was the main cause of the corruption of Dorian's soul. In the novel another quote Lord Henry says is Oh, she is better than good – she is beautiful,". This demonstrates how from the very get go he told Dorian that beauty is better than goodness. The poisonous book was another way Dorian was overtaken by the evil. In the novel it says “It was a poisonous book. The heavy odor of incense seemed to cling about its pages and to trouble the brain. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows.” This quote proves how the evil has already taken over him and now the book is taking over his soul. A clear piece of evidence that shows readers how the evil has really won in The Picture of Dorian Gray is the

In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.