Evil Women

In conclusion, the values of a women’s role are very important in our society and in the Old English epic poem literature. All these women in Beowulf and Sir Gawain and the Green Knight poem have shown all good things such as love, loyal, and romances in the medieval period of society. So, love is a good feeling for everyone in life that makes people happy with family and friends. Love will bring as many good things to everyone with these happiness, joyful, and peace for their life. Therefore, all the women love want to be a good wife with most of the powerful man and loyal man around them. And they can easier to hold the main position in the good relationship with all these men in the medieval period. Besides that, the women characters in

Changing Women's Roles in The Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales

During a high point in medieval chivalric romance, both Marie de France’s Lanval and the anonymous Sir Gawain and the Green Knight tell fanciful tales of knighthood, chivalry, and spiritual and temporal (courtly) love. Both Lanval and Sir Gawain and the Green Knight portray their female characters as possessing considerable power and influence, within the events in the story and in the structure of the plot. Indeed, the female characters in both works function as the catalysts of the events within the stories, and also as instruments for each author's conveyed meaning. While Lanval presents its female characters in an unorthodox reversal of gender roles, Sir Gawain and the Green Knight employs the female characters as moral and spiritual trials for the hero, Sir Gawain. I will examine how the fairy princess and Queen Gwenevere in Marie de France's Lanval present a reversal of gender roles as was traditionally understood; she presents femininity as powerful, inspiring, and morally dynamic (for a woman can be ideal, or she can be corrupt). I will compare this to the representation of Lady Bertilak and Morgan le Fay in Sir Gawain and the Green Knight, in which they are used to convey a “Biblical” warning for an ecclesiastical audience; particularly that of moral failure and the temptation of the flesh.

Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this

     Until recently, the role of women in literature has seemed to reflect the way they were treated in society. Women were seen as secondary to men, and their sole purpose in life was to please a man’s every desire. This is not the case in three specific literary works. The Odyssey, The Wife of Bath, and Sir Gawain and the Green Knight use the actions of its women characters to greatly enhance important thematic elements. The women in each of these works use feminine psyche to persuade men to do things that men of the time would not usually do. The use of women in these literary works is very contrary to the prevailing ideals of the female and her responsibilities at the

The men throughout the Old English era played a very prevailing role in society. Men were the persons in society that were portrayed as the central leaders; being in charge of their homes and representing wisdom and strength. Because the men’s role in the Old English era was so dominant, there is a vast amount of literature about them, thus allowing women to be outshined. In fact, restrictions were placed on the majority of women during this period. However, as time evolved, the roles of women also evolved. In the Old English texts, The Wife’s Lament and Beowulf, the roles of women are seen as peace weavers, motivators, cupbearers and memory keepers, compared to the women in the Middle English text, Sir Gawain and the Green Knight, who now play the roles of being protective, seductive and manipulative.

For Feldman, women had the roles of the victim of misogynistic terror and as coauthors. Since many Klanmembers could not accept the fact of gender equality within the fact acts of violence against women, especially in Alabama, happened more frequently. “Kluxers routinely targeted women, mostly for violating narrow social conventions and ideas of traditional morality “(61) In 1920s women received the franchise. This was on of the fact, which led to an explosive growth of the Ku Klux Klan. Men and women were terrified by the new political and economic situation in the United States. In order to turn the time back they joined the KKK. The Ku Klux Klan promised to turn the United States to a holy place again. A place were “darkies were obedient,

Her clothes spread wide, And, mermaid-like/ awhile they bore her up, Which time she chanted snatches of old lauds, As one incapable of her own distress/ Or like a creature native and endued/ Unto that element. But long it could not be/ Till that her garments, heavy with their drink, Pull'd the poor wretch from her melodious lay/To muddy death” (Act 4 Scene 7).

And it was near The Broken Sea that he found a young water maiden, her clothing and body torn by abuse and depravity. Crying out in despair, Aspian took her into his arms and he wept for her innocence lost. The water maiden ghosted

During the Medieval times of England, society was created as a pure patriarchy by the Christian church, and nearly everything was made male-dominated where the men held the power and their female counterparts held little to no power at all. Arthurian texts such as Sir Gawain and the Green Knight showcase many of the characters mostly following these traditions with the men being portrayed as strong-hearted knights who follow a code of chivalry, and the women as passive and submissive beings to the men. However, Arthur’s half-sister Morgan Le Fay is featured in Sir Gawain, and she does not play any parts given to her as a woman, as she is portrayed as an enchantress and an evil, manipulative woman, which is an archetype that was given to women who did not follow their given gender roles. Morgan Le Fay subverts the traditional roles for women by having her own power in the play, and overall presents herself as the antithesis to the church and the patriarchy of the Medieval times.

Women from the medieval times had clear roles. The women had strict rules to follow by. When it came to marriage, the wives had to submit to their husbands and follow their lead. Women were supposed to be cleaning, stay at home with the kids, cook, make clothes, etc. The women who steered away from these “typical” roles, made very interesting characters. The majority of gender expectations came from the church and biblical history. Since Eve was the cause for the fall of man, there were a lot of anti-feminist feelings. Women were held accountable for the majority of man’s suffering, and were consequently inferior and to be dominated by men. Purity, holiness, and chastity, were all presumptions of women from outstanding role models like the Virgin Mary.

A close reading of the Sir Gawain and the Green Knight reveals a very antifeminist view. The poem, told in four parts, tells of common medieval folklore. The stories seem to be of different plotlines, but start to intersect in interesting ways – that is, the character of Morgan Le Fay begins to frame the stories together. The half-sister of King Arthur, she holds intense hatred for her half-brother and his court. It is her thirst for the downfall of Camelot that makes this character infamous, and, surprisingly, her success and the strength of her ability that give a bad name to women. Through the examination of Morgan Le Fay’s character, it is clear that a successful woman is always an illusion.

The man attempted to beg for mercy, plead for his life to be spared, he even tried to barter with

She is the most perdurable female figure in King Arthur and his Knights. Without her the suspense and the plot flow could not have been achieved. Her influence has enabled her to penetrate into men’s world a trait that distinguishes her from the rest of the women. Knights are referred to as the queen’s knights. We could say the same of the ladies who accompany the queen and keep the knights in good company (pg.52) .Queen Guinevere, as the King’s wife, is acknowledged by males.

The portrayal of men and women has varied in different stories throughout history. Many portray women as beautiful, deceptive, manipulative, and smart, while men are portrayed as being strong, masculine, and easily tricked. In many of the works covered in the course “Major British Writers to 1800,” men are advised to refrain from acting lustful, believed that it would harm their overall ability to succeed in whatever the characters aimed to do. An example of this is seen in “Sir Gawain and the Green Knight” when Gawain is deceived by Lady Bertilak in an effort to prove that Sir Gawain is imperfect. The depictions of men and women are very similar in Fantomina by Eliza Haywood, Sir Gawain and the Green Knight, and Phyllis and Aristotle. .