Example Of Hubris In Oedipus

Oedipus’ pride and a heightened sense of confidence is very conspicuous throughout the play Oedipus Rex. From the beginning of the play, Oedipus accepts the idea that he can avoid the prophecy given to him by the gods. Oedipus is also seen interrogating Creon and attempting to banish him with Tiresias towards the end of the play because they are saying facts corresponding to the prophecy. He tries to become like a god himself by thinking he could control his own fate. Although Oedipus’ pride can be justified by his accomplishments of being king; the tragedy of Oedipus is the pure result of his overwhelming pride because he killed his father, mocked Tiresias, and blinded himself.

In Greek mythology, hubris means to have excessive self confidence or pride. In The Odyssey, we often see Odysseus getting into trouble because of his hubris. There are many examples where this flaw is exhibited. These include when Odysseus defeats the cyclops Polyphemus, when he and his crew sail past the sirens, and when he got the bag of winds from Aeolus. Hubris leads him to disregard the Gods, and make unwise decisions because his pride blinds him of his ability to see the consequences in making those choices. Odysseus’ hubris also makes his trip home harder and longer than it had to be.

The Greek drama “Oedipus The King” evidently leads to the unveiling of a tragedy. Oedipus, the protagonist of the play uncovers his tragic birth story and the curse he had been baring his whole life. Oedipus is notorious for his personal insight that helped him defeat Sphinx, which lead him to becoming the king of Thebes. He is admired by the people of Thebes and is considered to be a mature, inelegant and a rational leader. From his birth, his story began with a prophecy that Oedipus would grow up to kill his father and marry his mother. Through out the play numerous people, who tell him of his unknown past, visit Oedipus. Blind to the truth he casts them away until a blind man named Therisis gives a sight of truth to Oedipus. As Oedipus learns the truth he realizes the great evil his life carries. After finding his wife and also mother hung in her bedroom, Oedipus blinds himself with the gold pins that held Jocasta’s robe. Oedipus blind to the truth is finally able to see when the old blind man visits him and tells him the truth about his life. Both metaphorically and physically sight plays a significant role in understanding the irony of a blind man seeing the truth while Oedipus who isn’t blind doesn’t seem to the truth that’s right in front of him.

“Pride leads to every other vice: it is the complete anti-God state of mind.” says the writer C.S lewis. Indeed this is evident in Sophocles’ Oedipus The King. The rather disturbing events that takes place during the play. The pride of Oedipus, the tragic hero of the play, sets off a chain reaction of events that could have been avoided if Oedipus kept his pride in check. However, he can not and his ego inflates to the point his persona can only be described as a mental disorder. Through analyzing Oedipus’ behaviour and his interactions with the other characters in the play, it can be concluded that he suffers from Narcissistic Personality Disorder.

In the scene where Oedipus sends for Tiresias, the blind prophet, Tiresias says to him, “So, you mock my blindness? Let me tell you this. You with your precious eyes, you’re blind to the corruption of your life” (Oedipus Rex Line 468). It is pretty ironic actually, that a blind man can clearly see Oedipus’s corruption when, Oedipus himself is left unaware. In most cases of hubris behavior the individual believes they are so prideful, they actually believe they’re on the same level with God. It is clear that Oedipus has the same perspective of his life, and of his power. Hubris behavior is a tragic flaw, in which the individual is only setting themselves up in order to fall.

"Oedipus the King" written by Sophocles, is a powerful Greek tragedy story. The protagonist, Oedipus is a heroic mythical king who had it all. Oedipus pursues to find the true answers to his identity and destiny, while at the same time trying to avoid fulfilling his destiny.

Greek theater encompassed many aspects that reflected the moral values and ideals of society. Their customs were tightly woven into the scripts of plays. Antigone and Oedipus the King, two renowned works of the Greek playwright Sophocles, explore these values through a plot thick with corruption, virtue, and determination. These plays reveal the burdens two Theban kings, Oedipus and Creon, as their lies and poor judgment corrode the integrity of their city, their families and themselves. Possessing a strong faith in their respective gods, the characters of these Greek plays are often led astray as they try to escape the twisted hand of fate, further warping their perception of reality. As their vain

621 ln. 149-150) after Creon tells him why they stopped searching for Laius’s killer. Dramatic irony is present when Oedipus tries to skirt the horrible prophecy of him killing his father and coupling with his mother, because in fleeing Corinth to avoid murdering Polybus, he is actually taking the correct path to fulfill the prophecy. Again his overconfidence and pride contributes to his impending doom; in believing that he has outwitted the gods he challenges his fate. Although he has enough reverence to the deities not to assume himself to be an equal with the gods, but greater than them it is clear through the word usage that Oedipus perceives himself to be of a greater importance than the lesser mortals that surround him “One of you summon the city here before us, tell them I’ll do everything. God help us, we will see our triumph-or our fall” (p. 621 ln. 163-165). He is conceited to think that he can shape his own destiny and the gods punish him for this arrogance.

Oedipus coming into Thebes defeated the Sphinx and saved the city. The people of Thebes praised him for this feat and made him their king. They viewed him as their great savior who could was so magnificent he could do anything. Obviously, this could boost a person’s ego and make them very proud. Oedipus is very aware of how important he is by announcing “Here I am myself- you all know me, the world knows my fame: I am Oedipus.” This is ironic because everyone will know his name for different reasons at the end of the play. In addition to this, Oedipus put himself above his people by stating “…you are sick to death, all of you, but sick as you are, not one is sick as I.” Which is also ironic because he is the reason for his people’s sickness.

In the climax of Oedipus the King, Jocasta hangs herself in shame at marrying her own son and Oedipus follows by gouging out his own eyeballs, rendering him sightless once he finally saw the truth. He is so despaired that he claims “If there is any ill worse than ill, that is the lot of Oedipus” (179). He is then banished from his kingdom of Thebes, “now hated by the gods” (185). Alone, sightless, and devoid of the respect and honor he once had, it seems apparent that Oedipus’ life has been permanently ruined all due to his hubris. Considering that Sophocles was making one of the most impactful warnings against hubris in literature, he probably hoped that this was the exact message his audience would receive. However, one would be incorrect to simply assume that hubris robbed Oedipus of any peace he could ever achieve. In the second play of the trilogy, Oedipus at Colonus, Oedipus begins in the sordid state he was left in at the end of Oedipus the King, but “by the end, we see him protected and honored by Athens, triumphant over his enemies, and apparently rewarded by the gods with everlasting well-being after death” (Ahrensdorf 167). Oedipus has clearly experienced quite the transformation, from ignoble outcast to revered figure blessed by the gods he once disrespected. Quite a different message can be taken from the ending of this play as compared to the previous one. Hubris may have caused immense pain and loss, but it was not the end of Oedipus’ happiness, no matter how dire circumstances may have seemed for years of his life. Instead, Oedipus was able to find honor and peace in death. Once again, this ancient text indicates that hubris is a tragic flaw that people can rise above in the

"Overview: Oedipus Rex." Drama for Students. Ed. David M. Galens and Lynn M. Spampinato. Vol. 1.

“Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the

Oedipus the King is perhaps one of the most famous and influential of Sophocles' plays. It is a tragic play which focuses on the discovery by Oedipus that he has killed his father and married his mother. On the surface of this drama there is, without a doubt, a tone of disillusionment.

Oedipus’ destiny or fate had little to do with his downfall. The prophet told Oedipus that he was destined to kill his father and marry his mother, but the prophet never mentioned Oedipus murdering Laius on the highway, or solving the Sphinx’s riddle, or accepting and taking advantage of his kingship. Oedipus blinding himself was an example of free will, “for he removed from…[Jocasta’s] garment the golden brooches which she was wearing…” by choice “…and struck the sockets of his own eyes..” blinding himself Free will and hubris, according to the ancient Greeks, were separate from unavoidable fate. Oedipus’s fate was to kill his father and marry his mother. However, everything else, including fleeing Corinth, solving the Sphinx’s riddle, and finally pursuing the truth about his life, was by his own free will, a direct result of his ego and pride. Oedipus Rex is a story about the dangers of pride and arrogance, one teaching about the importance of humility and tolerance, and one stressing about the control of hubris, a potentially perilous quality that destroyed Oedipus’s vision and his life.

The first quality of Oedipus that justifies him as a tragic hero is in his lack of self-knowledge. Oedipus can be seen has someone who is not genuinely satisfied until he or she solves all of his life’s puzzles and the last riddle of his life. Oedipus physical strength gave him a great opportunity to be the king. This physical strength which he possesses and misuses also marked the beginning of his downfall. In the beginning of the play Oedipus has perfect vision; however, he is blind and ignorant of the truth about himself and his past. As a result; he gains too much pride and confidence and starts to believe he is impalpable. He desperately wants to know, to see, but he can’t. His actions must somehow overcome his blindness. Ironically, into the play a prophet was introduced, a seer, Teresias, who is physically blind, but who is clairvoyant. Teresias says to Oedipus, I tell you, no man that walks upon the earth/ shall be rooted out more horribly than you (S1. .1117). This describes Oedipus as a man ignorant to the true appearance of things, this blind man could see the truth about Oedipus, yet Oedipus in all of his physical strength cannot.