Example Of Romantic Comedy

In the world of film, there is usually a stereotypical role for each gender. For example, the man is usually portrayed as the hero and the woman is in some sort of distress and needs to be saved. Women in movies are generally shown as weak and needing a man to survive. For example, in the Disney movie “Cinderella”, Cinderella lives a horrible and unhappy life until she meets Prince Charming. When Prince Charming rescues Cinderella, they fall in love, she becomes happy, and they live happily ever after. There are a few movies out there, though, which show the opposite. Both “She Done Him Wrong” and “Scarlet Street” are films that portray the main female characters, Lady Lou and Kitty March, as strong and independent women, both acting how

The use of romantics helps mold the story together. By being displaying during the duration of the story it allows better understanding. There

The Romance Narrative is rife with traditional literary tropes. If you’ve read such tales as swashbuckling wandering knights facing magic dragons and other such impossible odds, then you have an idea of what this genre is about. The tradition dates back to the epic, and can be seen in early mythological tales such as the Illiad, or the Odyssey, and early English stories like Beowulf, Sir Gawain and the Green Knight, or the Arthurian tales. They include adventure and fantastical elements; heroes battle villains to determine if good can triumph over evil.

In Western genre, women are repeatedly portrayed as either the helpless damsel in distress or the wild saloon girl. Most Western movies have elements of a gunfight,rivalry, redemption, and/or romance written into the script. A large percentage of the stereotypes of the American West comes from these exaggerated characters and storylines. Very rarely do western films present a strong female lead. When they do, there is frequently a subplot of romance written into it. Few Western genre and cinema portray the true nature of what women in the West were like.

In the article, “Types of Women in Romantic Comedies Who Are Not Real”, actor and writer, Mindy Kaling, classifies the women’s roles from classic romantic comedies, while a critical analysis piece over the genre as well. Starting the article, She discusses her inspiration for the piece itself, furthermore expressing her love for romance, as well. Throughout the article, she separates the different types of women in these roles, whether it’s the obnoxious glamour girl, or the girl with an amazing personality, in latent terms, the difference between “The Klutz” and “The Ethereal Weirdo.” By the end of each example, she differentiates how cliche the storyline of the female character

Many romantic films do not have fairy tale stories or happy endings, although love serves as a shield against the harshness of the real world. Romantic films often elaborate the main theme of love at first sight. Romanticism refers back to the romantic characters of the Middle Ages and also modern films. Romantic love on film is a universal human experience that produces intensely powerful, strong feelings. Romantic Literature has had a strong influence on modern day films through pathos, folklore, and love.

Romantic Comedy is the movie genre of happy endings. Two people meet, fall in love unexpectedly, ran into a problem, and then everything somehow works out in the end. Romantic comedies have a light tone and incomplete without a humorous touch. It is a recipe that never gets old. Romantic comedies captures many girls and women from around the world. It gives them hope that they will soon find prince charming too. The only downfall of romantic comedies are they are not realistic. No real love life is that wonderful. One of my favorite movies that represents this genre is Sleepless in Seattle.

Serendipity, How to Lose a Guy in 10 Days, Pretty Woman, Overboard, and Bridesmaids. What do all these movies have in common? For one, they are all obviously romantic comedies. But, what makes them romantic comedies? Probably the most obvious trait they share is that each of these movies creates a lighthearted, whimsical, and amused feeling for their viewers.. There are no times during the movies that the audience feels uneasy or confused. The filmmakers for these movies also creates characters that the viewers like and root for. For these reasons, Punch Drunk Love is not a romantic comedy. When compared to the previous examples it’s clear that Punch Drunk Love does not provide any of the traditional romantic comedy feelings. In fact, it makes the viewers feel anxious and very confused. Additionally, the main characters are much different: they are awkward, to say the least, and the audience does not relate to or like them. Clarity, light heartedness, and a positive relationship with the characters are important assets to be considered a romantic comedy.

Romantic comedies are one of many exuberantly entertaining genres of fine arts. Romantic comedies typically follow identical plot line structures, but they do not have to follow the same plot line. All romantic comedies differ in some sort of form or fashion. The play As You Like It by Shakespeare and the movie Just Go With It staring Adam Sandler, Brooklyn Decker, and Jennifer Anniston are both romantic comedies that differ dramatically in terms of their build up until the main characters are wedded. In Just Go With It there is a love triangle where the main character doesn’t realize his true love until he is about to marry the wrong woman. In As You Like It the main characters fall in love at first sight and get married in their second “official” encounter with each other. Although the build up in each movie varies dramatically, the uniqueness of the female heroine, Rosalind, in As You Like It is the main difference between the two romantic comedies. This causes an uncommon romance plot in As You Like It.

Over the years the romantic genre has been toyed with, trying to make films to suit a wider ranged audience. This is how more sub-genres of romantic films were gradually produced. They would mix other genres in with the romantic genre so films had more variety and suited more people’s interests. Most romantic films are now of sub-genres rather than just the plain romantic genre.

          1.     Romantic literature everywhere includes themes such as: imagination was praised over reason, emotions over logic, and intuition over science—making way for a vast body of literature of great sensibility and passion.

Rebecca by Daphne du Maurier is a fine example of the romantic genre as it reflects certain conventions such as the hero and heroine?s characteristics. It also subverts many romantic conventions for example, the journey to happy ever after. Conventions of the gothic/horror genre are also found in the novel.

Double deception is the name of the game in this Romantic Comedy starring Kate Hudson and Matthew McConaughey.

In addition, romantic comedies also give the wrong impression on relationships. If viewers are getting the wrong idea about love itself, then that leads them into expecting more out of relationships as well. “Almost every romantic movie is generally targeted toward women and has the same basic format: Boy meets girl, mutual feelings develop, conflicts arise and are overcome. Then, the story concludes with a happy ending as the two characters live happily ever after together” (Hefner). The article “Contradictory Messages: A Content Analysis of Hollywood-Produced Romantic Comedy Feature Films”, written by Kimberly Johnson and Bjarne Holmes, explains a study that they had conducted together. Their study analyzed the romantic content of a sample of 40 romantic comedy

Romanticism is broken down to its fundamentals in the YouTube video, “How Romanticism Ruined Love,” by the channel, School of Life. The speaker of the video starts by explaining the essentials of romanticism by acknowledging that even though no couple has