Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,
Metamorphosis is a remarkable novel that has spanned numerous themes; from alienation to the absurdity of life. And one of the major themes is that of the abject. The abject, by definition, describes something brought low in position or condition, lacking in courage, or simply rejected. In short, the abject is a recurring theme throughout Metamorphosis – both literally; in the form of Gregor’s grotesque physical form, and metaphorically; in the way Gregor reacts to and is treated by his family. Thus the significance of the abject on Gregor and his family will be the basis of analysis in this essay.
Grete undergoes a change in perspective to such a degree that by the end of the novella it is she who declares, “we must get rid of it” (84). This change in perspective shows how Kafka believes that members of society often stop sympathizing with the isolated group when it becomes inconvenient for them to continue doing so. Gregor’s mother reacts in an initial manner somewhere between the father and sister since when first seeing him she “went two steps toward Gregor and collapsed right in the middle of her skirts” (23). These conflicting desires continue through the novella, such as when Mr. Samsa tries to kill Gregor, “she begged him to spare Gregor’s life” (65) but at the same time she is repulsed by him. This illustrates how she wants to help him and tries to think of him the same way she did before his transformation, yet is unable to. This resembles the idealists in society who theoretically support the alienated person but often succumb to social pressures when they are forced to face the problem. These three reactions to Gregor’s transformation as a result of the initiation of his isolation by the manager demonstrate the spectrum of reactions. From the immediate acceptance of the hierarchy represented by Mr. Samsa, to the true compassion of Grete and the idealism of Mrs. Samsa, Kafka shows how a wide variety of reactions is expected from society, and how people often change their opinions.
Gregor's life as an insect, or vermin, as he described himself, is a metaphor for feelings of alienation and isolation that existed long before his transformation. Gregor’s loss of humanity in the eyes of his family condemns Gregor into what he describes as an “imprisonment” that restricts him from any of the comforts and securities of human interaction.
In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.
Would it be more difficult to be told by your father that the world is full of hate because of your skin color or to not be able to communicate with those around you? The Metamorphosis, by Franz Kafka, and Between the World and Me, by Ta-Nehisi Coates, both deal with the alienation of a person or group of people. To be looked upon as somebody who does not fit into society, can cause people to feel remote and isolated. The negative impact of this isolation is not only damaging to the person but to society as a whole. This isolation, like in Coates’ modern day biography and Kafka’s dated book, is something people today experience in all walks of life and for many reasons.
“The Lottery” by Shirley Jackson and an adaptation of “The Metamorphosis” by Peter Kuper are valuable short stories that are worth a close evaluation of. A comparison and contrast of the theme alienation in both stories would lead to a more thorough understanding of the messages behind the texts. The purpose of this essay is to answer the question on “what insights do we gain into the course theme of alienation when we read both “The Lottery” and “The Metamorphosis” side by side?” Gregor Samsa in “The Metamorphosis” by Peter Kuper and the townspeople in “The Lottery” by Shirley Jackson are similar in that they both reveal a passive approach to alienation that ultimately leads to the growing of alienation; the alienation is different for Gregor and the townspeople in terms of how active they participate within their community determine their likelihood of being marginalized. Gregor’s minimal expression of his feelings towards his family alienates and marginalizes Gregor from his family. The townspeople’s active participation in the lottery, however, contributes to the severity of alienation within the town. These two stories attempt to tell us that alienation and the failure to take initiative to resist oppression are interconnected. This essay will compare Gregor Samsa and the townspeople’s passivity and also explore how taking on an active and inactive role in their story’s context would foster different types of alienation.
In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The
Kafka utilizes a new narrative perspective in the last passage of his work to expose the one-sided love between Gregor and the rest of his family. The majority of the story had been told in a free indirect discourse restricted to the mind of Gregor. In this position, Gregor’s humanity —despite his inhuman exterior— and his genuine love for family is revealed. As the only source of income for the family, he works with every fiber in his being to overcome the debt that plagues them, as “He felt great pride at having been able to give his parents and sister a life like this in such a beautiful apartment” (411). This compassion is clearly not reciprocated when the narration shifts to the remaining family following Gregor’s demise. Instead they critique the shelter that Gregor
The Metamorphosis (Die Verwandlung 1912), Franz Kafka’s best known short story, is a master work of incredible psychological, sociological and existential malaise. Although his points are simple and straightforward, this richly layered and textured story is open to many interpreta-tions, making it complex, yet critical to decipher. There is an incredible amount of theories based off of what this story could possibly symbolize or represent, but it is of the autobiographical in-terpretation that is undeniably the most enlightening. This interpretation allows the reader to gen-uinely understand the tale on an intense level that would not be able to be reached, otherwise. In order to gain true insight on the autobiographical approach to The Metamorphosis, a brief examination of his life is required; his thoughts, his beliefs, the acknowledgment of the cruel circumstances of his life, especially his home life, must be made clear that the anguish of his own world is the model for the themes in his stories.
In our interactive Oral we discussed about Franz Kafka’s Metamorphosis, through point of time and place matter, the relation to the society, the culture and experience and the technique in the work, I learned about the society oppressive expectation can lead an individual to loss in identity
When individuals are rejected by family and society, they tend to feel abandoned and unloved. In Franz Kafka’s, The Metamorphosis, Gregor’s transformation into a “monstrous vermin” (Kafka 1) results in him being psychologically and even physically abused by his family. Rejection from his mother, sister, and father leave Gregor feeling unwanted and feeling as if he is a terrible burden on the family and their well being.
Analysis of the story “The Metamorphosis”, by Franz Kafka was written back in the early 1900’s, but reflected a more modern way of thinking and lifestyle of today. Gregor felt that he was a slave to his job, isolated from his co-workers, and misunderstood by his family. Although that is the norm in today’s society, it was not the norm back then. In the story Gregor finds himself transformed into a cockroach and his internal struggles become a permanent reality. Kafka’s choice of the family member to play the role of the cockroach was necessary in portraying the curse of the working man only living each day in hurried lifestyle with no freedom.
The deeper meaning of “The Metamorphosis”, by Frank Kafka, can be interpreted in many ways depending on critical theory is used to examine it. From a feminist criticism, one can observe how Gregor’s dominance as a male diminishes after he becomes a bug as his sister’s strength and role in the family grows stronger. From a biographical criticism, one can compare and contrast the traits of Gregor and the people around him with that of Kafka’s own life and his relationships. However, the focus of this essay will be applying a psychoanalytical criticism to the characters in “The Metamorphosis”, using the studies of Sigmund Freud to approach