Diana Gonzalez
Ms.Stinnett
English IV Honors
11 April 2018 The Root of Evil
Nature seems to reflect upon humans and often times it can be through animals. In literature, animal comparisons are not only used to symbolize different characteristics, but to also make the plot more dramatic and interesting. It is often used by many authors because it gives the reader a vivid image as well as an understanding of the character. The use of this literary device is a clever way to expose underlying motifs and traits. In William Shakespeare’s play, Othello, animal imagery is used to portray the themes of good versus evil, jealousy, and racism which is influenced through the characters of Iago and Othello.
Throughout Othello, there
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It the only thing that makes him estranged from all the other characters. In the opening scene of the play, Shakespeare “exoticizes Othello with [his] references to him not by name but as, "the Moor," and as an "extravagant and wheeling stranger" (1.1.58 and 1.1.37)”(Aubrey 1). During that time black people were slaves which is why the racism in Othello was definitely racism and one of Iago’s forms of control. Othello earned his status despite his physical appearance, so its lowering to use that description of Othello when he is more than that. Furthermore, not only is Othello being outcasted in the play but also to the audience. It is set by Iago that the idea of a black man and a white woman together is inhuman. He constantly uses derogatory terms to describe to Brabantio To corrupt Othello and Desdemona’s relations. Iago claims that Brabantio will “have [his] daughter covered with a Barbary horse. [He’ll] have [his] nephews neigh to [him]. [He'll] have coursers for cousins and jennets for germans” (Act 1 scene 1 line 125-127 )if he does not do anything to stop them. Iago says this to describe to Brabantio what his mixed would look like. Moreover the animals he uses are not pure breeds which is what he want to emphasize to Brabantio that the act itself of Othello and Desdemona being together is bestial nut having his grandkids being mixed is something that Brabantio cannot stand to think about. Iago …show more content…
"Race and the spectacle of the monstrous in 'Othello.'." CLIO, vol. 22, no. 3, 1993, p. 221+. Student Resources In Context, http://link.galegroup.com/apps/doc/A14212950/SUIC?u=cps&sid=SUIC&xid=884236bf.
Accessed 6 Apr. 2018.
Cowhig, Ruth. "Blacks in English Renaissance Drama and the Role of Shakespeare's 'Othello'." Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry, edited by Mark W. Scott, Gale, 1992. Student Resources in Context, http://link.galegroup.com/apps/doc/EJ2126700032/SUIC?u=dove10524&xid=714df15e. Accessed 21 Mar. 2018.
Kolin, Philip C. “Othello.” Google Books, Routledge, 2002, https://books.google.com/books?hl=en&lr=&id=VTbYAQAAQBAJ&oi=fnd&pg=PP1&dq=othello+shakespeare+race+essays&ots=zuKoMbb9EH&sig=TDstTvg5rMQyruIISHQkrflvmss#v=onepage&q=othello%20shakespeare%20race%20essays&f=false
Ryan, Kiernan. “Racism, Misogyny and 'Motiveless Malignity' in Othello.” The British Library, The British Library, 15 Mar. 2011, https://www.bl.uk/shakespeare/articles/racism-misogyny-and-motiveless-malignity-in-othello
Shakespeare, William. Othello. New York: Simon & Schuster, Inc., 2009.
In many of his works, William Shakespeare explores ideas of gender differences and racial tensions. Othello, a play whose characters are judged again and again based on appearances and outward characteristics, is one such work. The protagonist's different ethnic background provides a platform for probing ideas of racial conflict. Similarly, the presence of well-developed yet opposing female characters adds a dimension of gender conflict and feminist views. These seemingly separate themes of Othello-sexual difference and racial conflict-are closely connected because of similar ties of prejudgment and stereotype. The play's treatment of sexual difference and gender roles strengthens Othello's racist tones
In literary works, cruelty often functions as a crucial motivation or a major social or political factor. In the play Othello by Shakespeare cruelty functions as a crucial motivation, creating a theme of being careful with who can be trusted because, you never know if they’re telling the whole truth. Throughout the play, diction, dramatic irony, and characterization were used to further emphasis the theme.
Racism is a theme that is prominently evident throughout Shakespeare's Othello. Through this theme, there are several perceptions of an individual's race which are exhibited to establish the
• A fear of foreigners during Elizabethan times fostered misogynistic and racist values, which is evident in the way Othello’s blackness becomes a symbol of alienation to which all characters in the play must respond.
Even Brabantio, Othello’s own father-in-law, displays disdain toward Othello for marrying his daughter, in his calling him a “lascivious moor.” Also there is a particularly strong conversation between Iago and Barbarantio, in which Iago states “an old black ram is tupping your white ewe. Arise, arise; Awake the snorting citizens with the bell, Or else the devil will make a grandsire of you.” This statement shows a great deal of hatred toward the marriage of Othello and Desdemona. Iago is saying that if Desdemona were to have sex with Othello, “an old black ram”, it would defile Desdemona’s pure nature, “white ewe” (ewe being a lamb). This is not so much the act of the two people sleeping with each other as it is the fact that Othello is of African descent. Why else would Iago refer Desdemona as the “white ewe” and not just and ewe. The white part seems to display purity in Iago’s eyes. Also there is the part about the devil making a grandsire out of you. This is talking of how Desdemona and Othello’s children would be of a mixed race, of which Barbarantio would be the grandfather. Another racist comment Iago makes to Barbarantio of the interracial marriage of Desdemona and Othello is, “…You’ll have your daughter covered with a Barbary horse. You’ll have your nephews neigh to you. You’ll have coursers for cousins and gennets for germans.” This refers to Othello as a Barbarian, or African, horse who will climb
It then hit me that through Iago’s judgments Othello is “the Moor” and should therefore exemplify the common idea of a moor, which is not admiration, self-worth, and fortune; it is one of disconnectedness and dependency. When he says that “nothing can or shall content his soul/ Till he is evened with the Moor, wife for wife” (Act 2: Scene), he means that he is satisfied until Othello’s life is made equal with his involving feelings of inadequacy and jealousy, which are all qualities fitting to a “moor”. Throughout the play Iago repetitively uses derogatory remarks when speaking of Othello so to encourage certain people in the play to endure racism and confirm that it was the norm. Even so, some of Iago’s semantics reveal his own prejudices. For example, Iago only refers to Othello as a “Moor” with the exception of when he refers to Othello as the “black Othello” (Act 2: Scene 3). Iago hates Othello because he is “the Moor” yet does not symbolize the expected role of what is thought of to be a black man in these times. There is neither reason nor logic behind his hatred, but discrimination against one seldom has reason, for it is characteristically irrational thinking. Iago is a clear illustration of what racism is and will justify his irrational thoughts with anything, just as Iago contributes to Brabantio and Rodrigo’s reasoning behind their actions and Othello’s reasons for acting out on
When Iago makes a point of including Othello’s race in a conversation with a confidant, it proves that he feels that Othello’s race is the reason for his actions. There is an obvious abhorrence for Othello based upon his race. Later in the play, Iago goes on to say “If she had been blessed, she would never have loved the Moor” (Reading and Writing Across the Curriculum “WRAC” ). This statement shows that Iago is jealous of Othello because he won the love of Desdemona and is cause for insecurities on his part. Iago must now question his marriage and whether or not Othello is cause for infidelity. These insecurities act as extra motivation for Iago’s actions.
The issue of race is one filled with controversy and passion, even today in the twenty-first centaury. In today’s day and age it is more shuttle and underground then it was in its most recent ‘hay-day’. In our time today we see it as more of a shameful, offensive and intolerant thing, but it was the norm in the early 15th and 16th century. Today those people that are outwardly racist are seen as outcasts. In this essay I will tempt to show how even though it was the norm in Victorian England, Shakespeare already had another mind set, and was trying in this creative way that the mind set of the people was not correct even for that time. How and why did Shakespeare purposely portray Othello the Moor as a tragic hero, like Hamlet or King
Othello or The Moor of Venice by William Shakespeare is a tragedy of race. Shakespeare creates a hero who does not fall under a racist stereotype, Othello is a nobleman, a decorated soldier, very well respected by his men (with the exception of Iago). One of the few characteristics that harms, rather than helps him, is that he is dark-skinned in a society utterly dominated by men prejudiced against those with dark skin. At the start of the play, he appears confident that, "My parts, my title, and my perfect soul / Shall manifest me rightly." (Shakespeare, 1, 2, 36-37) But Iago makes sure to use Othello's race against him as much as possible. As a brave soldier from Africa and recently instated supreme commander of the Venetian army, Shakespeare still allows Othello to succumb to the subtle racism that surrounds him. Most of it comes forward through the dialog, and is directed toward Othello. Shakespeare makes no effort to hide this colorful language, nearly every character uses a racial slur to insult Othello at some point in the play. Even Emilia, who doesn’t trust her own husband, sinks to the level of insulting Othello based on the color of his skin. Though the main character to make racist remarks in Othello is Iago, making him a representation of white supremacy. The effect of racism on Othello is quite evident and is one of the main causes of his insecurity about his marriage. These black stereotypes show up in the play and lead to the problem with trying to produce
The fear of interracial marriage in Venetian society is used by Iago in an attempt to alienate Othello. Othello himself acknowledges the fact that interracial marriage is frowned upon and that racism still applies to him despite his position. A common attitude in Venetian society is that black men and women are inhuman and animalistic in nature; Iago capitalizes on this idea in order to aid his plan of antagonizing Othello. Brabantio, Desdemona’s father, is a prime example of the attitude of Venetian society as a whole, in the sense that he “loved” Othello as long as he remained a servant of Venice and would rather Othello not intermingle amongst the Venetian society. Initially Brabantio “oft invited [Othello]” to his home and “queston’d [him] the story of [his] life”, showing an admiration and sincere interest for Othello’s
Although Othello is set in Venice and Cyprus, the attitudes and values shared in the text are probably reflective of the attitudes and values of Shakespeare's own society. It is difficult to assess the attitudes and values of people in sixteenth-century Britain to the relatively few blacks living amongst them. We are given an insight into those attitudes and values through the representation of race and
Brabantio shows his racist ways clearly here; he feels that his daughter could never love Othello unless she had been somehow tricked! When one looks deeper into this mindset we understand how loving Othello, the Moor, could be seen as such an issue to her father. Then and even today color is associated with, “sin, damnation, and eventually, sexual promiscuity” (Hall, 182). White on the other hand is associated with, “purity, virginity, and virtue” (Hall, 183). For Desdemona to love Othello she must give up her innocence. For a “pure” and “virtuous” woman to love a man such as Othello she must be a “sinner” and a “whore.” This “realization” of his daughter’s lack of purity causes Brabantio to die due to pure grief as Gratiano explains to us:
In the play Othello written by Shakespeare, the issue of racism is addressed. Othello, the protagonist of the play, is African American or black. “According to Lois Whitney, many of Othello’s specific attributes probably derive from Shakespeare’s reading of Leo Africanus, whose Geographical Historie of Africa which was translated and published in London in 1600”(Berry, 1990). Many critics have different views on this. “If Shakespeare depended upon Leo Africanus for such details, he must have been much more interested in racial psychology than critics such as Bradley or Heilman suggest”(Berry, 1990). One of the most prominent features of this Shakespeare play is the
The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialog. This racism is directed toward Othello, a brave soldier from Africa and currently supreme commander of the Venetian army. Nearly every character uses a racial slur to insult Othello at one point in the play. Even Emilia sinks to the level of insulting Othello based on the color of his skin. The character that most commonly makes racist remarks in Othello is Iago. It is very apparent that Iago uses racism as a scapegoat to hate and blame Othello. Societal racism takes its toll on its victims. The effect of racism on Othello is quite evident and is one of the main causes for
“Othello” is a tragic play of jealousy, racism and struggle for power. Right from the beginning, Shakespeare has created vigorous dialogue and conflicting situations. There is a direct contrast between black and white in this play, with black meaning something negative and evil and white meaning pure and fairness. The clash between these two colours leads to severe hatred and enmity between a few people.