Examples Of Anti-Hero In Inception

All fictional heroes share the fact that their mindset changes through adversities in order to reach fulfillment. For example, Odysseus is considered an unconventional hero because he killed and or scarred many creatures that prevented him from going home. On the other hand, Rainsford is also considered an unconventional hero, but he didn’t have powers like Odysseus to kill his hunter (General Zaroff) instead he used his intellect. In addition, the archetype heroes of war are portrayed in Odysseus and Rainsford because yet endure hardships through creatures and or people. Although Odysseus and Rainsford share their differences in the development and growth of their mindset, they eventually find their destiny as becoming altruistic. In summary, methods and approaches taken by the heroes based on their obstacles can help us identify comparing key points as well as contrasting in fictional heroes. At the end of the day, all heroes fictional or not will be portrayed as being selfless through their change of

So, who is the villain-hero? This villain may start out at the beginning of the story as a hero, or he may possess heroic characteristics, such as charisma, or he may have a

There is no doubt that the popularity of the anti-hero as we know it has increased in recent times. With unlikely, yet popular moral gray protagonists like Jack Bauer, Dexter, and Gregory House leading some of the most popular TV shows and characters like James Bond, Lisbeth Salander, Tyler Durden (from Fight Club), and Jack Sparrow being some of the most memorable in movies, it is not surprising that there has been an increased interest to understand what causes this characters to be so popular (Peter Jonason in et al., 193). What is it that makes them as likeable, if not more, than a normal hero? How come we relate to characters that perform actions that, if done in real life, would cause us to see them in a whole different light?

The concept of a hero has been around for many generations, and the meaning of a hero is defined in ways people grasp its idea. A hero can be a person who has a superpower and is willing to make a personal sacrifice for the benefit of others or can be an ordinary everyday person who just wants to help people out of his or her own heart. Linda Seger’s article, “Creating the Myth,” tackles the idea of a “Hero 's Myth,” and shows the ten steps of how heroes are transformed from an ordinary person to the Savior. On the other hand, Robert B. Ray piece titled, “The Thematic Paradigm,” emphasizes that in modern films, it is either having an “Outlaw Hero or an Official Hero,” which he uses three stages to demonstrates how they are different each other in the way they perform in the society. Further, the article, “Out of Character: Wonder Woman’s Strength Is Her Compassion - What Happened?” by Stevie St. John, explains how Wonder Woman was viewed as a compassionate woman in the 1940s and 1950s, and in the 2000s she changes into a more violent person. In this essay, I argue that a hero is subjective, and is defined by the villain or event that they had to adapt to suddenly.

The Villain archetype is a character whose main purpose is to oppose the hero or who the hero has to defeat in order to bring justice. Assef represents evil in every aspect of his personality and his main purpose is to oppose Amir. At a young age Assef bullied and tormented both

Hero. Hero comes from the greek word heros meaning “A person who faces adversity, or demonstrates courage, in the face of danger.” Growing up we have always read stories about heroes coming to save the day; for instance, Captain America. Being that our whole lives we were mostly exposed to heroism, have you ever asked yourself what is the opposite of a hero? A villain is the opposite of a hero, but their is another opposite form of a hero; a tragic hero. A Tragic hero is “A literary character who makes a judgment error that inevitably leads to his/her own destruction” (“Tragic hero as defined by Aristotle”). For instance, in the play written by Sophocles Antigone, the tragic hero is Creon. Creon who is Antigone’s

We often believe that the protagonist of a story is a hero and possesses heroic qualities such as moral goodness, courage and selflessness. However, this is not true for every story. A story can have a protagonist who is an anti-hero: someone who lacks the traditional qualities of a hero. Anti-heroes are defined in three ways: The Satanic anti-hero, a character who seeks an evil goal through evil means, the Promethean anti-hero, someone who seeks a worthy goal but by unethical means, and the Byronic anti-hero, a character who has undefined goals and are to be achieved through questionable means, in which this character is often unpredictable mysterious, moody, and self-destructive. Both Macbeth from William Shakespeare’s play, Macbeth and Pink from the film, Pink Floyd – The Wall, are both anti-heroes. More specifically, Macbeth is classified as a satanic anti-hero who seeks the goal to become king and Pink is a Byronic anti-hero, who has no clear goal other than to escape the ‘wall’ he is trapped in. Some similarities these two characters share are that they are both privileged (with Macbeth being a well-praised warrior and Pink being a famous musician), are supported by corrupting influences and rationalize their worse deeds as needing to preserve their own safety. Although Macbeth and Pink share similar characteristics, I would assert, because of Pink’s childhood traumas, that Pink deserves more sympathy than Macbeth.

Superman, Wonder Woman, Spiderman—what do all these characters have in common? They are all products of the human aspiration to be saved. The word hero is passed around too much these days. A hero is not a football player that scores the game-winning touchdown or the goaltender who saves his team from a loss. A hero is usually an ordinary person that did extraordinary things. A true hero is really never a hero at all; at least not in their own mind. However, there are various cases today in which we see the exact opposites of these characters, the anti-heroes. The anti-hero is one who cannot be classified as a hero, for that said character lacks natural heroic qualities. However, the anti-hero cannot be described as a villain either.

A hero is defined as someone who is selfless and courageous.A hero also follows high principles strictly and has a great sense of morality. It is also likely for a hero to knowing act to risk his/her own life to save someone else. On the contrary, a villain is someone who acts destructive and is quintessentially evil. A villain will

A hero is someone admired for their courage, achievements, and/or idealized qualities, however; a movie can also portray an anti-hero. An anti-hero is a central character in which lacks conventional heroic characteristics. In every movie, book, or in reality every hero has their ups and downs. Many people undergo many hardships to become a hero. There are many stages a hero has to overcome such as: Separation, Initiation, and Return.

Over the course of this semester, students of World Masterpieces by Amanda Drake have learned about “othering” and anti-heroism. Many of the central characters in the stories and plays that were assigned, exemplified anti heroism and othering. Anti-Heroes, by definition, are typically main characters of a story, play or movie, which lack classic “heroic” traits. Due to these characters lacking heroic traits, they are othered by society and peers, making these characters outcasts.

In the reading, “Why We Love TV’s Anti-heroes” by Stephen Garrett, he points out that anti-heroes are becoming more popular than the traditional hero. Garrett states, “the word hero is abused in the news, the sports reports, and even in conversation” (318). For example tabloids recognize someone who battles a drug addiction and overcomes it or a substitute kicker for the football game kick the winning field goal (318). You see he argues that traditional heroes are “boring” and that there are no longer any more real heroes (318-321). Anti-heroes are characters or people who are just evil but still get the viewers to like

Anti-heroes do not solely exist in the fictional world. There are people in the real world, everyday who fit the anti-hero description. They are… the Mob. In ancient times loyalty was purest form of respect. It was a way of life. One was loyal to his or her family, govern, king, and God. Hand in hand with loyalty, comes the right to revenge. The Mob is one of the few “societies” that has reserved that tradition. For example: when a family member is assassinated, it is not only the right, but also the duty of the surviving family to avenge that death. This loyalty to one’s own, coupled with the fierce determination to protect them, are incredibly heroic qualities. Organized crime families are oohed and ahhed by the press and pop culture, and have their own fans. While these people are not ideal role models, they possess heroic qualities worthy of aspiration.

In all cases considered, the villain usually reigns over the hero of the story, and as he may seem fearless, he is a coward hidden within himself. Never is a villain positioned lowly in a story, because the purpose is to have an imbalance between good and evil to show that even when evil is dominant, good still conquers.

The original hero archetype greatly contrasts the modern anti-hero archetype. A hero is someone who displays little to no flaws and is widely liked by the majority. This character presents its storyline with exceptional traits. The anti-hero archetype is completely opposite of the hero archetype. “Unlike the traditional hero who is morally upright and steadfast, the anti-hero usually has a flawed moral character” (Michael). Modern anti-heroes lack in grace, power, and social success (Neimneh). They deal with issues and insecurities such as alcoholism and infidelity (Michael). Anti-heroes make unpleasant moral compromises, in contrast to the desired, in order to reach something. They want to create order where it is impossible and put the protagonist to ‘justice’. Traditional hero characters often succeed when trying to complete their quests, which contrasts the extremely grimm success rate of anti-hero victory. Anti-heroes also do not let their inner thoughts influence their actions while original or traditional heroes seek self-definition (Teleky). Traditional hero characters often succeed when trying to complete their quests, which contrasts the extremely grimm success rate of anti-hero victory. The faultless ways of the hero archetype sets it apart from people in society, making it extremely unrelatable to the mass amount of humans today, allowing the anti-hero archetype to prevail through.