Examples Of Antisoris In Prison Break

The novel, The invisible hero by Elizabeth Fensham explores the theme of heroism and villainy. Heroism can be defined as doing a selfless act in hope of inspiring others. Villainy can be defined as an act of doing something ‘evil’ in spite of another person or group. although it is commonly known that heroes and villains are polar opposite it is much more complex because it all depends on perspective. This idea of heroism and villainy will be expressed through an analysis of the style, characters, setting and plot.

A hero is universally seen as a selfless individual who puts the needs of others before themselves. Heroes usually hold the same values; honor, nobility, integrity, and strength. Now what happens when a person does not hold those heroic values? What if their motivations did not have good intentions? These are the questions that will be answered using the deconstruction critical lenses. “Today, it is much harder to detach the concept of heroism from morality; we only call heroes those whom we admire and wish to emulate.” (Lebarge web) The Greek myth of Theseus and the Minotaur has evolved into the modern trilogy of Batman which, when deconstructed, reveals how the selfish motivations of

This presents a problem in anti-hero stories, where, according to them, moral judgment plays an “insignificant role in antihero liking” (1037). Therefore, ADT, while effective in measuring likeability of heroic protagonists, fails to measure that of antiheroes. To try to measure the enjoyment of antiheroic stories, Shafer and Raney conducted two studies. In the first one, a group of students was split into two groups. One watched and antihero movie and the other a movie with a classical hero protagonist. Through various points in the film, the viewers were asked to rate the protagonist likeliness on a scale from 0 to 50, with 25 being neutral. Here are the results from the study (fig. 1):

The concept of a hero has been around for many generations, and the meaning of a hero is defined in ways people grasp its idea. A hero can be a person who has a superpower and is willing to make a personal sacrifice for the benefit of others or can be an ordinary everyday person who just wants to help people out of his or her own heart. Linda Seger’s article, “Creating the Myth,” tackles the idea of a “Hero 's Myth,” and shows the ten steps of how heroes are transformed from an ordinary person to the Savior. On the other hand, Robert B. Ray piece titled, “The Thematic Paradigm,” emphasizes that in modern films, it is either having an “Outlaw Hero or an Official Hero,” which he uses three stages to demonstrates how they are different each other in the way they perform in the society. Further, the article, “Out of Character: Wonder Woman’s Strength Is Her Compassion - What Happened?” by Stevie St. John, explains how Wonder Woman was viewed as a compassionate woman in the 1940s and 1950s, and in the 2000s she changes into a more violent person. In this essay, I argue that a hero is subjective, and is defined by the villain or event that they had to adapt to suddenly.

It's true: the antihero has a heart. It is usually displayed towards children in need, which he has consoled from time to time.

“What, exactly, does “antihero” mean? Merriam-Webster traces its first appearance back to 1714 and murkily defines it as “a protagonist or notable figure who is considerably lacking in heroic qualities.” Charles Bartholomew Joseph "Chuck" Bass is a fictional character in the novel and television show Gossip Girl. Chuck Bass is known as the show 's antihero. For example, he cheats, lies or uses the power of money to make his friends happy or get what they want. He isn’t the traditional anti-heroic because he is more relatable to people. His character traits have changed since starting in the first episode to the last episode in season six. During season one Chuck was shy, and unlikeable. Also, he is considered the bad boy. He was only interested in girls, himself and money. In an episode, he says “Why should I be… an usher? I’m Chuck Bass.” This is an example of how his unlikable personality came across to others. Then by the end of the third season he shows us a sensitive side. By the third season, Chuck shows a nicer side and is likable. We see him make a few big and thoughtful gesture to his queen bee girlfriend, for example, surprising her with her dream dress for prom.

Sporting a fedora, suit and a cigarette in hand, leaning against a wall, the captivating anti-hero stands double crossed in the stereotypical L.A. noir genre. Right in the heat of World War II noir started to rise to the top and become a popular source of entertainment and instant distraction from reality. Many people were drawn to the anti-hero; they were drawn to the flawed characters who were the “heroes” despite their flaws. A hero embodies what people want to be, most consider noir anti-hero’s the same. You can idolize them in a story, but they all have specific characteristics that make the “hero,” themselves, just as vulnerable as everyone else. An anti-hero needs to be layered, complicated, and flawed that pushes the boundaries of what is right and what is wrong. They need an illustrated struggle that builds through growth so as the audience reads they can keep showing optimism for the anti-hero as they try to seek redemption. A novel by James M. Cain, Double Indemnity’s anti-hero Walter Neff has many flaws; flaws that are egotistical and murderous, but also manipulative and powerful. Just like Walter Neff, a recent character that is the epitome of an anti-hero is, Frank Underwood in the show House of Cards. Frank started at the bottom and with his anti-hero characteristics powered his way to presidency putting many morals aside and doing what he thought was the only option to achieve what he wanted. With complex motives, a driven mindset, and no boundaries, the

Superman, Wonder Woman, Spiderman—what do all these characters have in common? They are all products of the human aspiration to be saved. The word hero is passed around too much these days. A hero is not a football player that scores the game-winning touchdown or the goaltender who saves his team from a loss. A hero is usually an ordinary person that did extraordinary things. A true hero is really never a hero at all; at least not in their own mind. However, there are various cases today in which we see the exact opposites of these characters, the anti-heroes. The anti-hero is one who cannot be classified as a hero, for that said character lacks natural heroic qualities. However, the anti-hero cannot be described as a villain either.

Their personal tendencies reflect anger and an untouchable attitude. They are required to upset the balance, immerse themselves into situations, and are portrayed as protagonists in literature realism. Kesey has exhibited McMurphy with flaws and realistic features. Anti- heroes wear their scars, and have many imperfections not only on the surface but also beneath. McMurphy’s visible scars show he has not lived a perfect life, immediately it is detectable he is not one to hold himself back from situations, even if violence is involved. Whilst looking at physical flaws and violent attributes, the anti- hero Deadpool is comparable to McMurphy. Both characters are visibly flawed, but have behavioral similarities such as their boisterous behavior, upsetting the balance and often causing chaos, callous behaviour to those on their opposing side but will not harm the innocent , and often having unpredictable actions. McMurphy’s and Deadpool’s rebellious actions and tendencies to push the limits too far, often placing them in strife. Deadpool was used as a torturous experiment deforming his body before he initially began his role as an anti- hero, where as McMurphy received his shock treatment and frontal lobotomy as a result of being an anti- hero. Although each anti- heroes story had alternative outcomes, their physical and emotional flaws relate them to one

A hero is someone admired for their courage, achievements, and/or idealized qualities, however; a movie can also portray an anti-hero. An anti-hero is a central character in which lacks conventional heroic characteristics. In every movie, book, or in reality every hero has their ups and downs. Many people undergo many hardships to become a hero. There are many stages a hero has to overcome such as: Separation, Initiation, and Return.

Generally, an anti-hero is “a main character in a story who does not have the qualities that a hero usually has, such as being morally good” (Macmillan Dictionary). For a person who overcomes difficulties and fulfills his dream, there is still a possibility that the person is not considered a hero if he or she is against heroic values. In John Cheever’s “The Swimmer”, Neddy is not a traditional hero who is concerned and caring. Instead, he is classified as an antihero--a relatable figure in default of crucial heroic qualities. Neddy’s decision of swimming home is merely due to his self-interest and not a moral motivation. As an antihero, Neddy does not have the interest to serve people. By contrast, his journey is one of self-gratification and entertainment. Arthur Ashe, the great American tennis player once said, “True heroism is remarkably sober, very undramatic. It is not the urge to surpass all others at whatever cost, but the urge to serve others at whatever cost”. In “The Swimmer”, Neddy devises a very dramatic plan to swim home, which represents The Hero’s Journey. However, he does not demonstrate Ashe’s dictum because he fails to display some essential heroic qualities such as empathy, determination, and tolerance. Ultimately, he is not a hero, though he does complete a hero’s journey of sorts.

In the reading, “Why We Love TV’s Anti-heroes” by Stephen Garrett, he points out that anti-heroes are becoming more popular than the traditional hero. Garrett states, “the word hero is abused in the news, the sports reports, and even in conversation” (318). For example tabloids recognize someone who battles a drug addiction and overcomes it or a substitute kicker for the football game kick the winning field goal (318). You see he argues that traditional heroes are “boring” and that there are no longer any more real heroes (318-321). Anti-heroes are characters or people who are just evil but still get the viewers to like

Anti-heroes do not solely exist in the fictional world. There are people in the real world, everyday who fit the anti-hero description. They are… the Mob. In ancient times loyalty was purest form of respect. It was a way of life. One was loyal to his or her family, govern, king, and God. Hand in hand with loyalty, comes the right to revenge. The Mob is one of the few “societies” that has reserved that tradition. For example: when a family member is assassinated, it is not only the right, but also the duty of the surviving family to avenge that death. This loyalty to one’s own, coupled with the fierce determination to protect them, are incredibly heroic qualities. Organized crime families are oohed and ahhed by the press and pop culture, and have their own fans. While these people are not ideal role models, they possess heroic qualities worthy of aspiration.

Heroes are prevalent in everyone’s life. Whether someone’s hero is a living person or a fabled character from a movie, everybody has come into contact with some sort of hero. In fact, the concept of heroes has existed for hundreds of years, dating all the way back to Ancient Greece. Over time, heroes have drastically changed. As society has evolved, our heroes have evolved with it. Their goals and motivations have changed to coincide with the views of modern society. Modern day heroes have less selfish motives, better qualities, and are portrayed differently than ancient heroes.

The original hero archetype greatly contrasts the modern anti-hero archetype. A hero is someone who displays little to no flaws and is widely liked by the majority. This character presents its storyline with exceptional traits. The anti-hero archetype is completely opposite of the hero archetype. “Unlike the traditional hero who is morally upright and steadfast, the anti-hero usually has a flawed moral character” (Michael). Modern anti-heroes lack in grace, power, and social success (Neimneh). They deal with issues and insecurities such as alcoholism and infidelity (Michael). Anti-heroes make unpleasant moral compromises, in contrast to the desired, in order to reach something. They want to create order where it is impossible and put the protagonist to ‘justice’. Traditional hero characters often succeed when trying to complete their quests, which contrasts the extremely grimm success rate of anti-hero victory. Anti-heroes also do not let their inner thoughts influence their actions while original or traditional heroes seek self-definition (Teleky). Traditional hero characters often succeed when trying to complete their quests, which contrasts the extremely grimm success rate of anti-hero victory. The faultless ways of the hero archetype sets it apart from people in society, making it extremely unrelatable to the mass amount of humans today, allowing the anti-hero archetype to prevail through.