Examples Of Archetypes In Sir Gawain And The Green Knight

​In the beginning of Sir Gawain and the Green Knight, Gawain is introduced as a courtly knight with a sense of perfection. The author does this to compare it to his failures, which are later displayed through Gawain’s acts at Morgan le Fay’s castle. Gawain is portrayed to be a chivalrous knight with honor and courage. Gawain is presented with a challenge: accept the game to cut off the Green Knight’s head, and in a test of courage and honor, set out to allow the Green Knight to return the favor to him in a year and a day. This initially shows the knightly characteristics of Gawain which presents him as noble and honorable, which allows the author to shock the audience when Gawain falls under pressure to actions that contradict the chivalrous code. The first of these actions taken by Gawain in opposition to his morals is the temptation

The story of Sir Gawain works on an opposite level from that of Beowulf. Just as Beowulf emphasizes outward strength, the character of Gawain stands as a paradigm of inner strength as a path to outward glory. The battles Gawain fights occur inside his mind. The chivalric code is one concerned with honor and duty within a society of corruption and sin. The role of chivalry was one concerned with example. A chivalric Knight, such as Gawain, must abide by the inner code of morality in order to remain true to his self, his lord, and his God. Sin, for Gawain, would begin in the mind, and lead to dishonorable deeds in the outside world. Throughout Sir Gawain and the Green Knight, Gawain travels on a path which is as much one of inner contemplation, as it is of actual travel. We see Gawain at the beginning of his journey being,"...faultless in his five senses,/Nor found ever to fail in his five fingers,"(640-1). Gawain’s traits being likened to the five wounds of Christ sets up his eventual fall from the very start. However, like Christ, Gawain is reborn to a new life through the "scratch" the Green Knight gives him (2312). From that small wound, Gawain realizes that he cannot live up to the perfect image of chivalry he has sworn to uphold. To Gawain, this wound comes very close to being the death knell of the entire moral system Gawain has dedicated his life to.

A number of several different archetypes in Sir Gawain and the Green Knight are what makes the hero’s journey so successful in many ways. The journey sends the Hero in search of some truth that will help save his kingdom. Sir Gawain goes on a journey to find the Green Knight as per his request. This journey ultimately leads to the knowledge that he seems truly chivalrous. As Sir Gawain approaches the castle, the men of the castle were begging him to cross the bridge. The bridge

A particular archetypal character in Sir Gawain and the Green Knight who plays a central role in creating the conflicts that help to develop Gawain’s character and the ultimate theme of this medieval romance , the Green Knight. The Green Knight deals with different archetypes, the evil figure… ultimately good, the trickster, and can also convey a type of mentor. In the story Sir Gawain and the Green Knight, at the end once Sir Gawain finds the green chapel the green

In Sir Gawain and the Green Knight, many archetypes can be found, like in most works of literature. This literary work included situational and symbolic archetypes as well as character archetypes and color archetypes. Each archetype in the poem aided in Sir Gawain’s development as a character. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

The Green Knight plays many archetypal characters throughout the whole story. For example, one of the archetypal character the Green Knight plays the Evil Figure. The speaker states “Then the Green Knight swiftly made him ready, and grasped his grim weapon to smite Gawain.” (Weston 8) This conveys that since Gawain had beheaded him the year before, it was now his turn to return a blow to Gawain's head. Although throughout the story the Green Knight is seen as the evil figure, he ultimately ends up being a figure of good by discipline Gawain from his acts of dishonesty Another character that the Green Knight plays is the Trickster. No one knew the identity of the Green knight since his appearance was very abstract. Gawain later finds. that the Green Knight was the host of the castle in which he spent days before he had to go and face the Green Knight. A third character that the Green Knight plays is a minion. Later along in the story, the Green Knight reveals that

Sir Gawain shows a lot of honor by staying true to his word and following through with his deal with the Green Knight. He mentally prepares himself for the year leading up to his journey to seek out the Green Knight, braves through the forest, is met with the temptations of the lady of the castle, and holds true to his deal with the

Archetypes are universal symbols used in literature to represent fundamental human motifs. In the medieval romance Sir Gawain and the Green Knight, the hero must undergo archetypal situations to succeed in his quest to redeem the honor of Camelot. Gawain embodies the transcendent hero as he further goes into “The Zone of Magnified Power” (Campbell 71) then faces conflict resulting from the threat placed on the society. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

The characteristics of heroism, magical elements, and the supernatural, just to name a few, are all shown in the tale of Sir Gawain and the Green Knight. First, we see the supernatural when the Green Knight speaks even though he has been beheaded. Next, we see magic and larger than life characters when the Green Knight reveals he is both Lord Bertilak and the giant knight. Lastly, heroism is shown when Sir Gawain stands up for his King and takes his place in battle. It is these characteristics that place Sir Gawain and the Green Knight into the genre of medieval

More proof of Sir Gawain’s chivalrous and courageous character is evident when he arrives at Bercilak’s court. The people are honored that their guest is Sir Gawain, the most honored of all the knights on earth, even though Gawain describes himself as young and untested. They whisper to each other that Gawain, whose “courage is ever-constant” and “custom-pure,” will demonstrate and teach them his “command of manners” and “love’s language”(SGGK l. 912, 924, 927). The conversation of the household serves to provide proof of his Gawain's fine character.

An archetypal analysis of Gawain’s quest reveals some significant changes that occur in the hero’s character. We will analyze the progress of the hero, Gawain, as he ventures out to complete his quest. By analyzing the works of Sir Gawain and the Green Knight along with The Hero With A Thousand Faces, and how it completes the Hero’s Journey.

What I noticed at first while reading the story is that, the story is focused mainly only on Gawain’s point of view. Another thing that comes out of the story is that there is some sort of conflict between a civilized world and a natural world. The civilized world is the one ruled by codes of love. On the other side, the natural world is a more chaotic one, where the “animal instinct” dominates. The major conflict that we see, besides the one between Gawain and The Green Knight, is the one that Gawain has with itself, which is the struggle to decide whether his virtues are more important than his life. We also see, another huge theme treated in the story, which is the one that talks about “reputation”; reputation has a big impact in Gawain

Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

Part of the essence of drama is conflict. A man cannot be considered a hero unless he has overcome some form of opposition. In many cases, this opposition comes in the form of another character. Typically, the conflict is simplified as a malignant character with wicked intentions committing acts which would be characterized as evil; the protagonist opposes this villain and usually overcomes that character, winning the day and the admiration of all. Sometimes, the main character becomes a hero by overcoming some force within his or her own self. In Sir Gawain and the Green Knight, this is ultimately what Gawain must do in order to be considered a hero.