Examples Of Archetypes In The Road By Cormac Mccarthy

Imagine a world where the skies are grey and the ground is torn to pieces. Where there is no civilisation present, nor another human being to be seen. Where the feeling of hunger influences you to consider the idea of human flesh filling your insides and persuading you to do so. A world infested with murder, crime and despair- which have now become necessary for survival. Imagine the air thick with black clouds towering over your very essence and having to muddle through 10 feet of snow and a strong gust of wind. A world where all faith should be gone, but amiss all bad things, it continues to linger through the eyes of the youth. Being able to see the light when your surroundings are pitch black signifies that humanity has not been lost completely. Although, the man knows in his heart that death is inevitable and dangerously close, he continues to live for the sake of the boy whom he believes carries the final hope for humanity.

The father and son also have comparisons in their character, they have similar characteristics when it comes to being sensible. An example of this is when, the boy and the man come across a cannibal's lair. In this they find people being prepared to be slaughtered and eaten. In this instance both the man and the son fight to get out of the lair. They both feel the same sense of danger and unease proving that they compare to each other. Another instance of this is when the boy and his father come across other survivors walking along the road with weapons and a pregnant woman. This chills both of the characters and they hide and wait for

The Road by Cormac McCarthy is an enlightening novel that makes many allusions to biblical stories in which we know today. From the structure to the details that McCarthy provides helps to see the connection between the story and the bible. McCarthy alludes to many stories of the bible, not just one. There are many specific examples in The Road in which it is connected with the bible.

The love between the protagonists in the times of hardship is the most profound relationship in the book and the strength of it raises the standard of the novel. The relation of the father and the son is very strong and symbolizes protection to the child. They take the initiative to struggle and live in an apocalyptic place which has been completely destroyed. The father is like the soul of his son and the very last hope for the son to survive .The son finds support in his son when he goes through the stages of loneliness and despair. It is a natural way for people to rely on others for support and by survival instincts; it is deeper when there is such a close relationship between a father and a son. McCarthy in terms of characterization makes the buy very innocent as he does not know how to differentiate between the “good guys” and “bad guys”. He wants to help everyone and on the other hand the father is very strong and is wise. He lives each and every day as a normal day so that he can keep his son strong as well. The father is very intelligent as he responds to his son questions thoughtfully to keep his son’s hope up. The father is very optimistic even when they are facing a hard time moving forward. To quote, “The lay listening, Can you do it? When the time comes? When the time comes there will be no time. Now is the time. Curse God and die. What if it doesn’t fire? It has to fire. What if it doesn’t fire? Could you crush that beloved

In the novel The Road, Cormac McCarthy illustrates the actions, geographical setting, and expressions to shape the psychological traits in the characters struggle to find survival in the gloomy and inhumane civilization. McCarthy uses imagery that would suggest that the world is post-apocalyptic or affected by a catastrophic event that destroyed civilization. In Gridley’s article The Setting of McCarthy’s THE ROAD, he states “On one hand the novel details neither nuclear weapons nor radiation, but the physical landscape, with his thick blanket of ash; the father’s mystery illness; and the changes in the weather patterns of the southern United States all suggest that the world is gripped by something similar to a nuclear winter”(11). In other words, Gridley asserts that McCarthy sets the setting as an open mystery, so that anyone can draw his or her own conclusions. The surrounding of the colorless and desolate society affects the characters behavior positively and negatively. Similarly the surroundings and settings of the society illuminate the meaning of the work as a whole.

The boy is very warm-hearted and appears to struggle to understand that danger could occur at any moment, whilst his father knows a lot more about what some people, “the bad guys”, do in order to survive. It could be seen that the child is very naive and therefore trusts others more than his father. However his trust in others teaches his father a valuable lesson; that not everyone is a “bad guy”. For instance when the pair come across Ely, the father is wary about him but his son is adamant that they give him a tin of food. This shows to readers that the boy has faith unlike his father. Another example is when the son sees the little boy; he begs his father to go back and help him and asks if he can go with them. I believe that he wants to help others as

They’re always about something bad happening” (McCarthy 269). So by this statement, we know that the boy while empathetic, still feels negative emotions for himself. We feel as if the boy is what keeps the book going, the fire; he is the only one who can and will keep the story going because he is seen as something greater than all. After the father dies, we see that the boy finds a group of wanderers and joins them.

The effects of setting on characterization differ depending on where the character is placed, and what time they were there. For example imagine a character living in Europe now, versus them living there in the late 1340’s, around the time of the black plague. Who they are and how they handle things completely changes depending on the situation they are placed into. In The Road by Cormac McCarthy the Father sees the world as “Barren, silent, godless.” but still keeps his calm in front of son as he is his entire reason for living in this lifeless dystopia.

In each novel of his personal literary journey, Cormac McCarthy examines death and God in different ways. Edwin T. Arnold, who wrote his essay “Blood and Grace: The Fiction of Cormac McCarthy” before The Road, examines how “McCarthy’s protagonists are most often those who, in their travels, are bereft of the voice of God and yet yearn to hear him speak” (14). In Cormac McCarthy’s The Road, the father explicitly describes his son as god; however, by juxtaposing the father and the son and examining their divine resemblances, it is not the boy but the man who embodies God, supporting Ely’s claim that this post-apocalyptic world is too harsh for God to exist.

The boy and the father have strong morals demonstrating a high level of authenticity, especially in a world where morality is extremely uncommon. To be ‘authentic’ means to genuinely be yourself. Although, as presented by Existentialism, one cannot be their true self until one has defined themselves. First, one must create their authentic selves, then they must live according to that (Varga). The father and the boy have strong principles to do what is right, even when their fellow survivors have completely abandoned morality altogether. At times, the father struggles with following said principles, however, he then justifies his actions which are purely for the safety of his son. This depicts that the father will do anything and everything to assure that the boy lives. The father expresses that “He knew only that the child was his warrant. He said: If he is not the word of God God never spoke” (5). When a man holds a knife to the son's neck, the father does not hesitate to kill him. Although this is

Archetypal criticism follows a basic rule of categorizing or relating any work of literature into a set framework. It works from a subjective basis, it is used to determine and grasp the ideas of universal truths messages through literary work. The universal truths and messages are determined by identifying patterns like character types, storylines, settings, symbols. The Road by Cormac McCarthy is a novel that accurately exemplifies the principles of archetypal criticism. This narrative account associates the characters of a young minor and his father to encapsulate the ideas of archetypal criticism. McCarthy presents the novel by setting the scene of a death-defying journey through a post-apocalyptic wasteland of America. The young lad

In addition, McCarthy uses personification, metaphors, and similes to convey his message about the struggles of survival in such cruel settings. For example, in The Road McCarthy used personification during a conversation between the man and the woman, “I've taken a new lover. He can give me what you cannot,” and the man replied, “Death is not a lover,” (The Road 29). The use of personification in The Road often refers to death because it is what drives the man to keep fighting, unlike his former wife who gave up succumbed to it. Therefore, the man knows death too well and will do anything hold onto the little bit of life he has left for the boy so he can, “carry the fire,” (The Road 145). Furthermore, in All the Pretty Horses McCarthy uses

What makes Cormac McCarthy’s post-apocalyptic novel The Road stick out from most dystopian works is that The Road takes place not before or during but after the end. The novel follows a man and his son as they survive the dangers of what once was the United States after an unspecified calamitous event. There is not much left of the world: no food, no animals, and no hope. Many readers will ponder how someone could still be motivated to keep moving forward under such circumstances. If we were living in the same conditions as the man and the boy, this question might seem more imperative. But arguably it is a question that can be applied to today: what, if anything, makes human life valuable or worthwhile? Through the dialogue between the characters, the novel provides two conflicting arguments that serve as potential answers for this question. The first argument is hope, which is associated with the Christian religion, while the other argument is futility, which has a nihilistic outlook of the ravaged world. This paper will examine the Christian imagery and nihilistic arguments contained in the novel and how the moral systems of the two conflict. While at first The Road might present itself as a powerful challenge to both Christian and nihilistic views of the world, in the end, the novel never explicitly reject either worldview.

Cormac McCarthy’s The Road is his post-apocalyptic magnus opus which combines a riveting plot along with an unconventional prose style. Released in 2006, the novel has won awards such as the Pulitzer Prize and the National Book Critics Circle Award (Wilson). Oprah Winfrey also selected the book for her book club ("Cormac McCarthy”). The author, Cormac McCarthy, was born in 1933 in Rhode Island and is said to have wrote the novel because of his son and their relationship. The Road centers around a boy and his father while they try to survive after an unknown disaster occurs. While some people may argue that the unusual style takes away from the novel, it adds to the tone and meaning of the work.

First off, this movie does have quite a demoralizing ambiance to it, but there is an underline tone of expectation as well. For me, “the young boy” symbolizes this hope and courage for the future. The father has seen and done bad things along the route, but only out of necessity to keep his son safe. Meanwhile, the boy always begs his father to give people they encounter a chance, because he feels they may be “good” and are only acting bad out of necessity. This can be seen when the man takes their cart and belongings from the beach. When they catch up to him, the father has the man strip and they leave him to succumb to the frigid temperatures. This does bode well for the boy and he pleads with his father to return the mans clothes and leave him some food; which they end up doing. This to me is a demonstration of “hope” in civilized people still existing.