I chose to critique a painting that I saw when I went to the Fine Arts Center here in Tullahoma. The Fine Arts Center host many different exhibits in a year, but the recent one is The Watercolor Society’s one hundred forty ninth Traveling Exhibit. The Tullahoma Fine Arts center used to be the house of The Baillet Sisters. Supposedly the women still walk around, and open doors. On the upstairs wall there are two paintings of each of the sisters.
The painting is called “Guitar Hero” and it was created by W. Michael Bush, an artist that was born in Indiana, but resides in Bell Buckle. “Guitar Hero” is a painting that centralizes a musician and surrounds him with a crowd at his feet. It includes a combination of warm and cool colors mostly being
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It relates to me because I am definitely not creative enough to go where those amazingly creative people have gone. I do not have the talent to even be creative or musically talented. This piece symbolizes to me that musicians are adored and paid millions of dollars but it is too much. There are musicians and artists who never achieve that fame or fortune and they are the same. It also shows that music and art are one in the same. People are often put in a pedestal in both walks of life and they are using their creative talents to express their feelings and try and get others to enjoy their works, or just make it big and make tons of money. I think this work of art is valuable because there are so many levels to it. It is not just a painting. It really shows the separation between regular people and celebrities. It can be said though that this piece lacks use of principles of design. There a lot of abstract elements to this piece and it could have used more line to separate and clear the image up instead of leaving it jumbled. “Guitar Hero” by W. Michael Bush leaves a lasting impression in my head that cannot be done by any ordinary
This essay reviews the artwork by William Bouguereau in the painting The Elder Sister. It examines the elements of design and principles practiced in the artwork. This essay assesses the appropriate use of the elements and the effects that they have on the overall perception of the painting. The artist has applied an amazing background as well as a perfect balance of the piece. The elder sister's arm balances with her leg, the baby's foot balances with older sisters foot, the clouds balance with the bushes. This marks the cause of the initial acclaim of this painting. Upon viewing the picture one gets a feeling that the artist meant to depict a young lady who is captivated by her little sibling. This comes out clearly from the use of the angelic almost celestial background that unquestionably creates the mood of affection. The enchanting smile on the face of the young girl communicates the elder sisters bliss. The painter has accomplished a lot concerning the use of the elements in this painting.
I visited the Janice Mason Art Museum located in downtown Cadiz, KY. The gallery they had on display was “Colorstorm” If not now… when? by the artist Stacey Torres. The gallery featured upward towards 50 original paintings. Some of the artworks in this exhibit include: The Reddest Thread, Cathy, Queen Anne, Poetry Man 1, Poetry Man 2, and Journey. Stacey Torres is an African-American folk artist, writer, and dancer. She was born in Jamaica, New York and currently lives in New Castile, Indiana. The primary focus of her work is women in natural settings. Her paintings include brilliant colors using different media and include watercolor, oil pastels, and acrylics. (2) The piece I chose to review was titled Journey. This was a large (24 x 36) acrylic painting.
This essay reviews the painting by William Bouguereau’s The Elder Sister. It reviews the elements of design and principles practiced in the artwork. This essay assesses the correct use of the elements and the influence that they have on the entire perception of the painting. The artist has applied an amazing background as well as perfect balance of the piece. The elder sister's arm balances with her leg, the baby's foot balances with older sisters foot, the clouds balance with the bushes. This explains the initial acclaim of this painting. Upon viewing the picture one gets a feeling that the artist meant to depict a young girl who is captivated by her little sibling. This is clear from the use of the angelic almost celestial background that unquestionably creates an affectionate mood. The enchanting smile across the young girl s face communicates the elder sisters bliss. The painter has accomplished quite a bit with the use of the fundamentals in this painting.
A Painting by Paula Rego called The Family - The Stimulus for our Drama Piece
The idea of this piece is to show the connection between mother and daughter being painted. It shows the time and the classic style of the
I can only hope that the women that have looked at this portrait of me are inspired to pursue their goals and dreams, no matter how foolish they may seem to be by society. I have been fortunate enough to be allowed to break away from my expected norms and go after the arts. I hear that I am the “first known woman artists to achieve international fame,” (Clara, 2012) which means that my efforts and my talents have not gone in vain. It is my humble wish that decades from now, women can look at this painting and see that their efforts to be more equal to men are worth and so important.
The artist of this painting was Hale Woodruff. His art was so inspirational thatTalladegaa College askedWoodrufff to paint six paintings for a museum they were building called The Slavery Library. He agreed
After visiting the Wichita Art Museum, I was engrossed by the canvas Ring around the chimney by Lawrence Beall smith (American, 1909-1995) and the other canvas Butter Lane by David sale (American, 1952). The first piece of art that caught my attention was the Ring around the Chimney, because it was on the side of the entrance that stood out because of its form of subtractive color mixtures that made the canvas seems cloudy and gloomy feeling. The lines in the canvas also caught my attention because it gave it a mass in Two-Dimensions that made the canvas look like there was not enough space because of the two women, the filthy mattress, the cloudy skies, the chimney and the wood fence. The women in a pink dress also gave the canvas an illusion
While returning to the Museum of Fine Arts, in Boston, I stumbled on a painting that was in our book Gardner’s Art through the Ages by Fred S. Kleiner on page 705. The composition intrigued me a hundred times more in real life than it did in my book. I wanted to know the story, who are the girls, where are they and why is there no certainty in the painting? Are the girls in an insane asylum, a museum, a house? The Daughters of Edward Darley Boit, captivated me, it is like no other piece of art that I have even written about, I wanted to challenge my artistic ability and try something different. Throughout this paper I will be analyzing the story, the girls and the overall meaning of why this painting exists.
Located in our local museum of Fine Arts here in Houston, Texas the painting “The Elder Sister” done by the famous painter William Adolphe Bouguereau in 1869 is known at the museum for being an anonymous gift given to the museum in the year 1992. When one take a trip to the museum to view this painting one gets this feeling of adoration. The painting between the two siblings gives out a caring and calm perspective. A reason one can get this feeling of the painting created by Bouguereau is because it shows on how the elder sister has the passion of caring for her younger sibling. Her small smile painted on her face and her hold to her younger sibling shows the love she has. Including the look in her eyes that has a straight glance to the art viewers shows the care and loving emotion. Including as if her eyesight was showing one the same love and carefulness affection she shows the younger child in her arms known as her sibling.
This painting shows disconnect and isolation of the sisters in their position, and their clothing. The youngest child is given the most prominent spot in the painting and is the most included in the composition by sitting on the carpet in the foreground. Directly behind the youngest girl are the two eldest in the background. In a much more shadowy location, the girls seemed to be more united than the others, in their dress, their overlapping positions and their evidently much smaller age gap. The middle sister, in both age and composition, is the most disengaged from her sisters.
The epidemic of our materialistic society is the result of mankind seeking “happiness” and satisfaction through obtaining objects of our greatest desires. We are so vulnerable from getting exposed to media and propaganda, the orthodox of society convincing us that purchasing materialistic objects ultimately reflect our social image, self-worth and happiness. Hello Triple J representatives, I believe music is incredibly important, in fact, music is also one of the key aspects in society. It impacts the listeners and shapes them along with the music, depending on what type of message the song is trying to deliver.
The artist of the portrait is Elisabeth Vigee-Lebrun. She was born in Paris on April 16, 1755. She was the daughter of Louis Vigee who was a pastel painter of moderate talent and devoted to his artwork. When Elisabeth turned eleven her education was considered complete, she then left school for good to return home to her parents and to pursue her dream as a painter like her father. While back at home with her parents, she spend many of her hours in her father’s studio experimenting to her heart 's content with his crayons, and dutifully accompanied her mother, who, we are told, was "good to the point of austerity,"
If you have some free time and have always wanted to visit an art gallery, a start is the Art Sacré exposition. Just do not expect high quality art. Running from October twenty-third to December eight-teenth at Les Salles de Gesù, the exposition features four artists depicting spirituality and inner self.
Case Study: The use of assemblage and the found object in historical and contemporary art practice.