Examples Of Balance In Okonkwo

Okonkwo is a tragic hero because has a tragic flaw, is noble, and experiences reversal of fortune. Okonkwo’s tragic flaws include short temper and not wanting to be like his father. He is noble due to his titles and respect throughout Umoafia. His reversal of fortune happens at a funeral.

Okonkwo, a very demanding character, has just finished a day's worth of labor and comes home expecting food at the table and his youngest wife has not prepared it yet. Okonkwo waits for her arrival when, “she returned he beat her very heavily. In his anger he had forgotten that it was the Week of Peace” (Achebe, 28). This quote displays gender inequality throughout the African villages during the Age of Exploration. The tone seen in the words “beat” and “heavily” give a sense of insecurity and negative connotation towards women during that time. In keeping with Igbo view of female nature, they allowed wife beating. It is clearly evident that tone in the book Things Fall Apart allows Achebe to get his point across that women were on the bottom of the social hierarchy and were treated like property. Women were subjugated to their husbands whims, in this case it meant beating his wife when dinner was not ready. This occurred during a Week of Peace regardless that no violence should

In most cultures an individual’s gender will influence their characterization. For instance, Ibo tribes in Africa classify people according to their gender. Women are thought as submissive individuals who are to some extent weaker than men. Men on the other hand are thought of as strong beings with much expected from them. Chinua Achebe’s Things Fall Apart strongly emphasizes on the categorization of masculinity and femininity in the society of Ibo tribes. Throughout the book, Okonkwo’s idea about masculinity situates him with respect to his community. In his community Okonkwo is greatly praised for his masculine traits. It is Okonkwo integration with masculinity that leads to him becoming an

The way in which the women of the Igbo village are presented, by Achebe, make it seem as if they serve very little purpose to the society. The main character, Okonkwo, is infatuated with making sure he does not turn out to be like his father. By living in a village where manliness was crucial and weakness was not, Okonkwo viewed his father as being a weak and cowardly mean because he could barely support his family. To make sure he did not become an adult that resembled his father, he developed the characteristics of being brave, wealthy and even violent. Since he acquired these traits, it gave him a sense of superiority over his wives and the other women of the village. Perhaps because of Okonkwo’s behavior, the women of the village are treated with less respect. It is portrayed by Achebe that the women of the Igbo village only purpose is looking after the children and helping their husbands when or if it is needed. Although the women of the Igbo village are described as being insignificant, the women are the people that fill in the gaps in the society. For example, the women are the ones that cook, clean, take care of everyone, help harvest and grow food, as well as all the other everyday tasks that are easily overlooked.

During the course of the novel, it appears as though Achebe is prejudiced against women. However, in his crude remarks quoted in the novel by Okonkwo, Achebe is actually praising the female race. After Okonkwo accidentally kills a young boy, he is banished to his motherland. He takes this banishment as a direct insult to all of his values. During Okonwo's stay in Mbanta, one of his many wives has a child. Uchendu, Okonkwo's uncle, forces him to name the baby, Nneka- "Mother is Supreme." When Okonkwo refuses to call his baby a name that contradicts his strongest beliefs, he laughs out loud and asks why anyone would say, "the mother is supreme." Uchedu explains something that makes Okonkwo have more appreciation for his home in Mbanta. Uchendu states:

African society, influenced by its traditional economy, held strict gender roles, and Ekwefi stayed in the home and focused on traditional female tasks. Although African American society in the twentieth century prized women and elevated females to powerful matriarchal positions in the family, pre-colonial Nigeria in no way tolerated women outside the bounds of the home. Ekwefi lives “in perpetual fear of [Okonkwo’s] fiery temper,” and pours herself into raising her daughter, Ezinma (Achebe 13). Because Okonkwo fails to respect the religious customs and “beat” his wife “very heavily” during the “Week of Peace,” others in clan lose respect for him and his family, and Ekwefi can do very little to change this (Achebe 29) . To deal with her husband’s inadequacies, Ekwefi pours herself into Ezinma and raises her to exhibit strength and bravery. Because Okonkwo and traditional Nigerian society hailed masculinity as supreme and despised femininity, Ekwefi knew that in order to appease Okonkwo’s anger, she must raise her child to exhibit these characteristics, despite her gender. Her strategy proved successful, as “Okonkwo was specially fond of Ezinma,” but only showed his “fondness on very rare occasions” (Achebe 44). Furthermore, Okonkwo repeatedly states that Ezinma “should have been a boy,” (Acehbe 64) because he loves her, but continually

Okonkwo treated his son and daughter very differently. The child-father relationship between Okonkwo and Nwoye was a distant and strained one while Okonkwo exhibited another type of feeling towards Ezinma which is filled with care and concern. This was due to the fact that Nwoye “was already causing his father great anxiety for his incipient laziness” whereas Ezinma was thought to have the “right spirit” and “alone understood [Okonkwo’s] every mood”.

Chinua Achebe, author of Things Fall Apart illustrates the circumstances one man and his son face in an Ibo village in Nigeria. Okonkwo, the protagonist/antagonist has a tragic flaw, the fear of weakness which ultimately causes him to expect more from his son, Nwoye who never falls short in disappointing him. The relationship between the two is not the most desired seeing that they both do not show the affection most father-son relationships do. Traditionally, most son’s follow their father’s footsteps, however, this was not the case for both Nwoye and Okonkwo. Each of the identified much differently from their fathers meaning that they never backed down regardless of the other believes. Due to the outcome of Nwoye and Okonkwo’s childhood and

Achebe utilizes Okonkwo as morally ambiguous to illustrate an internal battle between good and evil through his brutal actions. Okonkwo beats on his second wife, Ekwefi, when she fails to tell him about leaving their hut; he even threatens to kill her with his gun. The reader can deduce Okonkwo feels justified in his actions because he always thought of the male race as superior and as a disciplinary force. The author chooses to make Okonkwo beat his wife because while Okonkwo was not motivated to abuse his wife by anger, he was motivated to show him as being the head of the household; the man running the show. This connects back to the theme because it was good Okonkwo was taking on the role of being the head, acceptable by his community and time period, yet his methods would be looked down upon by modern day

One quotation that expresses Okonkwo’s view of manliness states Okonkwo “was always happy when he heard [Nwoye] grumbling about women. That showed that in time he would be able to control his womenfolk” (53). This quotation shows that Oknonkwo feels pleasure when his son displays signs of power, such as the control of the perceived weaker gender. Ergo, Okonkwo views the subordination of others by his son as an example of “masculinity.” This idea is further supported by the quotation: “No matter how prosperous a man was, if he was unable to rule his women and his children… he was not really a man” (53). Oknonkwo clearly considers utter authority of one’s nuclear family as a prerequisite to meet “manhood.” He literally states that a man without patriarchy in his family is not a man. Therefore, when Nwoye displays the early signs of this dominance, like the grumbling about his subordinate women’s issues, Okonkwo is finally considering his son “masculine” as shown by his happiness.

According to Achebe, the main character detested his father at a very young age, “Even as a little boy he had resented his father’s failure and weakness, and even now he still remembered how he had suffered when a playmate had told him that his father was agbala.”(28) The Igbo tribe in Things Fall Apart uses the term an “agbala” which is used to describe “woman”. Okonkwo considered his father to be weak, effeminate, poor, disgraceful, and always in debt to his fellow tribes people. Okonkwo’s life revolves around the deep fear of becoming a failure and adopting the image of his father. Due to this self rooted perception of failure there are indications that he tries to rise above his father’s legacy.

Historically, women have been viewed as inferior to men due to a female's lack of physical strength. In the candid novel, Things Fall Apart, by Chinua Achebe clearly defines gender roles; women are the caretakers and cooks- simply existing to satisfy men’s desires. Although “Things Fall Apart portrays the women as weak ,inferior, and being put in their place by men; however, Achebe also notes their importance during several parts of the story. By incorporating powerful dialogues and scenes to develop gender conflicts, Achebe uses the completely divergent character of Okonkwo, who constantly strives to achieve manliness to demonstrate that although women in the Igbo society are important, they are not treated as such. Chinua Achebe, the author suggests that there is a constant conflict which exists between the two genders and the expectations of the roles in which each of them must play.

Women like Chielo who are priestesses play an important role in the religious life. Chielo, the priestess, is a spokesperson for one of the Igbo gods, Agbala. Achebe writes in the novel, “But Chielo…went on shouting that Agbala wanted to see his daughter” (p. 90). In this example, Chielo is no longer Ekwefi’s friend whom she often talks with, but a spokesperson becomes possessed by Agbala. A priestess is very powerful in Igbo culture. People regard the words through a priestess’s mouth as oracles. Therefore, God’s spokesperson is actually the spiritual leader of the people who hold in awe and veneration. No one can challenge Chielo’s authority in front of their god. The novel describes Okonkwo’s failure to prevent his daughter Ezinma from

In every culture the mother is usually the one that will comfort you in the bad times and will support you and she will protect you. In the story, the mother protects her children. For example Achebe says, “ But when there is sorrow and bitterness he finds refuge in his motherland. Your mother is there to protect you” (134). After Okonkwo accidentally shoots Ezeudu sixteen year-old son, he is send to his motherland. Even though Okonkwo’s mother is not there anymore, she is still protecting him by providing a place to stay until Okonkwo’s punishment is over. Also, her kinsmen treated Okonkwo well and they gave him yam seeds to start a farm. Ilika describes the relationship between the children and mother when they get older. The children are most likely aligned to their mothers when they become adults (Ilika 85). The children are aligned with their mothers when they become adults because their mother is the one that cared for them in the childhood more than their father. In the book, Okonkwo found refuge in his motherland when he was an adult. Those are some examples why the role of the mother is very important to an igbo

Okonkwo victimizes his family due to his sexism. Okonkwo’s actions and thoughts signifies his idea that men and women are not equal. Throughout the plot he berates his daughter, Ezinma, concerning her gender. Since she is not the son he wishes for he continually abuses her into acting more feminine. When Okonkwo summons Ezinma to his hut and as she sits down “‘Sit like a woman!’ Okonkwo [shouts] at her,” (Achebe 44). Okonkwo forces Ezinma to cook and care for him and usually shows no affection towards her. Okonkwo’s victimization causes Ezinma to feel unwanted and unable to make Okonkwo happy. Yelling to Ezinma and trying to teach her what he wants from her conflicts what she hears her father tell Nwoye. Okonkwo tells Nwoye to become stronger and focus on