Examples Of Betrayal In A Yellow Raft On Blue Water

In Flannery O’Connor’s short stories, “A Good Man Is Hard to Find” and “Good Country People,” the main characters’ trust is put to the ultimate test. Trapped in vulnerable situations, the protagonists become powerless and have to put their trust in the hands of the “bad guy.” As a result, the main characters fall victim to manipulation. Those who were once in total control of their situations are now stripped of their superior titles and are taken advantage of by the person they once trusted. Egos are bruised in the game of trust and manipulation in “A Good Man Is Hard to Find” and “Good Country People.” The grandmother and Joy-Hulga are taught lessons of a lifetime that changes the way they see themselves and life forever.

In addition, the author helps the reader understand the selfishness of the mother when the reader finds out she have stole the Persian Carpet “several months before” (230) the divorce and puts the blame on Ilya, the poor blind man. Furthermore, the visit of the children is supposed to signal a fresh start for the family. The mother even emphasizes she wants the girls to come “live with [them]” (229). Yet again, even if they meet in order to reunite, characterized by a situational irony, they see themselves separated because of her mother selfish decisions.

Johnson provides a brief account of the novella 's plot, together with his own perspective on the fact that so much of literature and literary analysis concentrates on the relationships that the characters have. In this case, the author examines the family as composed of children of ineffectual parents. While this writer does not know this with certainty, it is possible that many cases requiring family therapy are due to this very cause. The author then goes on to discuss the family in the context of the greater social system.

“Sonny’s Blues” by James Baldwin and “The Yellow Wallpaper” by Charlotte Perkins Gilman are two stories that reveal the consequences of individual suffering. These consequences include estranging relationships, bitter behavior, and even illness, addiction, or death. Throughout each of these stories, Sonny and John’s wife, known as the narrator of “The Yellow Wallpaper”, continue to suffer due to John’s and Sonny’s brother’s, known as the narrator of “Sonny’s Blues”, failure to meet obligations and familial compassion. Neither the narrator in “Sonny’s Blues” nor the husband, John, in “The Yellow Wallpaper” serve as the villains of the stories, however, I believe we are able to see how both their inabilities to effectively

Poverty and hardship are shown to create vulnerability in female characters, particularly the female servants, allowing powerful men to manipulate and sexually abuse them. Kent illustrates how poverty perpetuates maltreatment and abuse in a society like Burial Rites using the characters of Agnes’ mother Ingveldur and Agnes. Agnes’ mother is forced to make invidious choices as her children are “lugged along” from farm to farm, where she is sexually exploited by her employers. In spite of these circumstances, Agnes’ mother is commonly referred to as a whore in their society which abhors female promiscuity yet disregards male promiscuity as a harmless character trait; as in the case of Natan, who is merely “indiscreet” despite all his philandering. Born into poverty, Agnes experiences similar sexual coercion and manipulation from her “masters” and yet is labelled “a woman who is loose with her emotions and looser with her morals”. The severe poverty of Agnes is explicitly demonstrated to the reader by Kent through the intertextual reference of her entire belongings - a very dismal, piteous list to be “sold if a decent offer is presented”. Furthermore, Kent contrasts the situation of Agnes, a “landless workmaid raised on a porridge of moss and poverty”, to the comparative security Steina has experienced using a rhetorical question from

Since her mother paid her little attention and her brothers and sisters were older and had different interests, Clara often felt ignored or overly childish in this grownup family. In fact, her "childhood became a series of repeated attempts to express her own needs and proclivities, to shake off dependence, and to overcome the neglect and ridicule she felt were so often her lot" (Pryor 1987. p,10).

Flannery O’Connor’s A Good Man is Hard to Find tells the story of a family from Atlanta, Georgia as it makes it way to Florida for a vacation. The five members of the family include the grandmother, her son Bailey and his wife. Among the passengers are three children, one of whom is still a baby. There fatal deaths in the end illustrate the belief that everybody has their own unique flaws. The grandmother plays a pivotal role in the story considering the fact that she selfishly convinces the family to divert momentarily from the expected route. In From ‘One of My Babies’: The Misfit and the Grandmother, Stephens Bandy points out that the grandmother was extremely evil. John Desmond, on the other hand suggests that the grandmother is not necessarily a strictly evil person. With reference to the short story, this paper explores Bandy’s and Desmond’s critique’s of A Good Man is Hard to Find. The paper argues that the grandmother is absolutely to do anything for her selfish gains. Furthermore, the paper argues that people are not entirely good or evil, but respond to different events in unique ways.

Because of the life that Christine leads, the role of mother and daughter are switched and Rayona often finds herself watching out for her mom. When Ray comes home from school, she would often learn that her mother had gone out to party. Times like

Rayona and her mother Christine grew up in different worlds but they are very similar in many ways. Christine faced various problems as a young child that are now being passed down to Rayona and she is now seeing how they are being affected by them. The novel “A Yellow Raft in Blue Water” walks us through Rayona’s coming of age story and the three perspectives that it is being told in, Rayona’s, Christine’s, and Ida’s. Although Rayona and Christine are very different, they both seem to be facing similar problems; they end up helping one another find their self identity and both are finally able to appreciate and understand one another.

Marry Karr’s The Liars Club is a haunting memoire, depicting a young Texan girls struggle to survive the trials of adolescence in home that finds stability in chaos and comfort in the abusive habits of her parents. Illustrating both fond and painful memoires from her past, Karr paints a complex image of the relationship she shared with her mother; giving readers everywhere the ability to relate and empathizes with the emotional complexity of their mother daughter relationship. This complexity of relationship can be explored in three main ways: the conflicting views Karr formed of her mother, In Karr’s

The character of the mother executes the tell-tale signs of counterfeit happiness when she tells the murderous story of the narrator’s father’s brother. “‘Oh honey,’ she said, ‘there’s a lot that you don’t know. But you are going to find out’” (36).

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

The bond between a mother and child is often spoken of as being unlike any other. Yet there are always exceptions to the rule where this connection isn 't as impenetrable as one might assume. This book is an example of this bond gradually becoming weaker over time. It shows how it affects the child, Bone, and leaves her vulnerable to the abuse of her step-father. Bone’s mother, Anney, had fallen in love with a man who abused her which at first, she’s unaware but eventually comes to realize but still chooses to stay with him. Throughout the book there are instances of Anney’s negligence in recognizing her daughter’s abuse and being of aid to her but wasn 't. In having to deal with her

The tone of this story is one of fear, regret, and guilt. The story first leaves the reader with impression that it may be a recount of the life of a daughter who was lost due to neglect. Soon it is evident

Julia Alvarez begins her story with a sit down interview between Dede and an interested investigator of her family’s story. As they start-up a discussion about her past life, Dede goes on to mention a particular moment in time, in where her father was foretelling the future of his daughters, with interruption