George Bernard Shaw’s ‘Pygmalion’, first performed in the 1910s, is a reworking of a Greek myth in which a sculptor falls in love with his own creation. A revision of the original tale, the play reflects Shaw’s socialist and feminist views, highlighting the marginalisation, exclusion, and silencing of working class women that was present within society at the time.
In Act 1, the interactions between the middle class and Eliza are used to highlight the marginalization and silencing faced by the working class within English society in the 1910s. When we are first introduced to the Flower Girl, where she bumps into Freddy and spills her flowers, she asks the middle class women present “Will ye-oo py me f’them?”. The fact that Eliza asks the women for money despite this being their first interaction implies that she cannot afford to follow any of the unspoken
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In act one, the flower girl is shown to sit “down on the plinth of the column, sorting her flowers, on the lady’s right”. In contrast, the daughter and the mother are both shown to be standing “in the space between the central pillars”. The juxtaposition in levels between Eliza and the two middle class ladies emphasises the exclusion and marginalization of working class women, highlighting the fact that the working class and the middle class are not considered equal. This can be seen again after the rain stops and most of the characters leave the stage - the flower girl “sits arranging her basket” alongside the note taker and the gentleman, who have remained standing throughout the scene. Despite being the three central characters within ‘Pygmalion’, an obvious difference between the two middle class men and Eliza is shown through their different levels. Shaw’s use of proxemics within this scene reinforces the marginalization and exclusion of the working class that is present throughout the
from the start to at the end, and the changes of Eliza, the main theme
-The sculptor Pygmalion wanted nothing to do with these women who lacked morals. He was very lonely and decided to sculpt an ivory statue of a beautiful woman. She had such striking and realistic features that he fell in love with
For centuries, society has taught its men and women to behave in a clear way and to expect certain things from each other. Due to this, women have been placed second, below men, the submissive gender. Women have been taught to aspire to marriage, to not be too smart, to live their life according to society who tells them how to please a man. In fact, when women saw this degradation of themselves they decided to create a movement known as feminism, the social, economic and political equality of the sexes. Due to this standard of society passed through generations, an average reader would interpret Joan Murray’s “Play-by-Play” to be a poem about older women lustfully longing after younger men and fulfilling their purpose. However, if one were to delve deeper into Murray’s poem, it could be argued that she is taking a satirical approach to the way men objectify women. Marilyn French once said, “The same men who are blind and deaf to feminism are acutely sensitive to what threatens their dominance and privilege.” In looking at the symbols, diction, and tone in Murray’s poem, one can plainly see her disdain towards the societal standard and objectification of women.
In "Pygmalion", Eliza Doolittle was a young girl who sold flowers. People looked down upon her for that reason. "I aint done nothing wrong by speaking to the gentleman. I've got a right to sell flowers if I keep off the kerb. I'm a respectable girl; so help me, I never spoke to him except to ask him to buy a flower off me.
Pygmalion by George Bernard Shaw is a play that shows a great change in the character Eliza Doolittle. As Eliza lives in poverty, she sells flowers to earn her living. Eliza does not have an education. This shows through the way that she does not have the most proper way of speaking. This happens through when Eliza is speaking to the other characters when she meets then when she is still at a low level of poverty in her life. To understand the reasons Eliza is able to change and be changed into an almost Cinderella like character. With Eliza going from and growing and changing through the hardship she faces. In the play Eliza begins with no confidence and works towards having a way to reach trough from learning during her life
The other view that Glaspell shows in this play is a sympathy that the reader grows for the women. How they are forced to follow the men. Like when they are asked to get close to the fire, they do it even though Mrs. Peters
the final act of the play that Pickering “treats a flower girl as if she was a duchess” (Shaw, 1916,
Eliza changed herself for the better. In act 5, she told the two men to start calling her “Miss Doolittle” and that was the beginning of learning her self worth. She was done being treated like a “live doll” and began to see herself like a Duchess, like Higgins
However, readers of the play may argue that Eliza and Higgins stop working together and conflict later on so that supports the theory of class struggle by Marxism. But when the two characters conflict with each other it’s not because of class struggle or anything related to hierarchy, it’s because of Eliza not accepting Higgins as a teacher as Higgins starts mistreating her so rather Eliza gives the credit for her transformation to Colonel Pickering and have constant arguments with Higgins now that she have learned the dialect of a higher class. “Mrs Higgins. I’m afraid you’ve spoiled that girl, Henry.” Eliza can also be seen as spoiled because of all those higher class ways and lifestyle she just adapted to. This type of conflict can be related to a house dispute and doesn’t show a behavior of lower class revolting against higher class to gain rights. “Liza. That’s not true. He treats a flower girl as if she was a duchess. Higgins. And I treat a duchess as if she was a flower girl.” “Higgins. The question is not whether I treat you rudely, but whether you ever heard me treat anyone else better.” As for Higgins’s personality, he always treats people with rudeness so
One’s class would be one the greatest stereotypical perceptions pertaining to language and groups. In Shaw’s Pygmalion, the storyline starts with a horrible storm. This storm forces classes of all types to crowd together out to seek shelter. Ideally, the higher class would not be caught associating with the lower class. However, a mother sees Eliza talking with her son, Freddy, and immediately goes to investigate. As a mother of that time, it is believed that Freddy should not associate himself with someone like Eliza. Eliza Doolitttle is roughly eighteen years of age, speaks what is called ‘gutter language’, and she sells flowers illegally. Appearance and actions “…reveal speakers’ memberships in particular speech communities, social classes, ethnic and national groups” (Edwards, 21). Due to her obvious state of being lower class, a stereotype is immediately placed on her.
Modern Period brought about many transformations in economy, politics, sociology etc. which were reflected in literature such as Drama as well. Literary works are opened for different discussions and point of views. By the dawn of the twentieth century women’s roles and position in the society had changed a lot. The women entered the public and also were allowed to work, but it wasn’t accepted by the male dominate society yet. Two important Modern Drama’s masterpieces written by Norwegian playwright Henrik Ibsen and George Bernard Shaw; a Doll's House play written in 1879 by Henrik Ibsen, and George Bernard Shaw's play Pygmalion written in 1913, depicts the men’s view toward women and their position in the society. Also it is perfectly
In The Country Wife, women are treated as mere objects and are viewed by the men of the play as being inferior. Sparkish views Alethea as an object that should be flaunted around and is only interested in marrying her for her wealth. Sparkish revels in the idea that he be envied for his wife because he believes that allowing more men to love her and envy him for owning her will increase her worth. In viewing her as something that gains value, Sparkish likens her to a treasure at an auction, whose value goes up as the number of bidders rises. Mr. Pinchwife also does not view his wife as a person because he refuses to let his wife go out and enjoy the sights and wonders of city life and instead keeps her confined to the house. Like Sparkish,
By naming his drama "Pygmalion," Shaw reminds people of the ancient Pygmalion Myth. Pygmalion, a sculptor, makes a beautiful statue and falls in love with his own creation. He prays that life may be granted to it. The gods give him his wish. The statue becomes a living girl named Galatea. In Shaw's play, Eliza, the heroine, is transformed from a flower girl into a graceful lady. This change is like that of a stone into a statue of perfect beauty. But just as
There are two different versions. The first version is Shaw’s version. Assuming to position Eliza in a real-life situation, Shaw seems to treat Eliza as an ambiguous character, thus the ending is indefinite. Through Eliza’s effort, she has gradually bridged the gap between herself and the life of the upper class people. Nonetheless, she has to face the dilemma: she may either continue to seek independence by making money on her own or be forced to get married to a rich nobleman. The vague ending has carried an implicit message: the female independence and unfair social relationships are yet to be
In the Victorian England period, how a person is viewed by society determines everything. What kind of jobs are available, who it is ok to marry, and even who is acceptable to interact with. How a person is viewed can change their life for better or for worse, and sadly women during this period must work twice as hard as their male counterparts to get the crucial social respect needed to succeed in their societies. How a person appears and how they dress plays a big part on how someone is viewed, but flower-girl-turned-duchess Eliza Doolittle must learn the hard way that just because a person fits the outside criteria of a lady does not exactly mean she would be treated as so, by society and most of all her mentor Henry Higgins. Throughout the play, Pygmalion, By George Bernard Shaw, the author makes the theme of prejudice against women very apparent by the way they are treated in society and the unreasonable expectations they are held up to, making it very difficult for women like Eliza Doolittle to move up in society and be seen as equal in the eyes of those above them.