Examples Of Contradictions In A Clockwork Orange

The use of the phrase “viddy him swim in his own blood while we counted the takings”, shows how criminals such as Alex and his “droogs”, can get away with such vicious acts of crime so often that it has become a hobby for them as they take so much enjoyment from the acts. Also the casual tone depicted from the text suggests the careless nature that Alex has towards the vulgar acts. These combined together add to the theme of corruption in society in ‘A Clockwork Orange’.

n literature duality is anything that has two sides mostly dealing with good and evil. In many different books, duality plays an important role in showing who the characters are and how the story occurs. Books such as Dr. Jekyll and Mrs.Hyde, Romeo and Juliet, and the Bible are books that duality plays a huge role in.

In part one of the novel, we witness the ability of free will that Alex possesses and his ability to choose between good and evil through contrast presented by darkness of night and lightness of day. At the beginning of the novel, Alex and his droogs (friends), Pete, Georgie, and Dim are at the Kovova Milkbar, roaming the streets and committing violent acts during night. Alex and his droogs encounter an old man who is drunk and is singing a sentimental song. Alex instantly chooses the path of evil with the free will that he encompasses, and along with his droogs they beat the old man while laughing at his misery. The old man complains about the “stinking world” and says, “It’s a stinking world because it lets the young get on to the old like you done, and there’s no law nor order no more.” (Part 2, Chapter 2, Page 12) At night, Alex uses violence and chooses to beat, rape, and murder innocent people because it shows that he has freedom of choice and has authority and power in society. Alex’s interpretation of darkness and night is, “The night belonged to me and my droogs and all the rest of the nadsats (teenagers), and the starry bourgeois lurked indoors…” (Part 1, Chapter 4, Page 33). In contrast,

Antisocial Personality Disorder ( ASPD) is a mental illness with various causal factors such as genetic predispositions, environment, parental neglect, gender, brain abnormalities, etc. The factors presented affect the character Alex DeLarge from Anthony Burgess’s A Clockwork Orange (1963). Despite Alex not being diagnosed, it is evident that he suffers from ASPD, it is clearly expressed through his behaviors and mentality. Eventually, Alex is incarcerated preceding a murder he committed, in order to be released early he enlists himself to a treatment so that he could be cured. The events that follow include his participation in the Ludovico Technique, an experimental form of aversion therapy which leaves him unable to fulfill the needs of his mental illness.

“The Strange Case of Dr. Jekyll and Mr. Hyde” by Robert Louis Stevenson and “Macbeth” by Shakespeare are novels that involve the theme of duality through good and evil aspects. Duality refers to having two parts, often with opposite meanings, like the duality of good and evil. In both the novels, the theme of duality is portrayed through setting, sleep, human nature and appearance. This literary technique is used to show the extremes of good and evil, and by using these elements, authors are able to cover an entire spectrum of good and evil through the several themes.

Choice and free will are necessary to maintain humanity, both individually and communally; without them, man is no longer human but a “clockwork orange”, a mechanical toy, as demonstrated in Anthony Burgess’ novel, “A Clockwork Orange”. The choice between good and evil is a decision every man must make throughout his life in order to guide his actions and control his future. Forcing someone to be good is not as important as the act of someone choosing to be good. This element of choice, no matter what the outcome, displays man’s power as an individual.

Character in both novels use unsuccessful escape methods to cope with their loss of identity. Alex, the protagonist in A Clockwork Orange, turns to classical music such as Beethoven when his gang members question his hierarchy within the group. Alex describes his bedroom where he goes after an argument with his gang members : "the little speakers of my stereo were all arranged round the room, on ceiling, walls, floor, so, lying on my bed slooshying the music, I was like netted and meshed in the orchestra." (Burgess. 37). We see Alex return to his bedroom many times after confrontations where his identity is disputed. Eventually, Alex is conditioned to feel sick whenever he hears classical music so Alex loses this escape method as he can no longer listen to classical music. Also, Alex relies heavily on the use of drugs when he is unable to deal with his loss of identity, " officially sanctioned "milk bars" that serve a variety of drug tonics to send one off on incoherent fantasies" (Gottlieb). These "milk bars" are locations where young

Although attacks on A Clockwork Orange are often unwarranted, it is fatuous to defend the novel as nonviolent; in lurid content, its opening chapters are trumped only by wanton killfests like Natural Born Killers. Burgess' Ted Bundy, a teenage Lucifer named Alex, is a far cry from the typical, spray paint-wielding juvenile delinquent. With his band of "droogs," or friends, Alex goes on a rampage of sadistic rape and "ultraviolence." As the tale unfolds, the

Anthony Burgess's writing style in his most famous novel, A Clockwork Orange, is different to say the least. This novel is praised for its ingenuity, although many are disturbed by Burgess's predictions for the future. However, for many, it is close to impossible to comprehend without outside help. This is because Burgess created a language specifically for this novel, called Nadsat. This Russian-based language forms conversations between the narrator, Alex, and his teenage, delinquent friends. There are many assumptions as to why Burgess chose to complicate A Clockwork Orange by filling it with the confusing Nadsat language. Some opinions are that the language shows A Clockwork Orange readers

A Clockwork Orange demonstrates the philosophically issues of free will and determinism through how the main character was treated in the movie. It also addresses important issues such as ethics, philosophy of the mind, free will and determinism, and the problem of perception. Philosophers such as John Hospers, B.F. Skinner, and Jean-Paul Sartre have different views on the issue through their theories of how individuals are or are not responsible for the free will choices that they make in life. The main character in the movie was a very violent , and reckless person. He participated in sinful acts such as being a gang member, raping women, being involved in fights, etc. These actions resulted in him being sent to prison and eventually being brainwashed into doing things out of his character. The three philosophers have very different interpretations of how the main character should have been dealt with and the reasonings behind his actions.

. . there's no law nor order no more" pg 14. He takes on a role of authority in a society of anarchy. Although he is impervious to the choice of good, Alex does not remain ignorant to this choice throughout the entire novel. In the beginning, he believes that violence is the only way to prove his control. This then leads to his loss of control through the loss of his ability of choice. Only in the very end Alex finally become a well-rounded character. He realizes that he does not have to choose evil and abuse his position to prove his right of choice. "But where I itty now, O my brothers, is all on my oddy knocky, where you cannot go. Tomorrow is all like sweet flowers? pg 148. Alex now knows that his future is open for his choices to lead him. For good or for evil, it is his right to decide, and this is what truly proves his freedom of choice.

     A Clockwork Orange had a loose theme of the necessity of not only good, but also evil in human nature. Alex may have been selfish and deviant but his character and the characters like him did seem to have a strong grasp on the concept that life was for living. Without the ability of choice to commit evil acts which was an impulse inside of him, his ability to act human was affected. The freedom of making these choices seems to be what makes us human. Hence without this freedom he is driven to attempt suicide.

The use of music as a motif in (Stanley Kubrick, A Clockwork Orange 1962)] creates a lens so that the viewer is able to recognize the trend that violence has to destroy an individual’s identity. Although Alex (Malcolm McDowell) clearly associates violence with his own individual identity and sense of self, he consistently reveals the impossibility of remaining an individual in the face of group-oriented violence. The images that music create coincide the destruction of Alex’s identity, either through compliance to a group’s style of violence or through failure to embrace the similarity of group actions associated with violence. As the movie progresses, musical imagery follows the exit and return of his personal identity as a role of his

The society of A Clockwork Orange is constructed upon struggles for power. Crime is a part of the everyday. Violent street gangs seek power through anarchism, direct authority is represented by a network of corrupt police, and on the highest social level a struggle for political and administrative power is fought. Alex reflects: "Power, power, everybody like wants power." As a microcosm of the social mentality, he seems to fit the notion of being a product of his environment.

Similarly, the character of Alex McDowell and his actions are presented with methods comparable to that of Bonnie and Clyde. Stanley Kubrick stresses the violence in A Clockwork Orange as a way to show the full extent of his harmful maniacal ways. Narration alone can only tell us so much about his personality and isn't able to comprehensively encompass the significance of the violence attributed to Alex. It isn't until we see the crimes being committed in vivid detail that we are able to recognize the true nature of Alex’s moral extent. This illustrates him as the character he is meant to be as per the novella written by Anthony Burgess. We learn through wide angle shots of the moments leading up to the raping of a helpless woman, that Alex is entirely comfortable with the sadistic action and even finds it amusing. Upward facing camera angles that specifically place his face as the focal point are used during this scene and many others like it to enunciate his sinister appearance. They are used to show that as a person, Alex enjoys these all to pernicious behaviors. The excessive realness of the scenes only supports our understanding of his lack of humanity. Alex’s aggressiveness is magnified by the way he senselessly beats the old man under the bridge and the husband of the raped woman. Incorporating an undisturbed shot of him doing so allows it make a greater impact on the audience's perception of the character. Just as in Bonnie and Clyde, violence is shown with no